Following the release of her 2023 album “Wisconsin,” alt-pop artist Carlie Hanson was unexpectedly dropped from her record label. Unmoored, Hanson felt defeated and lost. LA no longer had the same allure, and the Midwest didn’t feel like home. Yet, despite the uncertainty, her love for music refused to let her walk away.

Undaunted and inspired by the empowering words of her peers, the multi-talented artist continued to pour herself into her diary-like songs. The tracks were a reflection of her own catharsis and new creative freedom. Carlie’s exploration as an independent artist eventually led her to Fearless Records. There, the label embraced her and recognized the resonance of her raw storytelling and genre-bending production. 

On February 7, Carlie triumphantly unleashed her EP “too late to cry” under the label. The 7-track project, entirely written and produced by Hanson, delves into themes of loss, self-empowerment, and resilience.

On the latest episode of ECHO - The Podcast, we sat down with Carlie to learn more about the journey to get to this moment, filming the “covering faces” video in Japan, and her advice for other artists. 

Photo Credit: Stefan Kohli

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Home is anywhere you find Ben L’Oncle Soul.

Whether in the studio or on stage surrounded by fans, music is where the multi-platinum French soul artist feels most at ease. He channels that warmth into his irresistible new single, “I GOT HOME,” which he describes as his “ode to joy.”

Produced by Danny Van ‘T Hoff (Smino, Earthgang) and Bastien Cabezon, the track captures the exhilaration Ben feels on stage as his soulful vocals groove along a retro R&B bassline and gospel-inspired harmonies.

On the latest episode of ECHO - The Podcast, we sat down with Ben to chat about “I GOT HOME,” his forthcoming seventh studio albumSad Generation (via Enchanté/Believe), and more!

Photo Credit: Guillaume Landry

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Tiger La Flor is leaving all her worries in the rearview with her cinematic new single "HEAVEN IS A HARLEY.” 

Inspired by the liberating end of a toxic relationship, the nostalgic and empowering anthem roars to life with its fresh Americana sound reminiscent of early Lana Del Rey. 

The song serves as the triumphant “closing credits” to a larger EP, which also features previously released single, “LASSO THE MOON,”a tribute to her own parent’s love story. The EP brings listeners along for the ride as Tiger La Flor sings of love, heartbreak, and healing. 

On our latest episode of ECHO - The Podcast, we sat down with Tiger La Flor to hear about the writing and production process for the single and upcoming EP, as well as what’s on the horizon for this rising singer-songwriter. 

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Inspired by the curiosity and determination of bildungsroman Alice and her adventures in Wonderland, Emei is descending into her own mad metamorphosis on her new EP RABBITHOLE. 

Following the success of her debut album, SCATTERBRAIN, this EP serves as a continuation of her brand of alt-pop confessionalism. Across five tracks, Emei unapologetically dives into her own struggles with anxiety, insecurity, and relationships.
On our latest episode of ECHO - The Podcast, we sat down with Emei to chat about writing and producing the EP and its five part visualizer series, as well as her upcoming THE RABBITHOLE TOUR.

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Thumbnail photo credit: JORDAN KELSEY KNIGHT

On December 31, 1999, the world was on edge about a possible technological shutdown. Due to a programming bug that only allowed the last two digits of the year to update, people theorized that a society that relied on technology would fall into complete disarray when the date failed to change at the turn of the millennium. Much to people’s relief, the “Y2K Bug” caused minimal disruption. However, what if the widespread panic had been warranted? Kyle Mooney and Evan Winter imagine a possible doomsday scenario in their apocalyptic comedy, Y2K. 

In the film, outcasts Eli (Jaeden Martell) and Danny (Julian Dennison) are determined to end New Year's Eve with a kiss from popular high school basketball star Laura (Rachel Zegler). But when the clock strikes midnight, the festivities quickly turn to mayhem as technology revolts, transforming into monstrous, humanoid killing machines. As the chaos unfolds, the characters embark on a wild, action-packed adventure to survive—narrowly escaping death and avoiding becoming slaves to the machines. Along the way, they receive help from unlikely sages, including Limp Bizkit's Fred Durst and video store clerk Garrett (played by Mooney).

Other familiar faces include '90s icon Alicia Silverstone and music artist The Kid Laroi.

We sat down with Mooney and Winter to chat about all things Y2K.

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Jason Fernandes may have grown up chasing soccer goals, but today, he’s scoring big on the small and silver screens. Hailing from Vancouver, this charismatic actor, who many compare to a young Ralph Macchio, is rapidly making a name for himself in Hollywood. From his early days as a shy boy with a love for sports and choir to his breakout roles in Fire Country and Cruel Summer, Jason’s journey is a testament to resilience and reinvention. His latest project, TUBI’s Sidelined: The QB and Me, is a romantic comedy poised to capture the hearts of young audiences worldwide.

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On her debut EP, Baby Teeth Zoe Ko began to expose the mean girls who made her high school experience miserable. On her unapologetic pop anthem, “Kiss My (Ah),” Ko is continuing to cut her musical teeth and tell her side of the story. 

On our latest podcast, the New York native took a break from supporting UPSAHL on the “Melt Me Down” tour to chat about the feisty single, its music video, and what fans can look forward to next. 

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Alt-pop band The Strike have announced their forthcoming third studio album arriving in October. 

Known for their electric live performances and nostalgic 80’s influenced anthems, the band has set out to capture that unmatched energy across 11 tracks, including previous releases "Soundtrack," “The Getaway,” and “Just Friends.”

We sat down with frontman Chris Crabb to chat about their beginnings as a wedding band in Utah, opening for Journey, and how they managed to replicate the energy of their shows on the record.

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On October 18, Isabel Dumaa will triumphantly release her debut EP Just My Nature. The title, borrowed from a yet to be released track, isn’t a resignation, but rather a declaration of acceptance.

Dumaa has wanted to be a singer since she could talk. As a child, she would subject her family to living room concerts, and as she entered her teens, she became a regular in the San Francisco circuit. Determined to pursue music as a career, Dumaa, armed with a journal full of vulnerable confessions, promptly took off for LA after graduation. However, despite this lifelong dream, and success, the rising artist couldn’t escape imposter syndrome, as detailed in her 2021 debut “Call My Bluff.” 

The heartfelt track was the beginning of a two year journey to reconcile those feelings and uncover the confidence to embrace herself. 

We spoke with Dumaa ahead of the release to chat about the album, which features previous releases  "Quarter Life Crisis," "C'est La Vie," and  "Enough for You,” self-acceptance, and more.

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Over the past three years, Camylio has crafted a sound that merges alternative pop production with heartfelt, folk-inspired storytelling.On his fourth EP “in the light and shadows,” the multi-talented singer, songwriter, instrumentalist, and producer uses these contrasting elements to explore “the light and dark sides of attraction and love.”

Among the project’s seven tracks is his latest single “angel,” a haunting alt-pop track about the world-stopping moment of seeing your person for the first time. The song is accompanied by a cinematic visual directed by CakeMaster, which reflects the opposing emotions. 

We sat down with the New York-born, Los Angeles-based artist to chat about building the illuminating new EP, finding his sound, and what’s next. 

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