A vinyl connoisseur who is living a somewhat techno fairytale. Andre Galluzzi’s career is on the verge of legendary status.

Galluzzi’s DJ story started at 14 years of age. Over a quarter of a century later and the man in question is still performing week in week out and now recognised in the top echelon of house and techno artists. Running his own label, ARAS, which is the main outlet for his musical productions alsongside Dana Ruh and Matthew Dekay, the label enables the release of creativeness within Andre’s being whilst also shouldering the responsibility of pushing Galuzzi’s signature sound to the punters. Always known for being A DJ first and foremost, his productions have established a reputation as someone who is at the forefront of his craft with his passion for the dance music world evident in everything that he creates or curates. 

As a producer, organic is the best way to describe Galluzzi’s style. Old school in nature, he has always trucked along vinyl records to his gigs since the start and the way he creates his music draws constant parallels. Live instruments and vocals are always included as nothing artificial will suffice.

Heavily associated with the creative melting pot that is, he was former resident at the legendary Tresor, before moving on to Ostgut, the previous club of the infamous Berghain. With releases on Cocoon, Ostgut Ton and Cadenza, it’s safe to say Andre has done it all.

We were privileged to have the man himself down recently for Circus, we caught up with him after to see what lies ahead.

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Your set was recorded at Circus alongside Andrea Oliva and Yousef. You played 5am - 7am, how was your set? 

I realy like Egg, fantastic soundsystem, nice people that know how to party hard but one thing I have to say - 2 hours play is a bit to short for me haha.

For those that don’t know you used to be former resident at both Berlin’s Tresor and Osgut before it became the infamous Berghain. Techno on the whole has undergone a huge resurgence recently, what do you attribute this to? 

To be honestly,I think techno and all the other genres are always there. Of course you have some periods where focus turns. It can be house today ,minimal ,electro or techno tomorrow. But it became a industry as well and clubs got an essential influence. If you run a techno club very sucessfully, hot for the moment, techno would be the weapon.

Obviously having spent a fair bit of your career in Berlin you are well placed to see how the city has transformed over the last 2 decades. What do you think it is about Berlin that attracts so many DJs within house and techno?

Well Berlin is a very open minded city. I always feel free in Berlin. You do what you want, You look like you want or be who you want. Berlin doesn’t judge today. I think it’s caused by its own heavy history, this place was attractive to many creatives. This found a seldom mix of art & nightlife.

You’ve recently released your debut album ‘Alcatraz’. Having been a producer for so many years was it a conscious decision to wait this long to release this project?

I did two albums with Paul Brtitsh on our former label Taksi in the ’90. Since then I wanted to do a further by myself. I was just always very focused on DJ’ ing, I’m now finding a perfect balance to handle both. Thing is, the more that you play, the more you know exactly what elements you want to hear on the turntables. So you became part of the development of music automatically. I promise, you will not have to wait further years for the next album ha!

What were you trying to achieve with this album?

I wanted to produce an album which is close to my DJ set´s. With tunes for all different moments you have in a night. warm up, the middle part, prime time and the trippy moments in the morning. My inspiration to every single track was that you play all of them haha.

You play on vinyl during your sets. Would you say the art of Djing has been lost in recent years due to the amount of equipment readily available and the way people can get their music out there? What attracts you to playing on this form?

I just love my vinyl. The sound, the touch ,seeing the covers. People asking for the tracks so you pass them the cover. I show records weekly at the shop where you meet a mass of colleagues and friends. This is pure communication. More, they are my instruments and after my gigs I have to clean them. This brings you in a very warm realationship with your music.

You also run your own label ARAS, what were your original intentions for the label and what have you got planned?

The idea for ARAS started in 2010 when I decided to produce an independent sound. If you produce for external labels, your meet the expectations of others. This leads to a mix in your own composition. I did some very nice pieces with DANA RUH and various artist releases as well. To place Alcatraz on ARAS is just a consequence of a long dream which finally comes true. And the upcoming tune is already in progress.

And finally, anything else you’d like to shout about? 

