In this fifteenth episode, I'm glad to host Arome Ibrahim, who is the co-founder of Immersive Tech Africa, which is a non-profit organization dedicated to democratizing and increasing access to XR technology through education, training, and research programs, fostering a thriving and inclusive XR community in Africa

For this fourteenth episode, I had the pleasure of having Tony Bevilacqua, the founder and CEO of the Canadian company Cognitive3D that provides data analytics insights to individuals developing VR/MR training simulations or research applications.

For this thirteenth episode, I had the pleasure of having Lesley Klassen who is the co-founder and Head of Creator Relations at Flipside XR who specialize in creating a new era for next-gen creators to connect, remix and share immersive content in VR.

For this twelfth episode, I had the pleasure of having Priam Givord who is a senior digital artist, designer & technologist with a career focused to date on the digitally­-mediated spatial experience of things. He has designed and built large high-­end interactive installations that are exhibited internationally, which led him to recently start a 2-year experimental partnership with the Art Gallery of Ontario in Toronto to build the project BRISTOL 1775 (now available on Steam) that recreates an 18th-century ship in 3D and in VR from plans and scale models for preservation and research.

For this eleventh episode, I had the pleasure of having Thomas Wallner who is a two-time Emmy Award and SXSW Interactive Award-winning producer, writer, director and game designer working in feature film, television, games and interactive media. He is also the director and producer of The Polar Sea, the world’s first long format 360° documentary film, and the founder of Liquid Cinema VR, a revolutionary gaze-triggered that allows filmmakers, journalists, advertisers and educators to create and distribute cinematic VR.

For this tenth episode, I had the pleasure of having digital artist and XR developer Debbie Deer. We discuss representation, inclusion and systemic barriers in the digital arts, as well as her new Afrofuturistic Hybrid XR theatre production ‘Nefertiti: Story of a Rebel Queen’ and her interactive live theatre experience ‘A Christmas Carol VR.’

For this ninth episode, I had the chance to interview Carol Silverman, who is a painter, a four-time Emmy award winning set decorator for film and television, and the director of Belongings,’ a 6doF object-based storytelling VR piece that uses the medium to bring an embodied immediacy to one woman’s life story.

For this eight episode, I had the pleasure to talk to Victoria Bousis, the Winner of the 2023 Producers Guild of America Award for Innovation, who is an Experiential Director/Writer/Creative Technologist of Immersive Experience, and most importantly, the director of the VR interactive film ‘Stay Alive, My Son,’ which we are going to discuss in this episode.

For this seventh episode, I had the pleasure to interview Keram Malicki-Sánchez who is the Founder, Executive Director and Programmer of the Festival of International Virtual & Augmented Realities (FIVARS), as well as VRTO, the yearly Spatial Media World Conference held in Toronto, Canada.

For this sixth episode, I had the chance to interview Mohammed Elfarargy who is the Head of the Vista Unit team of the famed Bibliotheca Alexandrina in Egypt. The team is responsible for the development of the remarkable "Virtual Antiquities Museum" VR app available for free on the Meta Quest App Lab store that houses artifacts narrating the Egyptian history from the Pharaonic era, going through Greco-Roman and Coptic epoch, until the Islamic period.