
Sign up to save your podcasts
Or


On this day in 1919, Edward Elgar conducted the London Symphony in the premiere performance of his new Cello Concerto, with Felix Salmond as soloist.
What should have been a joyous occasion turned out to be a frustrating one — there simply wasn’t enough time to rehearse properly, and the premiere was a near-fiasco. Puzzled, the less-than-full house in Queen’s Hall gave Elgar a polite ovation but left shaking their heads.
Mrs. Elgar blamed the conductor, Albert Coates, who hogged all the orchestra’s rehearsal time working over the two pieces he was to conduct on the same program as Elgar’s new concerto, for which Coates would hand off the baton to Elgar. In her diary for October 26, she wrote, “Poor Felix Salmond in a state of suspense and nerves — wretched hurried rehearsal — an insult to Elgar from that brutal, selfish, ill-mannered bounder, Coates.”
After the botched premiere of the new concerto, critic Ernest Newman reported, “Never, in all probability, has so great an orchestra made so lamentable a public exhibition of itself.”
Despite this rough beginning, Elgar’s Cello Concerto has gone on to become one of the composer’s best-loved works worldwide, and has proven to be a favorite with the great cellists of our time, including British cellist Jacqueline du Pré.
Edward Elgar (1857-1934): Cello Concerto; Jacqueline du Pré, cello; Philadephia Orchestra; Daniel Barenboim, conductor; Sony 60789
By American Public Media4.7
176176 ratings
On this day in 1919, Edward Elgar conducted the London Symphony in the premiere performance of his new Cello Concerto, with Felix Salmond as soloist.
What should have been a joyous occasion turned out to be a frustrating one — there simply wasn’t enough time to rehearse properly, and the premiere was a near-fiasco. Puzzled, the less-than-full house in Queen’s Hall gave Elgar a polite ovation but left shaking their heads.
Mrs. Elgar blamed the conductor, Albert Coates, who hogged all the orchestra’s rehearsal time working over the two pieces he was to conduct on the same program as Elgar’s new concerto, for which Coates would hand off the baton to Elgar. In her diary for October 26, she wrote, “Poor Felix Salmond in a state of suspense and nerves — wretched hurried rehearsal — an insult to Elgar from that brutal, selfish, ill-mannered bounder, Coates.”
After the botched premiere of the new concerto, critic Ernest Newman reported, “Never, in all probability, has so great an orchestra made so lamentable a public exhibition of itself.”
Despite this rough beginning, Elgar’s Cello Concerto has gone on to become one of the composer’s best-loved works worldwide, and has proven to be a favorite with the great cellists of our time, including British cellist Jacqueline du Pré.
Edward Elgar (1857-1934): Cello Concerto; Jacqueline du Pré, cello; Philadephia Orchestra; Daniel Barenboim, conductor; Sony 60789

90,929 Listeners

38,494 Listeners

6,779 Listeners

8,762 Listeners

3,991 Listeners

9,194 Listeners

3,627 Listeners

924 Listeners

1,388 Listeners

522 Listeners

182 Listeners

1,225 Listeners

13,679 Listeners

3,090 Listeners

247 Listeners

28,317 Listeners

13,236 Listeners

5,486 Listeners

2,169 Listeners

14,105 Listeners

1,144 Listeners

6,335 Listeners

2,514 Listeners

222 Listeners

634 Listeners