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Anton Bruckner - Symphony No.4 [w/Score]
18,438 viewsMar 26, 2021


Chanyeong Seon on YouTube.

Anton Bruckner - Symphony No.4

Composer: Anton Bruckner

I. Bewegt, nicht zu schnell 00:01
II. Andante quasi Allegretto 18:11
III. Scherzo. Bewegt – Trio. Nicht zu schnell. Keinesfalls schleppend. – Scherzo 32:34
IV. Finale. Bewegt, doch nicht zu schnell 43:01
Music in this video
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Song
2. Andante quasi allegretto
Artist
Berliner Philharmoniker, Herbert von Karajan
Album
2. Andante quasi allegretto
Licensed to YouTube by
UMG (on behalf of Deutsche Grammophon (DG)); Public Domain Compositions, and 3 Music Rights Societies
Song
3. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend)
Artist
Wiener Philharmoniker, Claudio Abbado
Album
3. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend)
Licensed to YouTube by
UMG (on behalf of Deutsche Grammophon (DG)); Warner Chappell, PEDL

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hello cellists welcome to the music room um now listen i owe myself about five hours uh practice i was supposed to be doing the brooklyn suite i don't know if it's brookner or brookner or bruckner i actually don't know because he's new to me i've never never played his stuff before um if you follow these broadcasts you'll know that i'm absolutely sick to death of this piece now however the trick is to have a bit of a rest so i had five days rest now i owe myself five hours but i'm going to catch up so don't worry about that now i've just done 40 minutes but what i'm doing now is two things two massively important things that i'm doing one is

actually three so i need to listen to the piece i found my headphones that go into my phone and if you bypass the tv unless you've got surround sound it's so much better my my cd sorry my tv sound system is rubbish you know it's it's appalling i was missing all the bass now i've got my headphones and basically i can put those i put them into my mac put the the same youtube video on the bruckner with the score right and followed it there but i had to blow it up so that i could see the score and i do need to sort out really good glasses and i think i'm going to have to print it off um i didn't want to it's such a waste of paper isn't it but i mean i've got it on my ipad i might just use that but you know a paper copy is is wonderful because you can

see what everyone else is doing um if you get the whole score that is or what i quite like to do is get um the score with the bass on it the bass and the violas for example and and you can follow them it's very difficult to follow you know the french horns and this and that and this and that because the paper is so massive but if you well it's not the paper it's just so massive you've got to keep turning pages because you're only...

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hello cellists welcome to the 30 day challenge i'm so sick of this piece already um so i've i'm oh have i failed at the first week no because i'm still going to do the 30-day challenge but after a week i think it takes a week to understand an orchestral piece that runs about an hour to understand how you love it or how you hate it now there are bits of it that i absolutely love i adore the bruckner when the cello gets some melody why wouldn't we like that that's absolutely beautiful e major my favorite key anyway um so what we need to learn is definitely when when those are when they come in get excited for them so i'm going what i'm going to do is the important bits from now on i'm going to practice those only each day and i'm going to include the bit before each important bit now the important bits are going to be where i need

to be really um tuned into the vibe of the piece really loving it what i can't do is sit down for an hour and especially the finale the finale is oh god it goes on and bloody on and i was doing it yesterday and i was thinking surely because i'm following the score on youtube and i think surely it's got to end now and i kept pressing it to check my progress i thought oh god it's got bloody ages to go yet really really did not enjoy the finale um i think also after an hour i was getting tired i did it quite late in the day not a good idea it was about seven o'clock at night but of course you know if you're in an orchestra that's probably when you're going to perform it however if you've got an audience there it's a bit different isn't it and if you're listening to this

um it's not very inspiring on youtube either because um let me think did i use the headphones i didn't use the headphones because i used my ipad because i can't lift because my arthritis i can't lift my head up to watch the screen um although i can see that better so i use my ipad but i need to get a different set of headphones which i have got i think i'll do that tonight this is the thing be prepared be prepared because i was sit i sat down yesterday and i thought oh i can't see this properly because it's the mobile it was an ipad and it was the mobile youtube app for ipad and everything was really blurry so it was pixelating so that didn't work so today when i go through it what i'm gonna have to do is put the headphones in that actually work

and go online not to the app to the uh to the desktop version okay really important go to the desktop version the other thing i'm going to do and i'll i'll write everything down tonight so all this afternoon i'll try and do it this afternoon um i'll write the hard bits down which bars they are etc in the hope that um you know i can help you a bit because we don't need to sit there doing five pages of bloody tremolos do you see we really don't need to do that that's doing those for 30 days you will lose the will to live and you will never join an orchestra and that's the last thing any of us will want because we need the cellists in the orchestra absolutely imperative okay now i am very much looking forward to the june get together with the bloomsbury orchestra to do this and it's going to feel completely different...

