Moisés Chiullan introduces a new show that examines The Criterion Collection, stretching from the present all the way back to the beginning of Criterion in 1984.

Keith Calder and Simon Barrett talk about their new movie The Guest, being influenced by movies they (do and do not) love, the nuance in reaching modern audiences, and when to Blu-ray versus when to VOD.

Alejandro Brugués and Nacho Vigalondo (l. to r.) are writer/directors from Cuba and Spain, respectively, but they consider Austin their birthplace as filmmakers. In a format-defying episode, we travel through time to tell their stories as artists who love making their movies as much as they do celebrating the work of others. WARNING: Very explicit language and imagery throughout. Enjoy.

Apple has been using cinematic techniques in their events and ads since 1984. Horace Dediu, Jason Snell, and John Gruber discuss the story Apple has told on screens for 30 years: one of engineering thriving on dynamic creativity.

Eric Vespe and John Gholson discuss Ghostbusters and Ghostbusters II, as well as the various canonical and non-canonical offshoots, spinoffs, and wholly unconnected diaspora connected to them: video games, toys, and even Ecto Cooler.