Well you see producing became essential to me. Indeed I did a further release alongside GUIDO SCHNEIDER called “Mario“ on COCOON Rec. Should be out this month (FEB 2015). A further massive techno release on a Berlin label will follow by summer.

For next Circus and all Egg London events click here

The UK has certainly been at the very forefront of the recent rise in popularity in house and techno worldwide. UK artists have provided their own distinctive sound, bringing new fans to the scene as well as rejuvenating existing house and techno lovers, showing them a new side. David Robertson aka Reset Robot is one such artist. His unique style blends high tempo tech house infused with chunky, dark techno elements. This style has led him inevitably to some of the most forward thinking labels within techno, with a string of productions being put out on the likes of True Soul and 8 Sided Dice. 2013 saw the Portsmouth lad hit the big time with tunes such as ‘False Widow’ being supported heavily by the likes of Tale Of Us and Richie Hawtin.However, it hasn’t been any easy journey for the rising star. Failed promises from his previous management led him having to completely reset his production plans. This would deter most, but his sheer determination led him to eventually to release on the infamous Dubfire Records.Constantly moving forward and looking for new opportunities, he and fellow techno superstar Alan Fitzpatrick announced recently the arrival of their new joint label, Whistleblower Records. What’s in store, who knows, but it certainly does wet the appetite if their solo efforts are anything to go by. We caught up with David after his recent set at Egg London alongside Mihai Popoviciu and Martin Eyerer to pick his brains.

Hey, so this set was recorded on Saturday 12th July at Egg London, how was it?

It was a great night, a little slow when I started but the room picked up nicely. I hadn’t seen it since the work had been done. It looks great now.

UK artists seem to be enjoying somewhat of a golden period in house and especially techno at the moment. Artists such as yourself, Alan Fitzpatrick, Scuba, Dense & Pika and Perc have enjoyed great success. What do you think has led to this and how has techno changed over the last few years?

Yes, it seems there are quite a few guys doing pretty well. I’m not sure how its ended up like this to be honest but dance music has always been a massive part of our culture. I think Techno has become more accessible, people didn’t even know what Techno was when I was at school or thought it was Gabba. It’s something that lots of people listen to now even if they don’t know it.

The UK has also seen an exodus in talent, who now reside in foreign cities when producing, most notably the trend to move to Berlin. Do you think your surroundings effects your productions and do you think we are in danger of losing our identity when it comes to musical talent? Detroit can be seen as an example of this, with very few artists now remaining there.I guess your surroundings might affect your productions but I haven’t really produced anywhere else so I can’t say from experience. I think Berlin has a great musical energy and people who move there are immersed in it. Having been there I can see why people might want to move there but there are always going to be others that don’t. You have a very unique sound, whop would you say are your biggest influences when it comes to both your productions and your DJ sets?Matthew Dear has been a big influence since I first heard ‘Leave Luck To Heaven'. Bill Patrick and tINI are also very influential at the moment. Their DJ sets are fantastic.So, you have just started up Whistleblower Records along with Alan Fitzpatrick. Can you tell us how this came about and what you aim to achieve with the label? Is there a certain musical route you will stick to?Yes, we’ve just started up the label with Rhymos and Con Fraser. We want to release our own music and try and find some interesting new talent. We’re also looking to tour with the label at some point. It would be nice to DJ together for a change.You had some big releases in 2013, whats planned for the rest of this year?I’ve got some new music coming on Intacto, Whistleblower and Dogmatik. I’m trying to secure some new stuff on Truesoul as well. It would be nice to get some more music out with them!Anything else you’d like to shout about?Look out for the next release on WB. It’s by Mister Woo and has an amazing Mark E remix with it. Then we have an EP from Rhymos with a BLM remix. We’re buzzing about the label at the moment. It’s great to be doing it now.

