@hywelgregory

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After a year of lethargy, SD Records returns with a tremendous EP signed by Ludowick. One of the most beloved remixers of the family finally deserved a solo EP, and the occasion has arrived in the SD 30th release.

Always Dreaming becomes one of the high points of Luis' career, of which we still don't know its peak. The EP is made up of 3 songs simmered for 5 years, and although they represent 3 different moods, the common denominator is the dancefloor.

Always Dreaming creates a minimalist and dreamlike atmosphere thanks to the dub dyes of the house, accompanied by a tech-house rhythm with sounds of the mythical 909.

Premiere | U-A-V | Pain That Alters | [RK006] by Eminent

Premiere | Pantile | Cry Baby (Run The Jewels Dub)| [Belters] by Eminent

Club Rhythms Vol. 2 is a 5 track collaborative E.P inspired by the renewed energy of being out on the dance-floor, a year on from nightclubs reopening after lockdown. With high energy breaks, percussive workouts and weighty subs underpinned by sampling, melody and groove. The tracks explore a range of influences from Middle Eastern Music to Hardcore, Jazz and Dub with a nod to futurism and science fiction. Featuring label co-owner and visual artist D. Topian alongside D.D. Goose, Dyslecta & Seth Goggin.

Pre-order the EP at https://latenightdrumclub.bandcamp.com/album/club-rhythms-vol-2

https://extraspicy.bandcamp.com/album/possible-people-loving-is-hard-ep

Tram planet label head DZee coming thru with some electro garage madness all the way from Asheville NC!

Releasing on July 1st. Preorder here: https://noctambulantsoundrecords.bandcamp.com/

Gimme A Break Records are incredibly proud to announce their ‘Solidarity With Ukraine’ compilation. Spanning across the genres of breakbeat, UK garage, electro, techno, trance, dubstep and jungle our fundraiser V.A. features 18 incredible producers from across the globe.

Including: AK SPORTS, An Avrin, Buckley, Disaffected, Groovy D, Harka, jadzia, Justin Jay, Kitsta, Nikki Nair, Nova Cheq, Portway, Robin Tasi & Bae Blade, Sha Ru, Shauna, Shawn Cartier and TROPHY

Following our discussions with Beth Alana and Nova Cheq we have decided to donate all proceeds from the compilation to the K41 Community Fund.

This is a project initiated by the team at the Kyiv based cultural institution ∄ with the aim to provide financial, humanitarian and logistical support to the musical and cultural community that has been facing life-threatening challenges since the beginning of the Russian invasion of Ukraine.

Espree is an up and coming bass music DJ/Producer hailing from the infamous Bristol, who’s drive within the club scene has been getting attention from record labels throughout the UK due to his fresh and versatile style with an eclectic twist fused into his productions.

With a Mixmag feature and multiple radio appearances, he’s catching the attention of some heavyweight artists in the scene such as: Skepsis, Shift K3Y & Sammy Virji as well as KISS FM radio presenters Charlie Tee & Billy Da Kid.

His latest productions have been energetic and powerful with tasteful underground twists. He is currently working on a huge amount of new original material while still finding the time to handpick tracks to remix into a whole new vibe of his own. After being picked up for a '100% Production Mix' on the legendary Rinse FM, Espree has began to also catch the eye of a few other major-player record labels. Judging by the amount of unreleased music that he has stacking up, it seems that he has no intention of doing anything other than working full force to imprint his name on the scene and will no doubt be pushing into the upcoming underground artists roster; an artist not to be underestimated.

Alicia Keys is one of the undisputed queens of contemporary R&B. Powerful vocals, earnest lyrics and a deep self-awareness are the main pillars that have held up her career. But what happens when you fuse ballads with basslines? For this vinyl-only co-release on Bristol imprints Eminent and Slippery Sounds, Knoxville’s Nikki Nair stands at the intersection between new and old and redefines exactly how to nail the bootleg edit.

‘If I Ain't Got You’ is a precise flurry of two-step garage and nostalgic vocals, Alicia’s lilting voice still recognisable despite the dancefloor environment. A glossy rhythm breathes life into the old classic so that it becomes a new entity, which somehow welds together the murky rave realm with the weightlessness of Summer. It’s rare for tracks to suit any given setting, but this one might just be a strong contender.

‘Show Me Love’ takes a more starry-eyed course, weaving dewy textures into a fresh whimsical appeal. There’s still a subtle nod to the past despite the more recent Alicia/Miguel sample, which comes in the form of the 2010’s grime era melodies and nostalgic soundscapes. The breakdown around the halfway mark is a particular treat; it hoists up the vocals in reverence before the first of two ice-cold, dubby drops.

They say that if you’re paying homage to one of the greats, you’ve got to do it right. But Nikki Nair goes above and beyond that into a captivating alternate reality where the rush the second time round is just as good. These bootlegs are instant classics in themselves.