Don’t Push Pause

The slasher film is one the biggest subgenres of horror films. But how did it come about and gain such popularity? This episode tracks the progression of (mostly) American slashers, focusing on how we got to the most formative years of the genre.

▶️Discussions include: How real-life influences and familiar settings were reflected in ‘60s and ‘70s films, thus inspiring the most popular slasher years; cementing slasher movie tropes; hooks, tonal changes, elevating intellectual and visual creativity as the years progressed; franchising; audience accessibility to slashers; recycling, resuscitation and reinvention of the genre, leading to the next evolutionary step to recapture the magic of the slasher movie trend.

▶️**PICKS OF THE WEEK**

1980s: “One heck of a final scene!”

—Lindsay’s Pick, SLEEPAWAY CAMP (1983): A twisted summer camp story with a mysterious killer murdering foul-mouthed bullies. A deeper psychology behind this one. **Starring Felissa Rose, Jonathan Tiersten, Karen Fields, Katherine Kamhi. Directed by Robert Hiltzik.**

—Justin’s Pick, JUST BEFORE DAWN (1981): A group of young hikers are hunted down by murderous, ruthless, inbred twins. **Starring George Kennedy, Gregg Henry, Chris Lemmon, Deborah Benson. Directed by Jeff Lieberman.**

1990s: “The one you’d never expect!”

—Lindsay’s Pick, OFFICE KILLER (1997): After a repressed wallflower accidentally kills her jerk of a boss, she’s inspired to “correct” other problematic co-workers. **Starring Carol Kane, Jeanne Tripplehorn, Molly Ringwald. Directed by Cindy Sherman.**

—Justin’s Pick, POPCORN (1991): An unknown killer seeks vengeance by picking off teenagers at an all-night horror movie marathon. **Starring Jill Schoelen, Dee Wallace, Tom Villard. Directed by Mark Herrier.**

▶️MURRAYMOMENT: Revisiting an adorable, unscripted scene in STRIPES (1981), featuring Billy and legendary scream queen, P.J. Soles.

▶️FINAL THOUGHTS: Hitting on a few influential/prominent Canadian slasher films, then how HALLOWEEN (2018) renews hope in the continuation of the slasher genre.

▶️NEXT UP: UNCLE BUCK (1989)!

In a world full of remakes and reboots, 1988’s THE BLOB holds strong as one of the best. Not only does the film pay homage to its source material, but also develops its own story and takes special effects to new, imaginative heights. This sci-fi, horror adventure easily absorbs you into its gooey greatness, bent on being a squirm-worthy crowd-pleaser!

▶️Synopsis: Three teens discover an ever-growing gelatinous mass that melts and absorbs anything living in its path. As the unstoppable Blob’s body count rises and a government conspiracy is revealed, it’s up to a cheerleader and high school rebel to save an entire town.

⏩⏩Discussions include: The extremely impressive special and visual effects; similarities and differences between this 1988 version and 1958’s THE BLOB; the smart and snappy vision Chuck Russell (writer/director) and Frank Darabont (writer) brewed up for this reinvention; dark humor, expertly integrated genre-blending and how the film breaks typical movie tropes; the strength of the main and supporting cast being woven into uncommon, crafty and concise character set-ups. **Starring Shawnee Smith, Kevin Dillon, Donovan Leitch. Directed by Chuck Russell.**

▶️**PICKS OF THE WEEK**

—Justin’s Pick, A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS (1987): Taking place in a mental health facility, Freddy Krueger is back to stalk the remaining offspring of the Elm Street kids in one the most inspired installments of the franchise. **Starring Heather Langenkamp, Robert Englund, Patricia Arquette, Laurence Fishburne. Directed by Chuck Russell.**

—Lindsay’s Pick, Q: THE WINGED SERPENT (1982): An ex-junkie, small-time crook finds the nest of an ancient Aztec bird serpent which has been reigning terror and dropping body parts all over New York City. **Starring Michael Moriarty, Candy Clark, David Carradine, Richard Roundtree. Directed by Larry Cohen.**

▶️MURRAYMOMENT: How THE BLOB’s Del Close had a significant influence on Billy.

▶️FINAL THOUGHTS: THE BLOB’s synth-heavy, hip score and the under-seen sequel, BEWARE! THE BLOB (1972).

▶️NEXT UP: 80s VS 90s SLASHERS!

CANDYMAN (1992) is not your standard slasher film. While it evokes terror and a haunting feeling, it is also loaded with social commentary that goes beyond normal horror movies tropes. The admiration for film goes hand-in-hand with the emotionally-charged, enlightened story, and leaves us never forgetting the undying legend of CANDYMAN. We’ll be goin’ all Clive Barker for this episode!

