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Nothing better reflects the state of the world right now than a bunch of ominous and spooky events that have no real relation to each other and keep getting worse and worse, and boy, does The Mothman Prophecies have that in spades! Leigh, Brendan, and Chris try to make sense of the vague supernatural nonsense, piece together what the hell is trying to be accomplished by the weird-for-weird’s-sake direction, and like, what’s Mothman’s deal anyway? Also like who is Indrid Cold? How’s he connected to all this? Why does he get off on impersonating Richard Gere and the non-Denzel Washington coach from Remember the Titans? Also, cocktails, cherries, Animal Crossing, etc. etc.
One way to get through your social distancing quarantine to watch a lot of movies, and another way is to wildly speculate about how these movies could have been changed in some way. That’s our whole thing! This time, we tweak that whole thing a little bit by speculating about what movies would have been like if they had a different director behind them. Join Leigh, Brendan, and Chris as they speculate about what The Death of Stalin, The Country Bears, and Birdman would have looked like with someone possibly more hilarious or possibly better suited overseeing the film. Also we reveal our spooky May movie and an equally spooky cocktail to go along with it. Spooky DELICIOUS, that is (we hope)!
What better way to spend your COVID-19 quarantine than by listening to a podcast about a 1991 Kathleen Turner movie that no one remembers? Join hard-drinking gumshoes Leigh, Brendan, and Chris as they dredge up the celluloid carcass of V.I Warshawski from the Chicago River and conduct a post-mortem to determine what killed the whole endeavor. Could it have been the lack of a compelling mystery, the crux of any ostensible detective story? Perhaps it was the movie’s constant need to trot out “colorful” supporting characters in order to make the world feel developed and lived in? Or maybe the lumbering pace which manages to somehow be both hard to follow and wildly simplistic? Spoiler alert, it was all of the above. A true Murder on the Orient Express ending. And of course, there’s a themed cocktail recipe that’s probably V.I. Warshawski-approved and we work through the five stages of stay-at-home grief for your entertainment.
Truly, there is no easier way to shake up a movie industry mired in the safe and predictable AND enrage a certain sector of the Internet than by swapping the gender of one or more of your film’s characters. It is, literally, the easiest way to increase the representation of women or make male characters mildly less dull- all you have to do is some simple find+replace in Final Draft. So what movies would have benefitted from such a switcheroo? Leigh, Brendan, and Chris rattle off a few such changes they think would improve their respective movies while also preparing to tackle the next full-length episode, one where a hard-drinking tough-as-nails detective is played by… A WOMAN??? Fetch your smelling salts and join in!
No, no, not that one! The 2008 remake of the 1951 sci-fi classic where an alien shows up and warns us all to knock it off with all the nuclear warfare global warming. Except in this one the alien Klaatu doesn’t really warn us so much as he just… scowls and runs arounds. Klaatu is certainly portrayed by Keanu Reeves, who adds another notch next to “emotionless cypher who looks really great in a suit” on his checklist of performances. Also Jennifer Connelly and Jaden Smith are here too. Join Leigh, Brendan, and Chris as we get day drunk and discuss how this misbegotten remake got off on the wrong foot almost immediately and then offer some suggestions for how this could have possibly turned out slightly less dull than it did- more like Klaatu BOREada Nikto, amirite?
What better way to celebrate the final days of February the Month of Love than by discussing a rom-com that finally pairs up Fran Drescher and Timothy Dalton, the Meg Ryan and Tom Hanks of February 1997? That’s right, at long last someone is giving The Beautician and the Beast the attention it shrilly demands. After all, what could be more romantic than traveling to a small formerly-USSR country, falling in love with their oppressive leader, and doing it all in garish stilettos and midriff-bearing tops? Anyways, join Leigh, Brendan, and Chris for this detailed deconstruction of a movie that was somehow against all odd released in theaters, and be sure to listen two weeks from now when we cover a sci-fi movie with a couple that has just as uncomfortable chemistry.
Hold on to your monocles, dear listeners, because this 2008 rom-com is about to flip your preconceived notions of what a bridal party can be like so many mini kilts during the Highland games! Just imagine this- what if maid of honor… but a MAN? If that concept just split your sides, then suture them back up again because you’re most assuredly the target audience for this bland and conventional piece of cinematic fluff. Leigh, Brendan, and Chris enjoy a very Scotchy cocktail while covering the movie’s bad takes on men and women as a whole, once of the flimsiest preludes to a marriage in modern movie history, and a plot less substantial than mist on the moors of Scotland. All this and dating sim discussions too? It surely is a Valentine’s Day episode!
THE WHY WATCH CREW SPEAK! One month after Star Wars: Episode IX – The Rise of Skywalker premiered to a resounding critical “Oof,” Leigh, Brendan, and Chris finally do what every other podcast did like two weeks ago and gather together to try to make sense of whatever the hell that movie was supposed to be. Spoiler alert: it’s not great! There’s a lot of J.J. Abrams nonsense to sift through here, like the nebulous time-wasting questing and what the hell the Emperor is doing here alive and why won’t the spaceship battles take place in space??? Also next up is our annual Month of Love February Rom-Com so at the very least you’ll have a movie that tries to earn its kiss at the ending this time.
Dans notre dernier épisode de Why Did We Watch This, nous tournons notre regard critique vers la France et leur film Le Pacte des Loups de 2001, qui présente de nombreux acteurs français et une monstruosité générée par ordinateur recouverte d’une armure de cuir. Et apparemment, ce n’est pas un film de loup-garou! Quel titre trompeur! Rejoignez Leigh, Brendan et Chris alors qu’ils sirotent du vin chaud (très bien!) tout en discutant du rythme bizarre, de la parodie qui est la perte de Mani et d’un dispositif de cadrage vraiment étrange qui pourrait servir à souligner les thèmes du film mais décide de ne pas vraiment. Ne vous inquiétez pas non plus, cet épisode est en Anglais. Nous ne sommes pas capables de faire fonctionner ce bit sans l’aide de Google Translate.
As always at this time of the year, we are tired and have a bunch of other stuff to worry about, like shopping for presents and the distressingly low box office intake of Cats. So, we present for you all our annual year in review where we talk about our favorite and least favorite movies and drinks. Also since we forgot to mention in the actual episode, we’re kicking off 2020 with Brotherhood of the Wolf. Oops. Well, happy new year to you all regardless.
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