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Title: Dreamland

Author: Kevin Baker

Narrator: John Rubenstein

Format: Abridged

Length: 6 hrs

Language: English

Release date: 12-16-99

Publisher: HarperAudio

Ratings: 3.5 of 5 out of 10 votes

Genres: Fiction, Historical

Publisher's Summary:

While hiding out, Kid meets young Esther Abramowitz, a shirtwaist seamstress who labors under inhumane conditions. As their love affair blossoms, Esther emerges from quiet shop worker to foot soldier in the burgeoning labor movement. Changed by love, Kid, too, is no longer the ruthless scavenger he once was, as he prepares for an electrifying showdown with the vengeful Gyp the Blood.

Kevin Baker's deftly imagined blend of meticulous historical research and assured narrative invention recreates a world bursting at the seams, a world of freak shows, cataclysmic exhibitions, mad dwarves, and bathing beauties. In prose that is at once ferocious and breathtakingly lyrical, Dreamland weaves a richly layered tapestry that captures perfectly the emotional and psychological essence of the American experience at the dawn of a new age.

Critic Reviews:

"A powerful, deeply moving epic, an earthier, rowdier, more inclusive Ragtime....[A] populist masterpiece." (Publishers Weekly)

Members Reviews:

Every bit as entertaining as "The Alienist."

After I had read "The American Century" and found that Kevin Baker was responsible for the bulk of the research on that fine book, I wanted to read his new work of historical fiction, "Dreamland." I'm glad I did. Not since I read Caleb Carr's "The Alienist" a few years ago, have I enjoyed a novel as much as this one. Baker is able to bring the reader nearly to tears as he details the travails of young women trying to make it from day to day in New York, either as workers in one of the sweatshops on the lower east side or, unfortunately as one of the prostitutes every night putting her life in jeapordy in the Tenderloin or on the other mean streets of that heartless, corrupt, and sad, very sad city. The section detailing the days spent in jail by the striking women is especially chilling. The inclusion of Freud and Jung is compelling not so much for the interpretation of their work, but rather for the hint of progress that would be made in the years to come in the field of psychoanalysis. Other critics have harped on their inclusion in this work, but I found their conversations stimulating. How they end up in Dreamland at the end of the book with the other colorful and larger than life characters in this inspired work-Kid Twist, Gyp The Blood, the Mad Carlotta, Esther, Trick the Dwarf, Tim Sullivan-is deliciously presented. I thought that the inclusion of Frances Perkins as the sole upper class liberal fighting vainly with limited success to stem the tide of worker abuse allowed the author to speak through her character and graphically describe the carnage enveloping the poor young ladies of that era. No wonder FDR made her his only Secretary of Labor. I thought it ironic that a scant thirty years after the time of this novel, this same age group of women, imprisoned in 1912 for having the gall to ask for a 54 hour work-week, formed the nucleus of the manufacturing force that produced all the armament that saved our world from tyranny and made it safe for democracy during World War II. It is never fair to give away the ending of a book, and I won't. But, trust me, you'll love it!

Ugh

Read this for two hours and hated every minute. Just couldn't get into the style of writing.