This week we're talking about a Girl Group Goofy Great - 1963's "Dumb Head" by Ginny Arnell. The lyrics are dangerously self-deprecating, the production is Spectorian, and there's FUZZ and a kazoo solo - played by GA herself. OH, and an infamous hook - something the Ramonesmight have sold their leather jackets for. The second version is super goofy and stoopid and it's by The Sharades, from England. Joe Meek produced it, so it has some otherworldy sounds (via a Clavioline) in addition to GREAT bug music vocals from Maggie & Gloria. No one covered the song until Girlfrendorevived it in the 90s. It's a cover of The Sharades/Joe Meek, not Ginny Arnell and we're getting into the realm of the ironic here. Finally, Primetimereleased a punky version in 2016 that seems to have a bone to pick with the original and just wait for that crucial change to the lyrics. Somebody kiss us please!

This week we're talking about a Girl Group Goofy Great - 1963's "Dumb Head" by Ginny Arnell. The lyrics are dangerously self-deprecating, the production is Spectorian, and there's FUZZ and a kazoo solo - played by GA herself. OH, and an infamous hook - something the Ramonesmight have sold their leather jackets for. The second version is super goofy and stoopid and it's by The Sharades, from England. Joe Meek produced it, so it has some otherworldy sounds (via a Clavioline) in addition to GREAT bug music vocals from Maggie & Gloria. No one covered the song until Girlfrendorevived it in the 90s. It's a cover of The Sharades/Joe Meek, not Ginny Arnell and we're getting into the realm of the ironic here. Finally, Primetimereleased a punky version in 2016 that seems to have a bone to pick with the original and just wait for that crucial change to the lyrics. Somebody kiss us please!

This week we're talking about a Girl Group Goofy Great - 1963's "Dumb Head" by Ginny Arnell. The lyrics are dangerously self-deprecating, the production is Spectorian, and there's FUZZ and a kazoo solo - played by GA herself. OH, and an infamous hook - something the Ramonesmight have sold their leather jackets for. The second version is super goofy and stoopid and it's by The Sharades, from England. Joe Meek produced it, so it has some otherworldy sounds (via a Clavioline) in addition to GREAT bug music vocals from Maggie &amp; Gloria. No one covered the song until Girlfrendorevived it in the 90s. It's a cover of The Sharades/Joe Meek, not Ginny Arnell and we're getting into the realm of the ironic here. Finally, Primetimereleased a punky version in 2016 that seems to have a bone to pick with the original and just wait for that crucial change to the lyrics. Somebody kiss us please!

Dumb Head

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Dumb Head

Dumb Head

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