Double Feature

The two submarine keys to unlocking Joe Dante. One Joe Dante fanatic explains where his passion originated. Matinee, a film that’s totally not about William castle! Finally, a challenger to the Purge theory of why horror exists. William Castle and Alfred Hitchcock. Joe Dante’s present to cinema. Looney Tunes Back In Action, the sort of follow up to Space Jam. The little we know about the director’s opinion of Back in Action. Endless speculation: how do you know? Warner Brothers in the 90s. Branding, merchandise, and toys! Acme, the WB, and corporate culture. Joe Dante loves the Looney Tunes but did not enjoy making Back in Action.

Conspiratorial yarns with cause for much introspection. Hot seventies grind house burns. Finding your ending. Jumping from plot to plot and checking in with the audience. Hate the crack, love the addict. Don’t fear the audience. Explain the ending of Resolution. Who or what is the monster? A string of viral mysteries. The revelation of John Carpenter’s They Live. Being predisposed to a cult film’s legacy legacy. Impact vs Futura Oblique Condensed. Shepard Fairey and Barbara Kruger. Andrew the Giant has a posse. OBEY. Roddy Piper, Keith David, and a totally bizarre Meg Foster. The infamous long fight scene in They Live. David Ike and the reptilian agenda. Also, David Ike is a fuckwad.

Additional Links

Barbara Kruger images

Two sonic action sneak attacks. Hanna as more than you expect. The little details make all the difference. Hanna’s unexpectedly light town. The level of reality in Hanna. The Chemical Brothers and musical themes. Bone crunching action in The Raid: Redepmtion. The characters and unexpected turns. Chino and Deftones. Dredd vs The Raid: Redemption. How could the new Judge Dredd film have so much in common with The Raid? Wile speculation and a suspicious lack of information.

New-beat comedies starting long running television personalities. Memes, YouTube and the age of Internet video. Clueless protagonists or masters of their craft? Hot Rod and The Lonely Island. A revisit on Saturday Night Live and SNL films. Digital shorts, whatever the fuck that means. Steve Coogan plays Alan Partridge. Creating tension by placing the audience in a siege. Stockholm syndrome as a film-goer. A twenty year running character makes his film premiere in Alan Partridge: Alpha Papa. Isn’t this the ending from Falling Down?

The beginning of an adventure through New York through two different perspectives. Culture and generation. An extended consideration of the new adventure. Woody Allen’s nearly first film, Annie Hall – or first enough for Double Feature. First impressions of a well-known film maker. Asking the right questions. If you can’t spot the neurotic, you’re the neurotic. Spike Lee’s probably first film, She’s Gotta Have It. Challenging racial clichés of the era. Empowerment in more places than you’d expect. Have sex with whoever you want, as often as you want!

Horrific family bonding time double feature. Do horror movies help us work out dark urges to rape and slaughter? The alterior motives of directors who claim they do. One man’s unexpected plans during The Purge. What James Gunn teaches us about Purging. What is the right thing to do, given the fiction of the world? We Are What We Are. The delicate balance of preserving a suprising viewing while enticing an audience into seeing the film in the first place. The road less traveled! Religion, dogma, and elders who command respect. Michael refuses to be desensitized. Common ground with The Lords of Salem.

Character arcs despite their narratives! Narratives as complications of vignettes! Robert Pattinson, the obvious choice for David Cronenberg’s Cosmopolis. Pop fiction fans read cerebral novels and everyone wins. Following a movie with indecipherable dialogue. The relationship to Videodrome. When master lose grip. Economies collapse, characters collapse. The currency of dogecoin, er, rats. Economics and philosophy, with your host Paul Giamatti. Crypto-currency and Snapchat. What is to be gained through watching Holy Motors? Big questions, out of the gate. Monsieur Oscar is losing the fire. Drifting into the abstract. Trying on masks, metaphorically. Trying to pin down the jobs and tasks of characters in Holy Motors.

SPOILER FREE SHOW! The Year Six retrospective. A look back at the last 52 double feature pairs. Taking a break from Filmspotting jokes to make love to Battleship Pretension. Revising the official position on movie reviews. A tangent on the insightful career of Roger Ebert. Double Feature made a short film (without the help of Russ Meyer). The challenges of making a six chapter short film for Kickstarter. More regarding Eric’s involvement in Director’s Cut. Hannah Carter’s prop magic. The growing genre of films designed by the Internet. A defense for the most unexpected film-of-the-year choice. A conversation around this year’s Additional Content.

Chapters

00:10:58 Kickstarter Mini-Series

00:28:05 The Best Pairings

00:39:14 The Worst Pairings

00:58:24 Times We Were Wrong

01:07:28 Surprises

01:16:10 The Best Films

01:28:31 Additional Content

01:30:39 Next Time

Auteurs just outside the arthouse. Grindhouse contributors Rob Zombie and Robert Rodirugez! Audiences clamoring: It’s not the way I would have done it!! Stop looking for validation and start appreciating surprise. See inside the minds of insane people. The hidden alternate history of The Lords of Salem. Why Rob Zombie is a fascinating human. Films changing as they’re being filmed. The Rodriguez-Box-Office relationship. Using Machete Kills as the control for the experiment Machete conducted. A different approach. One unique idea to recreate the trailer magic. A a cure for cinema predictibility.

The desperate methods audiences go to when attempting to fit the bizarre into a neat little box. Art, humanity, mystery and animals. Determining the world of Quentin Dupieux (Mr. Oizo)’s Wrong. How Upstream Color differs from the complex mathematics of Primer. Films you need to take notes or maybe draw a little flowchart to follow. Intentionally crafting rewards for repeat viewings. A rare love letter to found sound, sampling, and ambience. Using sound to help an audience link scenes. Building a motif – from notable scene to rewarding callback to critical theme. The thief, the sampled, and other double meanings. Eric Thirteen just wants to give Shane Carruth money to produce movies.