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His adventure starts out when he interviews Manuel on the unique feel from one of Sydney's interesting bars with

a distinctively seaside feel

Manuel starts out by saying

"Our inspiration on hospitality is to make people feel welcome from the moment they arrive here." So that's the part of our philosophy on the hospitality, which is about the experience that we gave to our guests.

Cullen notes the kind of run and feel of an old ship here an old boat that's setting sail lead by at least one or two finer pirate beards if ever you've seen them

Peter has taken us on a journey from South Africa,to Queenstown and now Auckland in New Zealand.

He generously shares some of hs top tips. Not just on travel photography but also sharing some of his lightroom techniques.

The origin of Peters last name Withiel is cornish and It's derived from the name Vivian.

Withiel

(Cornish: Gwydhyel) St Clement

is an Ancient parish in the county of Cornwall.

Withiel is derived from the Cornish word Gwydhyel, meaning wooded place.

And so launching into part two of the podcast we are back in Queenstown on a tightrope.

1) What to take with you

- Hat - Coat - Gloves - Scarf

2) How far away is Coronet Peak

Dubbed the "original" resort ski area Coronet Peak is only 25 minutes from Queenstown.

3) The School Holidays

Busy times to dodge at Coronet Peak

2019 New Zealand School Holidays Starts 6 Jul 2019 (Sat)

Finishes 21 Jul 2019 (Sun)

2020 New Zealand School Holidays

School Holidays Starts 4 Jul 2020 (Sat)

Finishes 19 Jul 2020 (Sun)

4) The season

The season typically runs from early June to early-October or late-September.

5) The night Ski

It is one of the only ski fields in New Zealand to offer night skiing on Wednesday, Friday and Saturday nights from July to mid-September

6) Ski terrain

Popular runs on Coronet Peak include Big Easy (beginners), M1, Greengates and Shirtfront (intermediate), and Exchange Drop and the Back Bowls (expert).

7) History

The field was New Zealand's first commercial ski field and was opened in 1947 with a single rope tow

8) Location

The Peak is one of New Zealand's most popular ski resorts due to its proximity to Queenstown, varied terrain, and quality facilities, offering a high-speed quad chairlift, high-speed six-seater chairlift, and a high-speed beginner chairlift.

Eora means 'first people' in the language of the Darug, traditional owners of the land the Australia National Maritime Museum museum now stands on. Join us with Beau James for an interpretive description of some of these precious works. The EORA First People Exhibition takes us on a journey from Tasmania to Far North Queensland and the Torres Strait, exploring this deep connection through art and adornments.

EORA First People Exhibition works

EORA First People Exhibition works include:

Elaborately carved and painted Pukumani burial poles from the Tiwi people

Hollow log coffins decorated with the story of Mäna, the shark. Following a funeral ceremony still practised today, the bones of the deceased are placed in the top of the log coffin.

Ceremonial sculptures and handwoven works from Arnhem Land and Cape York

Delicate shell work from Tasmania

Spectacular headdresses, body ornaments and dance machines of the Torres Strait.

A SPECIAL FEATURE:

SALTWATER - YIRRKALA BARK PAINTINGS OF SEA COUNTRY

This series of paintings explains the spiritual and legal basis of the Yolngu's claim on the Saltwater Country of north-east Arnhem Land. The stories were painted to teach the Balander (stranger or white people) about the lore and law of the Yolngu people. The collection is a record of sacred lore based on the wisdom of thousands of lifetimes.

"... They represent a social history; an encyclopaedia of the environment; a place; a site; a season; a being; a song; a dance; a ritual; an ancestral story and a personal history."

- Djon Mundine, OAM, Aboriginal curator, on the Saltwater paintings.

The EORA FIRST PEOPLE EXHIBITION is a small sample from over 4000 pieces from the local people that include

Burial poles from northeast that were placed around a burial site

Hollow log coffins with intricate designs and totems

Saltwater barks created by local elders sharing the stories of poachers and showing secrecy designs.

Beau shares the intricate stories with us of how the barks portrayed the person they are and who they are related to within some of the barks.

The 80 barks were also used to help prove their connection to the land and the bark paintings were used in a court case to help claim sea rights for the local people from that country.

Bark gathering is hard work, and then the bark is used and worked to have a vibrancy that shares the connection to the country, and many are preserved over time at the gallery.

The waters around give story and meaning, and the fibres used also include spinifex.

Stories emerged from looking out into the area and observing the local animals including the stingray as that area could be someone's totem, and therefore this area is someone's responsibility to look after the nests of that area as they could become the voice of that country and the voice of that nesting area.

Saltwater or freshwater people

Precious objects were carefully around the grave to help with the journey into the next life, and then bags could be placed on or near totem poles so that a person's story and connection are taking them to the other side and so there is definite a connection on the journey into the next life.

The Tasmanian section

Massacres wiped out many people in Tasmania, and the seaweed baskets and the shell necklaces are an essential part of the collection from this country.

Baskets from this collection were also used to carry clams and oysters, and Eel traps were utilised along with sardine scoops.

More details can be found on the website below.

WARNING: This website may contain the names, images and artworks of deceased people which may cause sadness or distress to Aboriginal and Torres Strait Islander People.

While the display in the Amaze Gallery of the Garden Palace collection finished some time ago, we had been lucky enough to capture a glimpse of this tragic and dynamic story lead by the technology and innovation of the time.

Sarah shares a glimpse into the rich collections of the State Library of NSW by telling some the fascinating stories associated with this magnificent building.

The Garden Palace collection display in the Amaze Gallery was displayed to coincide with barrangal dyara (skin and bones)

Sydney's Garden Palace is now lost to living memory, however, in its day its grandeur dominated the skyline in Sydney.

Sarah Morays obsession around the Sydney garden palace started some time ago when the stories began to reveal themselves during some detailed research at the State Library of New South Wales.

From its construction, destruction, and opening in 1879 Sydney's Garden Palace captivated society in Sydney and visitors from around the world in so many ways.

The Garden Palace was also home of one of the many new technologies of the time on display the elevator, was just one of these as the sizeable purpose-built exhibition building was constructed to house the Sydney International Exhibition in 1879.

Dominating the skyline, the Garden Palace was a magnificent building.