Domina Tempora

Domina Tempora

By Marianne FisherHistory
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Domina Tempora episodes

  • 101: The Kitchen in Asian Mythology

    In Asian mythology, just before the Lunar New Year, the kitchen gods would go to Heaven to report to the Heavenly Emperor on his family’s activities during the year. In China, the family “send off” their kitchen god to heaven to make their report by burning the paper in which an image of the paper god was drawn that had hung over their stove for the entire year. The smoke rising to the heavens represents his journey to heaven, while fire crackers are lit to speed up the kitchen god’s travel. To ensure a good report before the Heavenly Emperor, honey would be rubbed on the lips of the paper god so that the kitchen god would have only sweet things to say to the Heavenly Emperor, or so that the sticky honey would prevent him from opening his mouth and tells the Heavenly Emperor any bad news.

    This episode is also available as a blog post: http://martinifisher.com/2020/08/07/the-kitchen-in-asian-mythology/

    5 min
  • 101: The Kitchen in Asian Mythology

    In Asian mythology, just before the Lunar New Year, the kitchen gods would go to Heaven to report to the Heavenly Emperor on his family’s activities during the year. In China, the family “send off” their kitchen god to heaven to make their report by burning the paper in which an image of the paper god was drawn that had hung over their stove for the entire year. The smoke rising to the heavens represents his journey to heaven, while fire crackers are lit to speed up the kitchen god’s travel. To ensure a good report before the Heavenly Emperor, honey would be rubbed on the lips of the paper god so that the kitchen god would have only sweet things to say to the Heavenly Emperor, or so that the sticky honey would prevent him from opening his mouth and tells the Heavenly Emperor any bad news.

    This episode is also available as a blog post: http://martinifisher.com/2020/08/07/the-kitchen-in-asian-mythology/

    5 min
  • 100: Ancient History of Shadow Puppetry

    The art of shadow puppetry, or shadow play, is an ancient form of storytelling which utilizes flat translucent screen. It has a long history in China, India, Nepal, and Southeast Asia, as well as in Turkey and Greece, surviving everything from war and famine to cultural revolutions. Shadow puppetry is so embraced by many different cultures that each culture seems to have their own history and legend of the first shadow play performance— therefore claiming it, or at least different versions of it, as their own.

    This episode is also available as a blog post: http://martinifisher.com/2021/09/09/javanese-wayang-and-the-history-of-shadow-puppetry/

    12 min
  • 100: Ancient History of Shadow Puppetry

    The art of shadow puppetry, or shadow play, is an ancient form of storytelling which utilizes flat translucent screen. It has a long history in China, India, Nepal, and Southeast Asia, as well as in Turkey and Greece, surviving everything from war and famine to cultural revolutions. Shadow puppetry is so embraced by many different cultures that each culture seems to have their own history and legend of the first shadow play performance— therefore claiming it, or at least different versions of it, as their own.

    This episode is also available as a blog post: http://martinifisher.com/2021/09/09/javanese-wayang-and-the-history-of-shadow-puppetry/

    12 min
  • 99: The Warrior Nun

    They are rarely mentioned in historical records but female warriors have increasingly been studied and researched. Of female martial artists, the accounts are rarer still, and generally become a mix of historical facts and legends. One such story is the Shaolin Abbess Ng Mui, her student Yim Wing Chun, and their roles in the conception of a martial art called the Wing Chun Kung Fu. 

    This episode is also available as a blog post: http://martinifisher.com/2021/09/06/the-fighting-nun/

    13 min
  • 99: The Warrior Nun

    They are rarely mentioned in historical records but female warriors have increasingly been studied and researched. Of female martial artists, the accounts are rarer still, and generally become a mix of historical facts and legends. One such story is the Shaolin Abbess Ng Mui, her student Yim Wing Chun, and their roles in the conception of a martial art called the Wing Chun Kung Fu. 

    This episode is also available as a blog post: http://martinifisher.com/2021/09/06/the-fighting-nun/

    13 min
  • 98: Death, Courage and Sacrifices upon the Stars: Legends Behind the Zodiacs

    Star signs are one of those things which we take for granted. Although we ‘consult’ star signs, we do not usually bother with how they come about. Many of the signs got their names from various Greek legends, but some predate even those.

    This episode is also available as a blog post: http://martinifisher.com/2020/04/17/death-courage-and-sacrifices-upon-the-stars-legends-behind-the-zodiacs/

    14 min
  • 97: Dyah Gitarja

    The picture of a powerful empire politically and culturally dominating the whole of the Indonesian Archipelago is attached to the “Golden Age” of Majapahit in the fourteenth century. It was the time of the famous poets Prapafica and Tantular, and of the sculptors of reliefs that have been preserved on the Surawana, Tigawangi and Kedaton temples. The two men largely credited for this success are the great king Hayam Wuruk (1350-1389 CE) and the prime minister Gajah Mada—both their names and likenesses are still venerated in the region today. Gajah Mada especially is credited with bringing the empire to its peak of glory and serves as an important national hero in modern Indonesia—a symbol of patriotism and national unity. However, paving the way for the two heroes was a woman

    This episode is also available as a blog post: http://martinifisher.com/2021/09/02/dyah-gitarja/

    15 min
  • 97: Dyah Gitarja

    The picture of a powerful empire politically and culturally dominating the whole of the Indonesian Archipelago is attached to the “Golden Age” of Majapahit in the fourteenth century. It was the time of the famous poets Prapafica and Tantular, and of the sculptors of reliefs that have been preserved on the Surawana, Tigawangi and Kedaton temples. The two men largely credited for this success are the great king Hayam Wuruk (1350-1389 CE) and the prime minister Gajah Mada—both their names and likenesses are still venerated in the region today. Gajah Mada especially is credited with bringing the empire to its peak of glory and serves as an important national hero in modern Indonesia—a symbol of patriotism and national unity. However, paving the way for the two heroes was a woman

    This episode is also available as a blog post: http://martinifisher.com/2021/09/02/dyah-gitarja/

    15 min
  • 96: Thieves of Fire

     As fire is “divine” and heavily associated with creation (creation of food, creation of warmth and so on), a lot of ancient myths imply that fire was meant for the gods, not mankind, to control. Therefore, the giving of fire or, more often, the theft of fire for the benefit of humanity who were not meant to hold such power, is a theme that recurs in many world mythologies.

    This episode is also available as a blog post: http://martinifisher.com/2021/08/30/thieves-of-fire/

    11 min

About Domina Tempora

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Domina Tempora examines the myths, symbols, and forgotten histories that shaped the ancient world. Hosted by Marianne Fisher, each episode explores how stories of gods, women, monsters, and power were…

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