If you liked this check out Supernova & Perception Berlin - Saturday 23rd August, Egg London

Sweden’s very own Christian Smith has been soaking up the sounds of house and techno since the late 80s when Sven Vath first took the scene by storm. Since that moment his life has been dedicated to a vision which he has shared with the global techno community. Jet-setting DJ and label boss, Christian has achieved a lot in a career spanning over 20 years, with his imprint Tronic holding a special place in techno circles. Christian set the label up back in 1994 when he was just 21, and ever since then it has been a bastion of quality music. Diverse in it’s output the label has released the likes of Carl Craig, Laurent Garnier, Marco Bailey, Hobo and Jay Lumen and has been seen as a leading force in shaping a less purist techno style. It was also notably one of the first labels to embrace sounds from house and techno to create records that DJs from both scenes would play.As a producer we have seen Christian be as diverse as his own label, with releases on a vast array of labels including Drumcode, Ovum, Bedrock and Renaissance. Having recently celebrated the 20th Anniversary of Tronic and off the back or a world album tour, Christian certainly doesn’t seem to be slowing. We caught up with him after his performance for the We Are FSTVL after party here at Egg a couple weeks back.

This mix was recorded at the massive We Are FSTVL After Party here at Egg London. How was it?I have the privilege of playing regularly at Egg as its the main venue I play for in London. However this was the first time of this year as my schedule has been crazy busy and I could not manage before. I am very comfortable there and know the crowd so for me it was a lot of fun. It always is . The crowd is very open minded and not pretentious, great energy, you can play longer sets, and the staff is a pleasure to work with.

Your imprint Tronic reached an impressive 100 releases last year. What would you say the ethos of the label is and is there anything you look for in particular when signing a record / artist?

The ethos of the label is to release open mind underground house and techno. I have never been a purist and I think this is one of the reasons why the label is still doing so well after 20 years. Its easy to always do the same, but its tougher when you play around with different styles.  If i like the music I'll sign it.Techno recently has seen a huge surge in popularity. What do you think has contributed to this and do you think the techno crowd has changed?

Techno has become 'cool' again in recent years. I think the fact that it has slowed down to the same speed of house has helped it popularity for sure. I'm not a fan of hypes or trends, but can tell you that techno has always had a strong global presence and this will not change for a long time to come. Honest house and techno will always be around!

We’re now in festival season, what’s your personal favourite to play at, both past and present?

Oh thats a tough one to answer. I personally really enjoy playing at festivals in Japan because the people there go strictly for the music rather than the drugs. So the vibe is immense and the fans are very loyal which is something you don't get in scenes like London that are very hype driven.  I also love playing in Argentina. When it comes to festivals in Europe i really enjoyed Exit, in Serbia and of course Awakenings in Holland. Though I heard that We are FSTVL is also wicked. Hopefully next year! :)

What’s coming up for both you and the label?

New material from the following artists: Ambivalent, Dave Angel, DJ Anna, Wehbba, Harry Romero, and and album by myself. My wife is pregnant and we are getting our second child in October, so I'm diligently working on my next artist album and hope to have this finished before.

And finally, who would you love to collaborate with if you got the chance?

I would like to do something with Richie Hawtin. He is without a doubt a huge inspiration to me. We have been mates for around 20 years now and this guy is a mad workaholic and genius. Its just a little sad that he become too big and doing too many projects so that he does not devote much time to what got him here in the first place, the music productions. I think if we should work together in the studio we would come up with something cool musically but also peak time floor material.

Like techno? Egg Presents Terminal M - Saturday 14th June

The Paris underground scene has given rise to some of the biggest names in dance music across the board; Daft Punk, Laurent Garnier, Dimitri From Paris, Ivan Smagghe, Jeremy Underground Paris and DJ Mehdi to name a few. Right at the top of this very talented pile lies Franck Roger, a man dedicated to old school house whilst still pushing things forward.A staunch supporter of vinyl, his sets have won him support around the world, and earned him recognition from those artists that originally inspired him to become a musician. His love of the old school does not only lay in the music and the format in which he plays on, but also his use of analog equipment during his special live sets.A multi-talented individual certainly, not only a producer / DJ, but also label boss, with his imprint Real Tone Records putting out releases from the likes of Maya Jane Coles, The Martinez Brothers, Shonky, Burnski and M A N I K. His new label, Home Invasion, is set to be a vinyl only label, with a real emphasis on the releases being collectors items. Again drawing inspiration from the past, the label is set to take on his major musical influences whilst still having a modern twist.

