Each version of Jackie DeShannon's "Each Time" is a treasure! We start with Jackie's original 1964 demo, which swerves from the Spectorian template and adds Mexican mariachi horns ... with backing vocals by The Blossoms, it's a winner! The same year, The Bon Bon's made the song a proper Girl Group Great with some nice doo-wop touches and cash register percussion!(?)! The Searchers brought their 12-strings and harmonizing to the song and it's especially heartbreaking in the outro. Argentina's Grupo Uno translated the song into Spanish ("Vuelvete") and their intro really wows us - the whole song is velvety! In the early 80s, Seattle's new wave chick Leslee Swanson made a nice kitchen-sink version that follows the Searcher's recipe closely. Finally, in '88 Marti Jones came out with a rockin' version that cuts away a lot of the melancholy, to great effect! Always good, it's with us you belong!

Each version of Jackie DeShannon's "Each Time" is a treasure! We start with Jackie's original 1964 demo, which swerves from the Spectorian template and adds Mexican mariachi horns ... with backing vocals by The Blossoms, it's a winner! The same year, The Bon Bon's made the song a proper Girl Group Great with some nice doo-wop touches and cash register percussion!(?)! The Searchers brought their 12-strings and harmonizing to the song and it's especially heartbreaking in the outro. Argentina's Grupo Uno translated the song into Spanish ("Vuelvete") and their intro really wows us - the whole song is velvety! In the early 80s, Seattle's new wave chick Leslee Swanson made a nice kitchen-sink version that follows the Searcher's recipe closely. Finally, in '88 Marti Jones came out with a rockin' version that cuts away a lot of the melancholy, to great effect! Always good, it's with us you belong!

Each version of&nbsp;Jackie DeShannon's "Each Time" is a treasure! We start with Jackie's original 1964 demo, which swerves from the Spectorian template and adds Mexican mariachi horns ... with backing vocals by The Blossoms, it's a winner! The same year,&nbsp;The Bon Bon's made the song a proper Girl Group Great with some nice doo-wop touches and cash register percussion!(?)!&nbsp;The Searchers&nbsp;brought their 12-strings and harmonizing to the song and it's especially heartbreaking in the outro. Argentina's&nbsp;Grupo Uno translated the song into Spanish ("Vuelvete") and their intro really wows us - the whole song is velvety! In the early 80s, Seattle's new wave chick&nbsp;Leslee Swanson made a nice kitchen-sink version that follows the Searcher's recipe closely. Finally, in '88&nbsp;Marti Jones&nbsp;came out with a rockin' version that cuts away a lot of the melancholy, to great effect! Always good, it's with us you belong!

Each Time

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Each Time

Each Time

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