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Esse causa se passa no Rio Surubim no Piauí, onde acontecem fenômenos sobrenaturais. Nessa história, contamos sobre o Sr. Raimundo onde todas as noites sentava-se na varanda para “chupar cigarro” e olhar as estrelas. Ouça para saber o que acontece…
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The post O Encantado do Surubim #02 appeared first on Rádio Ebamix - Teodoro Sampaio.
https://ebamix.com.br/feed/podcast
Neste episódio, falaremos um pouco os principais casos de OVNIS que apareceram por todo o mundo.
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The post CASOS REAIS OVNIS PELO MUNDO #01 appeared first on Rádio Ebamix - Teodoro Sampaio.
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Aqui mister eme conta uma história que passou em um bar a muito tempo atrás.
The post Mister Eme no Bar de Cowboys mau encarados appeared first on Rádio Ebamix - Teodoro Sampaio.
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paródia da música ajoelha e chora do tradição.
The post Mister Emme – Tô com catapora appeared first on Rádio Ebamix - Teodoro Sampaio.
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paródia do mister emme que satiriza as pessoas má pagadoras.
The post Mister Emme – Caloteiro appeared first on Rádio Ebamix - Teodoro Sampaio.
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Mister Emme lançou sua nova paródia denominada fedô de suvaco bem na época da pandemia em 2022, confira essa versão.
The post Mr. M – Fedô de suvaco appeared first on Rádio Ebamix - Teodoro Sampaio.
The legendary pop icon Roocky Pop is back with a bang! Their highly anticipated comeback album has ignited a wave of nostalgia among fans worldwide, who are praising the artist for recapturing the magic of yesteryears.
In this article, we will explore the cataclysm facing U.S. industry through the portal example of the music industry, a simple industry in comparison to those of automotive or energy. However, in the simplicity of this example we may uncover some lessons that apply to all industries.
In his web-article, “The Inevitable March of Recorded Music Towards Free,” Michael Arrington tells us that music CD sales continue to plummet alarmingly. “Artists like Prince and Nine Inch Nails are flouting their labels and either giving music away or telling their fans to steal it… Radiohead, which is no longer controlled by their label, Capitol Records, put their new digital album on sale on the Internet for whatever price people want to pay for it.” As many others have iterated in recent years, Arrington reminds us that unless effective legal, technical, or other artificial impediments to production can be created, “simple economic theory dictates that the price of music [must] fall to zero as more ‘competitors’ (in this case, listeners who copy) enter the market.”
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