We caught up with ever cool Parisian ahead of his gig at Egg Presents on Friday 9th May alongside the Decay Records camp with Sascha Dive, Gavin Herlihy and more.

Where, how and on what was the mix recorded?

The mix has been recorded at home where all my records and studio is. This is where I feel the most comfortable and able to create a mix that I am happy with. I used two mk2 turntables, 2 cdj's and a wonderfull DJR 400 that I have had for 8 years now and that i love to play with. It's recorded live without any playlist in mind which is how I feel the best, no pressure, just a the feeling of the moment and that's also my vision of djing at home or in a club, keeping it live and real.The Parisian underground scene has given rise to some fantastic artists and some very influential movements in Electronic Music. Laurent Garnier with his distinctive 'French Techno' sound, then Daft Punk, Alan Braxe and Cassius were instrumental in what was labelled 'French House' by the media. Meanwhile Mr. Oizo & Ivan Smagghe,  amongst others, played their part in the evolution of 'Electro House' and acts such as Jef K, D'Julz & Jeremy Underground Paris have been instigating a classicist House revival for many years now.  You've been there from the start witnessing, and being a part of it all since day one. What effect has this musically rich city had on you as a person, performer and musician?All the names you mention here take a lot of influence from a special musical era which existed in the US and it is the same for me too. French producers gave their 'special treatment' with a classy touch of course. I think we can talk also about St Germain and Shazz here. Paris is a city with tons of talented dj's and producers and it also influences all of us in a crazy race of production, especially today with all the Parisian labels that do only vinyl for most of them, we all have respect for each other and provide one another with energy and inspiration. If i lived out of Paris i would have followed a different path with my music for sure.How would you describe your sound as a DJ and also as producer?My sounds as a dj and producer is an instant sound, instant in the moment, just a feeling as a dj when you have a good crowd you wanna give them all you have, so the moments can be magic, in the studio the approach is different, you're all alone with you're machines, so you need to project yourself in another dimension, imagine how the record will be received once played in a club. My sounds are mostly old skool in the studio and even the way i play, i keep it raw, no time to sleep behind the decks, that's how I feel it. You’re known for your love of 'old school' house music, how did you first discover it?

I first heard what we now call 'old school' house on the radio in the 90's when i was around 15, recording shows on tape, running to record stores with my walkman to find out what was playing etc. I was always on a quest for the tracks I'd hear and I found this really exciting. As I didnt have much money at that age, Id only buy EPs I really loved making my collection from this era all the more precious for me.

So it was this sound that I grew up with, at the time sounding so new and exciting, now it sounds old for the younger generation but for me this is the real essence of house music, this is where i come from. Now old school is hyped which is a good thing, all the repres's from the records that took us years to collect are now here again, its  a cycle. I dont follow the hype , I play house music, can be old or new, if it feels right and gives me the right emotions Ill play it.

You’re a strictly vinyl man. What is it you love about this format and do you think it has a future in dance music?

I buy vinyl every week but it doesnt mean that i only play records, it depend on the travel conditions etc. I rip a lot of my records so I  an play them on CD if I want to take a bigger selection of music with me to a gig. I do believe that vinyl will never disappear, thats my thought, we will all go back to vintage things, in arts and in music and we love evolutions and technical progression but there will always be a love for something that people can hold in their hands, record shops and label owners alike will always survive I feel.You just launched your new imprint Home Invasion. Can you tell us about your vision for the record label and what musical direction you plan on taking with it?

Home Invasion is for now and always will be a vinyl only label, why? Because I want people to take time to listen to the music and for it not to get lost in the millions of releases on Beatport or in their Itunes.. I dont have anything against beatport but i want to see that people are loving the music by buying a real physical copy. I mean, I know it can cost 10 euro but to me this is an investment in something that will stay in your collection for life. The Home Invasion records will also be stamped one by one as I want buyers to know that i time and effort in to them one by one. It's an artisanal thing and in the studio it is the same, old skool with many machines, outboard, machine drums, synths, effects etc.. the list is long and very interesting. Musically I will follow my directions influenced by all those years behind me and will try to keep it futuristic and modern at the same time, with my touch, spacey and trippy for some times too, I don't wanna lock myself in a certain style, I just want to follow my inspirations and this is what is so exiting to keep being an artist and feel free and alive everyday.What are you working on at the moment? Anything you’d like to shout about?

