Live music that causes things to explode. This Is Spinal Tap as a Christopher Guest cult film. Faux-Documentary-Epic. All your bass are belong to us. Big bottom. Live Spinal Tap shows. Rob Reiner. it’s just like where you work! Band experience. Making it up, for real. Theories on born artists. Industry backed rock. The Ramones relationship with punk rock. Rock N Roll High School, accessibility and exploitation. The KKK took my baby away. A precursors to 80s scoundrel comedy. Whatever happened to P.J. Soles?

The indie circuit show. Michael’s favorite spoiler from Bellflower. Oscilloscope Films. Adam Yauch. Purchase your own Bellflower car. The truth about the director/camera relationship. The SI-2k Evan Glodell built his custom DIY camera on top of. Mumblecore and back yard films. A generation of young filmmakers. What are we doing with our lives? Subjective armageddon. Bring your own apocalypse. David Cronenberg’s Crash. Cronenberg’s version of an adaptation. James Spader sex. Similarities in leads. Coming into our reality. A series of questions no one wants to ask. Dark sexuality, fun time sexuality, and sex in Crash. Contrasting the sex in Crash with it’s treatment in Bound. What does Cronenberg think about his audience? Passing up the acknowledgment of the outside world. 

A night with the crazies. Dementia 13. Psychosploitation. Roger Corman, Francis Ford Coppola and New World Pictures. Jack Hill’s involvement. Commentary infographic exploitation idea. WHITE CAT. Francis Coppola is a secret Double Feature director. Michael counts down the Psycho comparisons. The influence of Dementia 13 on slasher films. Early instances of female voice over narration. Pull of the Weaseling your way into the will. Why One Flew Over the Cuckoo’s Nest is such a hard show to do. Refusing the power of Jack Nicholson. Nurse Ratched and McMurphy. Why McMurphy always loses. What motivates Nurse Ratched. The role of women in One Flew Over the Cuckoo’s Nest. Oppressive women and women in prison. Electroshock, lobotomy, therapy and punishment. Questioning behaviorism. Gone fishing. The effect of the institution on the crazies.

Double Feature returns to space! Galaxy Quest. Star Trek. Fandom. The human advantage. Michael appreciates humanity. I am not Spock. When skepticism brushes against cynicism. An appeal to excitement. My people make crazy choices in movies. Happenstance fame. The mind of Will Wheton. Irwin Allen’s Rock n Roll. The Adventures of Buckaroo Banzai Across the 8th Dimension. Buckaroo Bonzai isn’t a real person. THE SAND BEETLE. Using the new JEFF GOLDBLUM SANITY METER to rate Jeff Goldblum in Buckaroo Bonzai. The end credits / the trailer. Who’s in on the joke?

Hollywood and the artistic process in an accidental John Goodman double feature. The awards. The wager of holding up silent films. Modern romance. Revisiting silent technique. How silent films are watched differently. Score as an alternative to the highly distracting sounds of your own body. How foley has changed score. Sound induced anxiety. How the transition to talkies is was different than trendy 3D. The role of women in comedy post-silent era. Barton Fink and the continuing understanding. Pulling the lid off s symbolism and significance in Coen Brothers movies. Steve Buscemi and Hotel Coen. From the gut. Hollywood. Barton and Charlie. Barton Fink and the common man. Mad Man Munt.

Hollywood and the artistic process in an accidental John Goodman double feature. The awards. The wager of holding up silent films. Modern romance. Revisiting silent technique. How silent films are watched differently. Score as an alternative to the highly distracting sounds of your own body. How foley has changed score. Sound induced anxiety. How the transition to talkies is was different than trendy 3D. The role of women in comedy post-silent era. Barton Fink and the continuing understanding. Pulling the lid off s symbolism and significance in Coen Brothers movies. Steve Buscemi and Hotel Coen. From the gut. Hollywood. Barton and Charlie. Barton Fink and the common man. Mad Man Munt.

Two horror films of the same era using children to incite fear. The magic that is Orphan. Piano moms. Scenes from the arthouse. Some people don’t like eye balls being squished…Eric doesn’t like children. Genuine relationships. Ghost cold and the skeptical father. Alcoholics Anonymous. The world’s most beautiful house. Bathroom mirrors. Defying expectation. Paintings. Esther is amazing. Sexuality and youth. Manipulating children. Using maturity to dodge cliches. A discussion on twists. Insidious and the sideshow. Patrick Wilson. Hammer Horror. Tongue-in-cheek-score. Coming back to scare shots! Yer kid is haunted. Mixing a mythos. Wide angle, wide shots. The visual of Insidious. EVP and modern technology.

Two horror films of the same era using children to incite fear. The magic that is Orphan. Piano moms. Scenes from the arthouse. Some people don’t like eye balls being squished…Eric doesn’t like children. Genuine relationships. Ghost cold and the skeptical father. Alcoholics Anonymous. The world’s most beautiful house. Bathroom mirrors. Defying expectation. Paintings. Esther is amazing. Sexuality and youth. Manipulating children. Using maturity to dodge cliches. A discussion on twists. Insidious and the sideshow. Patrick Wilson. Hammer Horror. Tongue-in-cheek-score. Coming back to scare shots! Yer kid is haunted. Mixing a mythos. Wide angle, wide shots. The visual of Insidious. EVP and modern technology.

Old school…Canadian horror? Jack Brooks Monster Slayer and the Music Box Massacre. The meaning of “Canadian-American” film. The jungles of Canada. First time director Jon Knautz. Robert England could do anything, and he does horror. Foreshadowing via an actor’s known work. Score, for jokes and mysterious adventure! Eating the heart. Using practical effects to pay tribute. A unique distribution of action. Alan Tudyk as Tucker in Tucker and Dale vs Evil. Real tales from the south. The most interesting place in a scene. Confirmatory evidence. EVIL TEA. Cinematic elements that make a slasher movie scary. Why some people see a cabin and think vacation homes, while others see the same cabin and fear their lives.

Old school…Canadian horror? Jack Brooks Monster Slayer and the Music Box Massacre. The meaning of “Canadian-American” film. The jungles of Canada. First time director Jon Knautz. Robert England could do anything, and he does horror. Foreshadowing via an actor’s known work. Score, for jokes and mysterious adventure! Eating the heart. Using practical effects to pay tribute. A unique distribution of action. Alan Tudyk as Tucker in Tucker and Dale vs Evil. Real tales from the south. The most interesting place in a scene. Confirmatory evidence. EVIL TEA. Cinematic elements that make a slasher movie scary. Why some people see a cabin and think vacation homes, while others see the same cabin and fear their lives.