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At London’s St. James’s Hall on today’s date in 1885, Czech composer Antonín Dvořák conducted the London Philharmonic Society’s orchestra in the premiere of his Symphony No. 7, a work they had commissioned.
The Society had also commissioned Beethoven’s Symphony No. 9 decades earlier, a fact of which Dvořák was quite aware, and just before starting work he heard and was bowled over by the brand-new Symphony No. 3 by his friend and mentor Johannes Brahms. In other words, “No pressure!”
Dvořák felt he must do his very best, and, judging by the warm reception at its London premiere, the new work was a success, with one reviewer calling it “one of the greatest works of its class produced in the present generation.”
But not all reviews were glowing. Another wrote, “the entire work is painted grey on grey: it lacks sweetness of melody and lightness of style.” And his German publisher complained big symphonies were not profitable and advised he write only shorter piano pieces that had a ready market.
But subsequent performances helped establish the new symphony as the masterwork it is, and although not as often-played as his New World Symphony, today Dvořák’s Symphony No. 7 ranks among his finest creations.
Antonín Dvořák (1841-1904): Scherzo (Movement No. 3); from Symphony No. 7; Berlin Philharmonic; Rafael Kubelik, conductor; DG 463158-2
By American Public Media4.7
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At London’s St. James’s Hall on today’s date in 1885, Czech composer Antonín Dvořák conducted the London Philharmonic Society’s orchestra in the premiere of his Symphony No. 7, a work they had commissioned.
The Society had also commissioned Beethoven’s Symphony No. 9 decades earlier, a fact of which Dvořák was quite aware, and just before starting work he heard and was bowled over by the brand-new Symphony No. 3 by his friend and mentor Johannes Brahms. In other words, “No pressure!”
Dvořák felt he must do his very best, and, judging by the warm reception at its London premiere, the new work was a success, with one reviewer calling it “one of the greatest works of its class produced in the present generation.”
But not all reviews were glowing. Another wrote, “the entire work is painted grey on grey: it lacks sweetness of melody and lightness of style.” And his German publisher complained big symphonies were not profitable and advised he write only shorter piano pieces that had a ready market.
But subsequent performances helped establish the new symphony as the masterwork it is, and although not as often-played as his New World Symphony, today Dvořák’s Symphony No. 7 ranks among his finest creations.
Antonín Dvořák (1841-1904): Scherzo (Movement No. 3); from Symphony No. 7; Berlin Philharmonic; Rafael Kubelik, conductor; DG 463158-2

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