Im working on the next Home Invasions but I am in no rush. I want to keep the label with only 4 releases a year not more, keeping time to promote it well spending as much time as necessary to create something I'm truly happy with. The focus is on Home Invasion at the moment but I always enjoy working on remixes when i have time and if I like and feel inspired by the project and feel inspired like the one that will come soon on Decay Records from Juliche Hernandez. The next release, Home Invasion 3, will be out mid-April and is already receiving very good feedback from many dj's so i've got a good feeling on it :-)And finally, what artists are you loving right now?

I don't have special names to mention as there are a lot, i will go for some of the new blood in Detroit, and in New York.. There is a lot of great productions coming from there at the moment and it is really good to see that. Paris is rocking with hold youth and rue de plaisance records, syncrophone records too, so many to mention and so many names that are making this world go round :-)

Circus curator, international DJ and in-form producer Yousef continues to make a strong, well earned impression with both his Liverpool and now London Circus events; hosting huge events with both current and forward-thinking lineups and surpassing all expectations both in the studio and behind the decks.

Yousef got his break after winning the Muzik Magazine’s Bedroom Bedlam competition many years ago, but it is because of this he has always been there to support new acts within the scene, and he has showed that this year with his bookings at Egg. But while 2014 might have seen Circus explore new ground, that doesn’t mean it’s lost, any of it’s heavyweight status as one of the best club nights in the country.

Circus has grown into one of the most respected nights in the UK, growing a huge following in the process, with Yousef at the helm. His sets encapsulate everything he and Circus is about; not confined within boundaries, he's free to explore all sides of house and techno, from upbeat to down tempo, darkened house mixed with melody driven tracks, all the while keep the dancefloor in mind.

We caught up with him after the massive Circus Weekender at Egg London which featured the likes of Laurent Garnier, Steve Lawler, Darius Syrossian and Noir.

This mix was recorded at the massive Circus Weekender here at Egg London. How was it?

It went off in true Circus style! Garnier and Lawler Friday and Syrossian and Noir Saturday, and myself playing both nights. Friday's event stood out for me playing wise,  beginning my set earlier than i usually do i had a chance to musically organise the tone for the entire evening. It was such a momentous weekend for both me as dj and for Circus and my label Circus Recordings in London, offering two world class line-ups for both nights and both events running pretty much at capacity.Circus is a massive thing now – what’s the ethos?The ethos behind the event in Liverpool and here now is the same thing – I just want people to listen to fresh new music and feel welcome, have a good time. It’s about the atmosphere and allowing people to feel safe in the space.Circus is originally from Liverpool – it’s booming here right now – why?I think we’ve always just loved getting down there – people always have – from northern soul in the 60’s, and the Beatles of course too – Liverpool in particular, has been rocking for a long, long time now.You brought Circus to London a couple of years ago – you chose Egg, it’s a second home for you – why?I’ll tell you exactly why. As a DJ I’ve pretty much been able to play every single club in London, but I felt when I came here, it was the only club in London that really made me let go and generally just the people really respond to the music in a really positive way. Generally, I found this club mirrors exactly what goes on in Liverpool. I’ve been here 18 months now, and every single time the events just go up and up and up and get better and better, but always in a really natural, organic positive way. Here we are, in 2014, and it’s just a roadblock nowadays. I’ve just always been really really happy with it here.How has the musical direction of Circus changed over the years?I think the musical ethos of Circus has always been really broad – we have real hardcore stuff sometimes, and then some techno, but there’s always 4/4 house at the centre of it. Like Gorgon City, they’ve been breaking through in Liverpool for a few years, and it’s great to have them. It’s always a cool thing to have a broad perspective, I think with me musically, even next month, we’ve got an incredibly broad mix. We don’t pigeonhole. We just have broad pallets.What have you got planned for the rest of 2014?From Circus, in Liverpool, there’s some massive nights coming up. It’s always moving forward. The label is going crazy, new releases by Reboot and myself,  and I’ve got stuff coming out on Desolat too. I just did a track for the Fifa world cup album too, which is bizarre. I recorded an entire samba band for it – it sounds like samba-techno, it’s weird.Do you have any proper plans for the label?Yeah – I’d love to turn it into a proper label – over time we’ve set it up to be really structured and organised. Hopefully it’ll go from just being the small piece of artwork it is on Beatport at the minute, to having a huge office we can function from. Who knows. I’ve got an exceeding amount of ambition for it – I never thought it’d get this far.

