We must have had too much too dream lately because we're leaving the 60s behind and starting in 1979 with Suicide's beautiful trance-drone, "Dream Baby Dream." It's a fingersnappin' rock n roll lullaby with electronics! Next up, Angel Corpus Christi's version wows us with the accordion! Bruce Springsteen swerves instrumentally and has the hypno-drone come from an old-timey pump organ.  His version provoked some visceral reaction and we get into that ... More recently, Black Tambourine's rendition features a down and dirty bass tone, and Neneh Cherry & The Thing give the tune some 'tude plus some jazz skronk. Which one's the dreamiest?

We must have had too much too dream lately because we're leaving the 60s behind and starting in 1979 with Suicide's beautiful trance-drone, "Dream Baby Dream." It's a fingersnappin' rock n roll lullaby with electronics! Next up, Angel Corpus Christi's version wows us with the accordion! Bruce Springsteen swerves instrumentally and has the hypno-drone come from an old-timey pump organ. His version provoked some visceral reaction and we get into that ... More recently, Black Tambourine's rendition features a down and dirty bass tone, and Neneh Cherry & The Thing give the tune some 'tude plus some jazz skronk. Which one's the dreamiest?

We must have had too much too dream lately because we're leaving the 60s behind and starting in 1979 with Suicide's beautiful trance-drone, "Dream Baby Dream." It's a fingersnappin' rock n roll lullaby with electronics! Next up,&nbsp;Angel Corpus Christi's version wows us with the accordion! Bruce Springsteen swerves instrumentally and has the hypno-drone come from an old-timey pump organ.&nbsp; His version provoked some visceral reaction and we get into that ... More recently,&nbsp;Black Tambourine's rendition features a down and dirty bass tone, and Neneh Cherry &amp; The Thing give the tune some 'tude plus some jazz skronk. Which one's the dreamiest?

Dream Baby Dream

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Dream Baby Dream

Dream Baby Dream

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