This week we're listening to Huey "Piano" Smith & The Clowns 1958 hit "Don't You Just Know It" - an ebullient call-and-response rocker that's also a Goofy Great! The Fendermen's 1960 cover gives the song some Midwestern hillbilly hyuks and Cramp-y guitar. The song then crossed some ponds when Casey Jones & The Governors added the tune to their repertoire and changed the title to "Don't Ha Ha!" But they did! Oh, and Screaming Lord Sutch adds to the pandemonium and it's even produced by Joe Meek! It's fast and energetic. Finally, The Kingsmen slop the song up in their inimitable frat style in 1965 - you could have guessed! Bonus BDA version by Jimmy Jones & Little Eva - you can't lose with the stuff we use!

This week we're listening to Huey "Piano" Smith & The Clowns 1958 hit "Don't You Just Know It" - an ebullient call-and-response rocker that's also a Goofy Great! The Fendermen's 1960 cover gives the song some Midwestern hillbilly hyuks and Cramp-y guitar. The song then crossed some ponds when Casey Jones & The Governors added the tune to their repertoire and changed the title to "Don't Ha Ha!" But they did! Oh, and Screaming Lord Sutch adds to the pandemonium and it's even produced by Joe Meek! It's fast and energetic. Finally, The Kingsmen slop the song up in their inimitable frat style in 1965 - you could have guessed! Bonus BDA version by Jimmy Jones & Little Eva - you can't lose with the stuff we use!

This week we're listening to Huey "Piano" Smith &amp; The Clowns 1958 hit "Don't You Just Know It" - an ebullient call-and-response rocker that's also a Goofy Great!&nbsp;The Fendermen's 1960 cover gives the song some Midwestern hillbilly hyuks and Cramp-y guitar. The song then crossed some ponds when Casey Jones &amp; The Governors added the tune to their repertoire and changed the title to "Don't Ha Ha!" But they did! Oh, and Screaming Lord Sutch adds to the pandemonium and it's even produced by Joe Meek! It's fast and energetic. Finally, The Kingsmen slop the song up in their inimitable frat style in 1965 - you could have guessed! Bonus BDA version by Jimmy Jones &amp; Little Eva - you can't lose with the stuff we use!

Don't You Just Know It

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Don't You Just Know It

Don't You Just Know It

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