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You can catch Yousef at the next Circus on the 17th May, alongside the mighty Danny Tenaglia and Tom Flynn, here at Egg London.

With a career spanning well over a decade, Glimpse’ unique sound has shown both his versatility and creativity as a producer. His London roots shine through in his music, constantly pushing boundaries and exploring new ground, with his imaginative blend of house and techno winning support from the likes of Carl Craig, Richie Hawtin and Damian Lazarus. With releases on labels such as Crosstown Rebels, Aus Music, Leftroom, Planet E and his own imprint, Glimspe Recordings, he has consistently shown his ability as a forward-thinking producer. Recent work has seen him branch out musically as one half of popular Hotflush duo, Dense & Pika, with numerous shows worldwide and a RA podcast already under their belt. We sat down with Glimpse after his recent set here at Egg London.This set was recorded live at Egg London when you recently played here, how was it? How did you find our bespoke Flipside system?The Flipside Sound system is absolutely incredible and easily one of the best sounds systems in London. It was really great to play on.You’ve been producing for over a decade now. Who would you say inspired your unique sound?You go through ups and downs as a producer.  Times when it feels easy and times when you feel like you don't know what your doing.  My inspiration usually comes from the people around me and the music im listening to at the time. You have a love for analogue equipment in the studio and the Jupiter and 909 sounds are present on a lot of your productions. Have you had a play with the new Roland digital series yet? The TB-3 and TR-8 units are causing quite a stir at the moment with people digging the additional live / jamming capabilities.I haven't had a chance to play on the new Roland kit but am interested to have a go for sure. You’ve released on some heavyweight labels including Aus Music,  Hypercolour, Planet E and more. How did the opportunity on Carl Craig’s Planet E come about?A friend of mine Dean Mushin sent him one of my demos and he signed it. So you’re one half of Dense & Pika. How did this project come about and how do you differentiate this sound to your solo work?Me and Alex have been writing music of and on for 10 years now and it seemed like a logical step for both of us as our musical interests are very much aligned.  Your own imprint Glimpse Recordings is coming up to it’s 10th Anniversary. What was your thinking behind starting the label? Was it used as an output for material that other labels weren’t signing at the time?I've never liked sending my music to other labels maybe scared of rejection.  This way I could release my music exactly how and when I wanted.  We did the same with dense & pika at the beginning.  Just put out a series of 12s and waited to see how they went.  This way there is no hype and no bullshit.  If the music isn't good enough it won't work.  But if it does you know you have something solid and no one can control that apart from you. Have you got any release news, both personally and for the label?Release wise I have a Glimpse EP coming out on Aus in a April, a dense & pike EP out in March on Hotflush and a dense & pika remix of Paul Woolfords 'Erotic Discourse' out in March as well. And finally, anything you’d like to shout about?Kris Wadsworth & Luke Viberts albums on Hypercolour are ridiculously good and worth buying on vinyl.

The next installment of the Egg London Podcast features two veterans who have been causing a stir once again recently. With over 40 years experience in the music industry, Paul C and Paolo Martini have certainly been, seen and done it all. Joining forces in 2009, the Italian duo have worked tirelessly in the studio not only seeing their music supported by many of the industry’s biggest names, but also releasing on labels such as Hot Creations, Area Remote, Terminal M, 100% Pure, AMA Recordings, Great Stuff, Kiara Records and of course, Paul’s Boutique.

We caught up with them ahead of their gig at Egg London on Saturday 22nd February.