hello everybody cellists specifically welcome to the music room i'm really excited today because because because i have set up my booking system on my website and it's all tickety-boo it's really cool you literally press a button and book a zoom with me how how convenient is the internet when you know what to do with the internet it really is your friend and of course we at telltale club use the internet all the time all our broadcasts are online all our podcasts all our radio shows because there is a little bit of a difference but not too much um all our tv shows all my live broadcasts my diy [ __ ] everything is on the internet we need to make the internet our friend not fear it the internet shows us rubbish most of the time but if you get really good at looking around you can find the gems and we've got loads of gems at the

telltale club there is nothing on uh our platform that would hurt anybody there may be a bit of adult content but it's all done uh in in a way of fiction so that you know that it's not true you know when you read a story when you hear about a fairy tale you know that women aren't really kept prisoner prisoners in towers anymore um etc etc anyway that's not what i want to talk about um i wanted to tell you that you can book me now if you're a member of the music school which is five pounds a month you get half-price lessons so that's a really good deal otherwise you just pay the sort of ad hoc fee which is 15 pounds for a half hour now what i

to talk to you today about is not the bruckner we are doing the brookner i'm going to play it in a minute on my own because there's no point in playing it over and over again without the music and we're not allowed to play that for copyright reasons but if you have a lesson with me you see we can i'm allowed to do it privately on a one-to-one basis with students but i'm not allowed to put it out in the big public sphere of life now i'm going to talk today about being relaxed and posture so what i want you to do is is i want you to put your cello against you and just so that it just sort of falls against you and and let go of it and just find out where it lies in the most comfortable position now i've got boobs and they get in the way so i have a special bra for playing the cello and it just keeps my sternum um exposed as it as it were rather than padded and it means that i can really feel the vibration of my cello and it's honestly it's much

more comfortable like that and we're going to be selling those anyway pretty soon um my burning hearts bras actually if you don't know there i i've invented a bra which of attempts to combat reflux and heartburn by allowing an unrestricted um stomach but still holding everything in place but it turns out that's also really really good for playing the cello um i found that out quite by accident just the other day so i'm going to create a musical version and i'll probably put cellos on it cello fabric i think would be really good wouldn't it um so when you lay the cello against you find where it settles the most comfortably for you for me it's just under my boobs otherwise it um it's too far forward basically and i i can't make proper contact with it and for me also the cello isn't straight i mean you can't really have it completely vertically um leaning because i'm doing that now and it's touching my jaw and that i can't play my c so that's not going to work i've seen people hold the cello at different states of uh

diagonal and certainly in some situations i can get very diagonal but we're going to talk about moving when you've got your cello but the first thing is just lean it against you and let go of it with your hands and and find the best position how how far would you prefer it to lean um do you like it forward at the bottom so it bottoms up now you can get a cello stick the stalk the metal bit at the bottom you can get them so that they're bent or you can ask your luthier...

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Some advice on positions and shifts for cellists. The score is on the site also in a PDF.

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hi jealous so i'm just starting to go through the um the score now um now i'm just working on one section today because it's really hurting my neck actually to be honest so i need to do some exercises to um improve my the way i'm playing the cello but it's hurting because i'm looking up while i'm playing so i'm now working with my computer in front of me which is um it's not good for me to see i can't see the score um on the youtube i can't seem to enlarge it on my ipad so oh just dramas but you know we all of us have um these little crosses to bear and i i don't see particularly well um screens so finding the right pair of glasses might help but anyway i want to go to so we're not really doing very much or all the way through where um i think there's we don't need to talk about anything until perhaps we get to for example um bar 81 83 um 83 and 84 etc where we've got this d flat which is a c sharp and i just think this would be in first position but do it in fourth position because you've got to move up to this d flat here and it's

you rather than do it from first position okay so i've written fourth position in there play it it will make sense i promise it's much easier when you um when you when you play it so lots of sort of string crossings uh to think about and quite a big stretch we've got the c sharp to this d flat

okay that's quite a big stretch for anybody um but there's only two two um sets of quavers so it's not really difficult um and then we're moving up to the b um actually

i'd be tempted to um do to just use your third rather than to do that shift at that point these are these differences these changes are so particular to you you know um so i sort of feel i don't feel i should really tell you too much about you know fingering to use and stuff but um the the key is to avoid long shifts wherever possible you don't ever want to do a long shift okay so you want to create the pattern that works and enables you to do the smallest shift the least amount of string crossings um to make it sound really really good and the thing is when you're doing fast pieces especially the last thing you want to do is be you know um leaping all around we can't do it we can't have that going on okay so now the other...

