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hello cellists welcome to a little catch-up about the bruckner now i'm on my second day and i've been looking around all of my material and i'm going to give you some book titles that i recommend if you can get hold of them um basically anything in a flat major any um exercises i i can't find my pop poppers book the complete pop-up the 40 um studies but i'll find i'll try and find out tomorrow because that's i'm sure that's going to be really helpful but if you google actually um e-flat major pop-up challenge it will tell you they're all over youtube so you can do that without me but i'm i'm just looking now at my material that i'm going to be practicing i'm going to do the hour a day play along and then i want to supplement my my practices for this

30-day challenge with lots of exercises and scales and arpeggios and things that matter in e-flat major and and b-flat dominant sevens in b-flat if you do all these they're going to be so helpful and actually some of these things i'm going to suggest to you after you've done them the the music for the bruckner is you know a walk a total walk in the park it really is so grade seven abrsm um that's that's an in a british um system so i appreciate that if you're an american listening to this that might it may make no sense at all but um if you look at the dominant sevenths if you can find those somewhere um separate bows and slurred and in the key of b flat you're going to find those pretty helpful actually that's the diminished seventh and then if you go to e flat major the arpeggios um and that's um three or three octaves you know that they're quite pretty standard you're going to find those really really helpful as well and

probably uh b flat major um i'm doing this for memory so uh e flat minor harmonics another one oh do we do that no we we're i think it's all sharps isn't it but we didn't have too much to consider so i mean if you just go through these the scales and if you come across anything that's got an e flat in it um and it's major that's the the first one that you should be looking into okay so other apart from that i've got in front of me projects for that noise in the background um three octave scales for cello book four by cassio harvey this is so these are tricky really tricky the e flat major three octave um pages are 20 and 21 and really i mean she covers this lady's uh taskmaster into half she covers every possibility in these two pages as far as i can see we've got spokane staccatos um we've got slurs we've got um rhythms you know

alternative alternating rhythms we've got octaves now octaves you're going to come across in the brook now there's quite a few of them actually um now i'm tempted to use my thumb i've got tiny hands so i've i'm also 60 this year and i really do feel i've already got some cello in injuries your thumb is actually the strongest of all your fingers and you've only got to kind of tap it onto the string and you've got more strength in that thumb than any of your fingers and don't be scared to use your thumb um and not not just in the way that we would normally expect to use thumb position but you know you can use it in other ways that perhaps you hadn't thought about it's a very strong finger and i'd experiment a bit with that if i was you so um the e flat major pages are 20 and 21. that's the three active scales for cello book four by cassio harvey um so that's...