Where, how and on what was the mix recorded?It’s a studio mix done with 2 CDJ Pioneer 2000. It includes some of our own exclusive stuff plus some great tracks by others artists that we really like at the momentYou’ve been production partners since 2009, do you both have a specific role in the studio? Whats your creative process? Any arguments!? Usually Paul C starts to make some beats and a groove by himself as he’s very good on that and then we build it up the track together, choosing the main elements and all the rest to make sure the track works until we are both satisfied.... we care about all the details, as sometimes a very small element can be elaborated and became a successful main ingredient of the track, making it sound completely different. Today you can do miracles with the technology ... and yes we argue sometimes but at the end we always find a good compromise :)2013 was a massive year for you, you were signed to Jamie Jones' Hot Creations imprint and everyone here in the UK has been going crazy for PCPM sound. Any standout moments?Yes it's true it was a great year for us ... quite a few good things happened, like when our track "We Repeat" on Cecille was chosen as the soundtrack for the official trailer of "Love Family Park 2013" or when "Spunk" on Material reach No. 2 on Beatport Tech house chart, the collaboration with Mousse T on Terminal M, not forgetting the massive support we had from a lot of big DJ's, thanks to all of them! And of course, being signed to Hot Creations was something really special to us. What is your tried and tested dance floor bomb at the moment?Quite a lot of the tracks off our forthcoming EP on Hottrax always go down well, and a pair of remixes that we have just finished ...also there's a lot of good music around at the moment like the new single of Joyce Muniz - Back In The Days on Exploited and Tom Flynn - Hoochie on Hot Creations .... both of them are real bombs!Anything else you'd like to shout about?We really can't wait to come and play at the EGG on Saturday February 22nd…it’s our first gig together in London and we are very excited about that ....hope to see you all there!

The fourth in Egg’s podcast series comes from a duo we’ve loved for a very long time. Having rocked the Terrace here with Sebastian Leger back in November, the duo have been busy putting together something very special for us to listen to. Sticking to the simple formula of matching the accessible with the credible, Doomwork offer up an emotive, immersive mix of subtle atmospheric sounds and rolling rhythms. Releasing their debut in 2012, the guys have largely concentrated on pulling together an impressive live set, but with a hotly awaiting follow up in the running, and releases on Tenax already having appeared online earlier this year – we wanted to see what direction the duo might be going to. Check out their formidable mix below for a flavour of what to expect.

1) Where, how and on what was the mix recorded?

This set is a live recording, the first hour of our last gig in Berlin. We played a lot of tunes which have been released on vinyl only and some Doomwork's upcoming releases as well.

2) You rocked the Terrace for us on the 16th November with Sebastien Leger and Vanilla Ace, did you enjoy your return to Egg?

Thank you! To be able to play back at Egg was very exciting for us! We love the venue and the feelings that the crowd give us. We played in the early hours of morning time and it was great cause we could play a trippy set.

3) Whats your thoughts on the infamous Flipside Soundsystem thats recently been installed on the Terrace?

Yeah it's definitely awesome, Michele and Gabriele from Egg took us for dinner before the gig and told us of the new Soundsystem in the Terrace. We couldn't wait to play on it for our set! We was impressed, it was loud and clear at same time. The DJ booth was perfect too, the sub under the console brings it to the next level.

4) Looking back on 2013, what was your favourite tune of the year?

Oh hard question, there are a lot of tunes that we played in 2013 but we choose "Crash Course In Science - Flying Turns (Villalobos Mac Hawking Remix)". Wherever we played it we've always shaked the dancefloor.

5) Anything else coming up that you'd like to shout about?

We're working on something new, in particular a Doomwork vinyl limited series..It's gonna be a great project!

It’s time for podcast round three, and this time we’ve got someone very special to lay down a mix for us. Pirupa has spent four years grafting in the business, and in that small amount of time, his work has been found and picked up by some of the biggest names in the business. Having worked with everyone from Defected to Noir Music, in his second year in the game, this Italian scarlet was already one of Resident Advisor’s most charted artists of 2010. With tracks like Party Non Stop becoming a winter essential for any clued-up record collector, his mix for Egg was always bound to be something big. We caught up with Pirupa ahead of his set at Egg’s NYE party, ‘The One’.