hello cellists welcome now i've done my third day of the bruckner um piece that we're doing for orchestra in june and i really do feel like now i'm understanding the the um the swells the swells and the calm bits and i i still think it's quite easy for us there are about four piece four sections pretty much one in each part i suppose where we have to be a bit nippier so really you know i think we should do it every day right through but then add to that working on these little nippy bits and the hardest thing for me is working out the fingering and the positioning because there are an awful lot of ways to play as you know on the cello so that's going to be quite tricky for me and i think i need to now that i'm getting to know it separate each thing off

and um we won't do it this week but next week we'll start and what what i think we'll probably do is um maybe work for two days on each part um so that by the end of the week or you know a little bit over whatever we've actually got um you know we've mastered these tricky bits and then we can go back to playing the whole thing the thing is we you you have to do the tricky bits um you have to learn them really really well i'm i've noticed today that i started playing by ear and i don't want to do that you know i i started to just think well that sounds right i'll go there and i want to read the music so i'm going to insist i do that to myself um so i

hope you're still doing it i hope you're playing it right through i had a tattoo done today and i'm absolutely exhausted i came home and i thought oh god i haven't done the brookner and um i made myself do it i actually made myself do it i thought no i have to do this you know i've committed and i love doing that i think it's really really great to commit to something and a challenge and and do it but i ache all over and i didn't have time to set up my um you know my my small my laptop and the headphones and everything which i was meaning to do but i do feel that once that happens i'm going to be even better at it because i actually can't hear the cello parts at all um i can kind of vaguely hear the bass occasionally the other thing i keep finding with it on the tv i'm starting to predict on most pages what comes next but not on all of them and the cello is maybe the second lineup for some of the sheets and then and then

suddenly not at all if we're not on there and i'm like oh uh oh so i don't want to rely on this youtube version too much so i'm going to use my um my ipad and i'm going to annotate them and i'm going to put i'll take a photograph and i'll put those up because those are in the public domain the score is in the public domain so i can do whatever i want with that what i can't do is actually play the music unfortunately so we're just sort of relying on on you to sort of do it yourself and and hope that's okay but i'll be able to go over section by section and i will i'm very particular when once i start something so baba bar i'll be talking about how i play it how i how i'm going to um place my fingers what position what string etc um because as i say the i mean sometimes the when you're playing in an orchestra the um the first position sounds a little bit meatier um and a little bit um kind of hungrier almost so the you sort of alter it

according to the you know the mood also with a lot of the tremolos i find i'm because of my neighbours because i don't want to you know hack anyone off with overnight because i'm doing this every single day and i've got it quite loud on my tv and i just think god they must be going insane so i'm doing the tremolo's in a really breathy um way where i'm you know not really touching uh not digging in the string at all it's very very breathy and again that's something that might change on the day i'm sure you know we'll find out on in june um how your orchestra wants to do it and it's also dependent on how many cellists there are because if...

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hello cellists welcome to a little catch-up about the bruckner now i'm on my second day and i've been looking around all of my material and i'm going to give you some book titles that i recommend if you can get hold of them um basically anything in a flat major any um exercises i i can't find my pop poppers book the complete pop-up the 40 um studies but i'll find i'll try and find out tomorrow because that's i'm sure that's going to be really helpful but if you google actually um e-flat major pop-up challenge it will tell you they're all over youtube so you can do that without me but i'm i'm just looking now at my material that i'm going to be practicing i'm going to do the hour a day play along and then i want to supplement my my practices for this

30-day challenge with lots of exercises and scales and arpeggios and things that matter in e-flat major and and b-flat dominant sevens in b-flat if you do all these they're going to be so helpful and actually some of these things i'm going to suggest to you after you've done them the the music for the bruckner is you know a walk a total walk in the park it really is so grade seven abrsm um that's that's an in a british um system so i appreciate that if you're an american listening to this that might it may make no sense at all but um if you look at the dominant sevenths if you can find those somewhere um separate bows and slurred and in the key of b flat you're going to find those pretty helpful actually that's the diminished seventh and then if you go to e flat major the arpeggios um and that's um three or three octaves you know that they're quite pretty standard you're going to find those really really helpful as well and

probably uh b flat major um i'm doing this for memory so uh e flat minor harmonics another one oh do we do that no we we're i think it's all sharps isn't it but we didn't have too much to consider so i mean if you just go through these the scales and if you come across anything that's got an e flat in it um and it's major that's the the first one that you should be looking into okay so other apart from that i've got in front of me projects for that noise in the background um three octave scales for cello book four by cassio harvey this is so these are tricky really tricky the e flat major three octave um pages are 20 and 21 and really i mean she covers this lady's uh taskmaster into half she covers every possibility in these two pages as far as i can see we've got spokane staccatos um we've got slurs we've got um rhythms you know

alternative alternating rhythms we've got octaves now octaves you're going to come across in the brook now there's quite a few of them actually um now i'm tempted to use my thumb i've got tiny hands so i've i'm also 60 this year and i really do feel i've already got some cello in injuries your thumb is actually the strongest of all your fingers and you've only got to kind of tap it onto the string and you've got more strength in that thumb than any of your fingers and don't be scared to use your thumb um and not not just in the way that we would normally expect to use thumb position but you know you can use it in other ways that perhaps you hadn't thought about it's a very strong finger and i'd experiment a bit with that if i was you so um the e flat major pages are 20 and 21. that's the three active scales for cello book four by cassio harvey um so that's...