
Sign up to save your podcasts
Or


In 1962, American jazz composer, performer and bandleader Duke Ellington was 63 — an acknowledged master, but trends in American jazz were changing, and there were much younger figures emerging, with more challenging styles.
Take, for example, bassist Charles Mingus, Jr., a master of collective improvisation, and drummer Max Roach, a pioneer in the be-bop movement. Despite their age and stylistic differences, these three jazz titans went into a recording studio on today’s date in 1962 and, while tape rolled, using bare-bones charts provided by Ellington of melodies and harmonies, the three jazz titans improvised. The results were issued the following year as a classic LP, Money Jungle.
Despite his fame, Ellington did not have a recording contract in 1962, and, perhaps after decades experiencing the highs and lows of life as a Black jazz musician in a segregated society, Money Jungle reflects a certain bitterness. Along with the charts he gave Mingus and Roach, Ellington also provided poetic story lines for each track, like: “Crawling around on the streets are serpents who have their heads up; these are agents and people who have exploited artists. Play that along with the music.”
Duke Ellington (1899-1974), Charles Mingus (1922-1979) and Max Roach (1924-2007): Money Jungle; Blue Note 31461
By American Public Media4.7
176176 ratings
In 1962, American jazz composer, performer and bandleader Duke Ellington was 63 — an acknowledged master, but trends in American jazz were changing, and there were much younger figures emerging, with more challenging styles.
Take, for example, bassist Charles Mingus, Jr., a master of collective improvisation, and drummer Max Roach, a pioneer in the be-bop movement. Despite their age and stylistic differences, these three jazz titans went into a recording studio on today’s date in 1962 and, while tape rolled, using bare-bones charts provided by Ellington of melodies and harmonies, the three jazz titans improvised. The results were issued the following year as a classic LP, Money Jungle.
Despite his fame, Ellington did not have a recording contract in 1962, and, perhaps after decades experiencing the highs and lows of life as a Black jazz musician in a segregated society, Money Jungle reflects a certain bitterness. Along with the charts he gave Mingus and Roach, Ellington also provided poetic story lines for each track, like: “Crawling around on the streets are serpents who have their heads up; these are agents and people who have exploited artists. Play that along with the music.”
Duke Ellington (1899-1974), Charles Mingus (1922-1979) and Max Roach (1924-2007): Money Jungle; Blue Note 31461

6,786 Listeners

38,786 Listeners

8,788 Listeners

9,240 Listeners

5,813 Listeners

931 Listeners

1,391 Listeners

1,291 Listeners

3,148 Listeners

1,978 Listeners

528 Listeners

182 Listeners

13,745 Listeners

3,073 Listeners

246 Listeners

28,185 Listeners

433 Listeners

5,493 Listeners

2,187 Listeners

14,132 Listeners

6,423 Listeners

2,514 Listeners

4,838 Listeners

579 Listeners

258 Listeners