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American composer Elliott Carter lived to be 103, completing more than 40 works between ages 90 and 100, and 20 more after he turned 100 in 2008.
On today’s date in 2012, a new chamber work by Carter with an odd title was premiered at a concert in the New York Philharmonic’s CONTACT! Series. Two Controversies and a Conversation showcased the percussive aspects of the piano, highlighting that instrument alongside a solo percussionist. The premiere was an international triple-commission from the New York Philharmonic, the Aldeburgh Festival in England and Radio France.
An earlier version of part of the work, titled simply Conversations, had been premiered in the U.K. the previous year. The composer explained the title as follows:
“How does one converse?” Carter asked. “One person says something and tries to get the other person to respond, or carry on, or contradict a statement. Those conversing are also playing a kind of game with each other. I tried to put all that into my music … after the [Aldeburgh] premiere of Conversations, [British composer] Oliver Knussen suggested I expand this piece. I decided to add two more movements, which became the two Controversies."
Elliott Carter (1908-2012): Conversation, from Two Controversies and a Conversation; Eric Huebner, piano; Colin Currie, percussion; New York Philharmonic; David Robertson, conductor; NYP 20120112
By American Public Media4.7
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American composer Elliott Carter lived to be 103, completing more than 40 works between ages 90 and 100, and 20 more after he turned 100 in 2008.
On today’s date in 2012, a new chamber work by Carter with an odd title was premiered at a concert in the New York Philharmonic’s CONTACT! Series. Two Controversies and a Conversation showcased the percussive aspects of the piano, highlighting that instrument alongside a solo percussionist. The premiere was an international triple-commission from the New York Philharmonic, the Aldeburgh Festival in England and Radio France.
An earlier version of part of the work, titled simply Conversations, had been premiered in the U.K. the previous year. The composer explained the title as follows:
“How does one converse?” Carter asked. “One person says something and tries to get the other person to respond, or carry on, or contradict a statement. Those conversing are also playing a kind of game with each other. I tried to put all that into my music … after the [Aldeburgh] premiere of Conversations, [British composer] Oliver Knussen suggested I expand this piece. I decided to add two more movements, which became the two Controversies."
Elliott Carter (1908-2012): Conversation, from Two Controversies and a Conversation; Eric Huebner, piano; Colin Currie, percussion; New York Philharmonic; David Robertson, conductor; NYP 20120112

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