▶️Synopsis: While researching urban legends for her graduate thesis, Helen (Virginia Madsen) becomes captivated by a story about a boogeyman named Candyman (Tony Todd). Dispelling rumors of his actual existence to terrified locals, Candyman surfaces to frame Helen for murders and slowly swallows her into his everlasting myth.

⏩⏩Discussions include: A brief history on Chicago’s Cabrini-Green, the setting for CANDYMAN and why the original Clive Barker story was adapted; the real-life intensity shooting on location, combined with atypical special effects and acting techniques used to develop on-screen realness; why it was necessary to have the most profound connection between actors; cultural fears, prejudice and how CANDYMAN relates to reality. **Starring Virginia Madsen, Tony Todd, Kasi Lemmons, Xander Berkeley. Directed by Bernard Rose.**

▶️**PICKS OF THE WEEK**

—Justin’s Pick: LORD OF ILLUSIONS (1995): When a fanatic magical cult reincarnates their ruthless leader, a private investigator is sought out to protect a famous magician and his wife from certain evils headed their way. **Starring Scott Bakula, Famke Janssen, Kevin J. O’Connor, Daniel von Bargen. Directed by Clive Barker.**

—Lindsay’s Pick: NIGHTBREED (1990): A troubled man seeks out Midian, a mythical world haunting his dreams, and inhabited by demon social outcasts known as the Nightbreed. Simultaneously, his serial killing psychiatrist seeks to set him up for murders and destroy all the Nightbreed. **Starring Craig Sheffer, David Cronenberg, Anne Bobby. Directed by Clive Barker.**

▶️MURRAYMOMENT: After reaching a low moment in life, Billy is pulled from the brink upon seeing an inspirational painting.

▶️FINAL THOUGHTS:  Philip Glass’ uniquely atmospheric score and the immense appreciation for CANDYMAN’S final scenes. And please check out HORROR NOIRE: A HISTORY OF BLACK HORROR, which includes a section on CANDYMAN — Available now on Shudder!

▶️NEXT UP: THE BLOB (1988)!

ERASERHEAD (1977) may be the most well-made student film ever produced. As a brilliant piece of film history, it is forever cemented in as the ultimate cult film and perfect midnight movie. David Lynch was able to create a deeply personal and mesmerizingly quirky film which was the first of its kind. Strikingly bold visuals, an unnerving soundscape and oddball characters help create a grim, surrealist story wherein the viewer is submerged in a bizarre, yet mysteriously familiar world.

▶️Synopsis: Set in an industrial, dismal environment, Henry is confronted with meeting his girlfriend Mary’s off-kilter family, then discovering he is the father to a premature newborn, which appears to be inhuman. This is a richly nightmarish reality which feeds common anxieties concerning relationships, parenthood, regret, life and death.

⏩⏩Discussions include: Lynch’s relationship with The American Film Institute (AFI), the community effort which made ERASERHEAD possible and how Lynch’s underlying personal narrative flowed into the plot and themes. In addition, we’ll discuss how a direct story is told through surrealist, subconscious visions and very intentional sound design, leading to why the film is open for interpretation. We’ll further explain our favorite moments in the film, give a ton of behind-the-scenes information and how ERASERHEAD is connected to other subsequent Lynch projects. **Starring Jack Nance, Charlotte Stewart, Allen Joseph, Jeanne Bates. Directed by David Lynch.**

▶️**PICKS OF THE WEEK**

Lindsay's Pick — BLUE VELVET (1986): This neo-noir mystery follows an innocently curious man discovering a disembodied ear, leading to a possible romance, but also a criminal underworld of drugs, violence and sexual trauma. An unreal, yet familiar world where voyeurism becomes addicting. **Starring Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, Laura Dern, Dean Stockwell. Directed by David Lynch.** AVAILABLE ON TUBI NOW!

Justin’s Pick — THE STRAIGHT STORY (1999): An elderly man embarks on a 240 mile journey to visit his ailing, estranged brother. Having no other way to travel, he uses his riding lawnmower to complete his quest. An unusual road trip film, which is also based on a true story. **Starring Richard Farnsworth, Sissy Spacek, Harry Dean Stanton. Directed by David Lynch.**

▶️MURRAYMOMENT: With all this talk concerning parenthood in ERASERHEAD, we’ll scrape the surface of Billy’s upbringing and his eventual turn into becoming a father of six boys.

▶️FINAL THOUGHTS: We need to talk about the newborn in ERASERHEAD...

▶️NEXT UP: THE ‘BURBS (1989)!