Duncan Reyburn's Unorthodoxy

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Some reflections on the nature of the demon called liberalism. See also: https://duncanreyburn.substack.com/p/when-the-dragon-eats-the-knight

In a strange but philosophically potent story told in the Hebrew Bible, God gives his prophet Hosea some rather odd instructions. God commands Hosea to take for himself a wife of “whoredom” and to raise “children of whoredom” (Hosea 1:2). Hosea will be committed to a focused point of attention. He will be a symbol of the monogamy that loves and cherishes one woman no matter what. But his wife Gomer will remain promiscuous and inattentive. Because she will always look elsewhere for companionship, she will never love very deeply and she will struggle perpetually to receive love. As we'll explore in this episode, this story is mainly about worship. It symbolises the way meaning is made manifest depending on how we attend to reality. In a sense, attention is reality. What we worship determines what sort of meaning we’ll find.

Available in text here: https://duncanreyburn.substack.com/p/to-render-identity-consumable

A recording of a paper delivered during an online conference, Philosophical Theologies in South Africa (hosted by Hugenote Kollege) on 24 March 2022.

Abstract: At the very end of his book Orthodoxy (1908), G. K. Chesterton makes a claim regarding the “pathos” of Christ, which was “natural,” and “almost casual.” However, Chesterton contends that one dimension of Christ’s pathos remained remarkably hidden, namely his “mirth.” The word “mirth” is quite literally the last word of that book. Because we have no record of Jesus laughing in the Gospels, just as we have no idea what he actually looked like, this conclusion is offered as a matter of fancy. It is perhaps not unexpected that Chesterton would say this, though, given his own personality and inclinations. Those familiar with his work will recognise his association with joy and humour. Since Chesterton offers no explicit justification, however, the question remains open as to whether there may be more than a merely subjective reason for it. Perhaps it is possible to account for such a conclusion on a philosophical and theological basis. My aim is to do that in this paper. More particularly, I want to articulate how there is, in Chesterton’s writings—especially exemplified in his novel The Man Who Was Thursday (1907)—a kind of incarnational phenomenology at work that allows him to reconcile other more explicit dimensions of Christ’s pathos with an undisclosed mirthful exuberance. 

A lecture on a foundation for critical thinking.

A brief exploration of memes, via what we might joking call the will to meming, as expressions of our desire to make sense of the world.

You can catch this podcast on various platforms: Amazon Audible, Spotify, Google, Apple, and Podbean.

You can read a transcript of this episode here: https://duncanreyburn.substack.com/p/mans-search-for-meming 

In this last episode in this brief series on understanding creativity, we look at how analogy functions as the core of cognition; and conclude with a few thoughts on assessing whether our creative ideas are any good.

Support: patreon.com/unorthodoxy

Twitter: @duncanreyburn

In this episode, we look at how meaning-finding and meaning-making work in relation to creativity with reference to Chekhov's famous so-called gun.

Support: patreon.com/unorthodoxy

Twitter: @duncanreyburn 

We're briefly exploring some dimensions of creativity in four short episodes. In this episode, we explore how creativity is tied to insight. In this episode we look at what insight is, as well as how to find insights through pattern recognition and pattern naming.

Support: Patreon.com/unorthodoxy

Twitter: @duncanreyburn