1) Where, how and on what was the mix recorded?

It was recorded during the Suara showcase @ Chicago Social Club in Amsterdam for the ADE Event this year. Amazing gig and the club was sold out!

2) What are your highlights from 2013 so far? Any stand out moments?

I had some great moments this year, especially this summer when I played @ Space Ibiza and also @ Il Muretto in Jesolo. It has been a very busy summer and also this autumn/winter is busy as well!!

3) Your 'Time to get down" EP was released a few months ago, what was the creative process behind this?

Yes, the EP was created around the track "Let's Get It On" because it's the strong single of the EP with an old school vibe and an historical acappella. Then I added  "Twix on Mars", a track in the dirtybird style,and the last track I did was "Slow Talk", I think this to be the more underground track of the EP. We had some great feedback and amazing support from Marco Carola , Matthias Tanzmann and Noir.

4) You're joining us on NYE with Tania Vulcano, Cassy and wAFF. What can we expect from your set?

You know, I like to play everything, from techno to house, from disco to deep, so expect the unexpected!!

5) Anything that you'd like to shout about?

I can't wait to join you guys for NYE @ Egg! London is a fantastic city and I already did another NYE here, and I always had fun!!

You can catch Pirupa at 'The One' NYE at Egg London alongside acts Miguel Campbell, Cassy, Tania Vulcano, wAFF and Matt Hughes click here for more information.

It's time for podcast round two so we felt the need to draft in a rising star on the underground house circuit.  In our constant pursuit to unearth fresh talent, we're stoked to have Underground Artists' very own Cristoph taking control of episode two.  Recently, the Geordie lad has released a slew of highly regarded EPs on Defected and Underground Audio respectively.  His dance floor focussed deep grooves have been causing a stir across the globe and this mix showcases his dramatic DJ style perfectly.  We caught up with the spinner for a chat ahead of his show here at Egg for Night Train on 14th December.

Where, how and on what was the mix recorded?

The mix was done in my studio, well by studio I mean spare room in my house! I used a set of Pioneer CDJ 1000's and a Pioneer DJM 800 mixer, it wasn't planned out or anything. It contains a few promo's i've been sent recently, some tracks by producers i'm really into at the moment and a new one of my own called 'You Got Me'.

What are your highlights from 2013 so far? Any stand out moments?

This year has been pretty crazy for me to be honest. I only started the 'Cristoph' alias at the end of last year so started on new productions this year and have been so lucky with that. I had my first tracks signed and released this year, I met my manager Kal...got an EP signed to his label and then was signed by his agency, had an EP signed by Defected, played at ADE......very lucky boy i'd say.You've made a big impact with your debut release on Defected 'Guffaz' How did the opportunity come about?

Its took me massively by surprise the impact its had and the support its received, i'm very grateful for that and to Hot Since 82 who was the first DJ to give me feedback on it and play it out all the way back in march! It's a funny one how it ended up there, i'd actually sent it to Kal who wanted it for his label...he contacted Andy at Defected to get a sample in the record passed by them, Andy then asked if I had anymore unsigned music, Kal sent him over some and Andy wanted an EP choosing 'Dunka' and 'Surprised You' from the batch.Do you have any upcoming releases elsewhere?

I have an EP out on Underground Audio on November 18th entitled 'Shelter Ep', one out on Extended Play in December and 2 EPs coming next year with Defected.Ahead of your gig at Egg London on the 14th for Night Train is there anything that you'd like to shout about?

I'd like to say a big thank you to Kal for the support he's giving me since signing me in the summer and for allowing me to be part of his awesome agency, there's too many producers and DJs that I love to actually list but I am giving a special shout to all at the Underground Agency. Anyone who's in London on December 14th to come to The Egg to support the night, catch me and DeMarzo from Underground Artists and see the legend Kenny Larkin headline the other room. Last, but not least, for everyone to keep supporting house music as a whole.

Cristoph will be performing alongside Demarzo, Mihai Popoviciu, Okain, Marc Marzenit and Kenny Larkin on 14th December for Night Train at Egg London. Click here for more details and tickets