A very important episode: what happens here changes Emmanuel's life; all the characters reveal the pathological implications of their personalities.

This marks a traumatic turning point in the relationship between Antonia and Emmanuel and causes an incurable fracture in the boy's hypersensitive psyche. Their story, which began a few months ago, is already on its way to an end: the boy reacts with pain and indignation to her betrayal and decides to end it with her, despite suffering a great deal. Antonia realizes too late that she has made an irreparable mistake.

The performers are Nicole, Paul Emmanuel, Eric and Andrew, all AI.

The episode features excerpts and covers of Weezer's "Say it ain't so".

Hosted on Acast. See acast.com/privacy for more information.

Emmanuel has been sent by his parents to Cambridge for a study holiday. Antonia anxiously awaits his return, but when she sees him again she is incredibly surprised. 

The narrative voice is that of Antonia (AI Nicole), Emmanuel is played by AI Paul Emmanuel.

The songs that play in the episode are "Stand by me" by Ben E. King and a bizarre remake of "Buddy Holly" by Weezer.

Hosted on Acast. See acast.com/privacy for more information.

One of the most intense pages of Emmanuel's diary.

The story between Emmanuel and Antonia turns into an overwhelming physical experience, which shocks them both. The boy recalls those unforgettable moments, which coincide with the 1994 soccer World Cup.

The performers are Paul Emmanuel and Nicole, both AI.

Excerpts from the following tracks can be heard in the episode:

"Soma" by the Smashing Pumpkins;

"Nothing Else Matters" by Metallica.

At the end you can listen to an original song by Emmanuel, "The Wind Inside".

Hosted on Acast. See acast.com/privacy for more information.

In loving memory of Jeff Buckley.

It's the first time that we hear the narrative voice of Emmanuel, in a crucial moment in his life: Antonia, raped by Frédéric (see episode n. 10), not finding the understanding of Michele, Emmanuel's older brother and her boyfriend, turns to him for help.

It will be the beginning of their love story.

The performers are Paul Emmanuel and Nicole (both AI).

During the episode you can hear excerpts from the following Jeff Buckley songs: "Grace", "So Real" and "Halleluyah" and a live version of Elliott Smith's "Bye".

At the end you can listen to an original song by Emmanuel inspired by the first part of this episode: "The Phone Call".

Hosted on Acast. See acast.com/privacy for more information.

Antonia has been raped by Frédéric (see episode no. 10) and doesn't know how to tell her boyfriend Michele, who in turn doesn't seem to want to understand.

The young man recalls his first meeting with Antonia and reflects on the difficulties of his relationship with her; then the two meet at their usual bar, where a dialogue between the deaf takes place. Antonia can't make herself understood by him and is more alone than ever.

The performers are Anthony and Nicole (both AI).

Hosted on Acast. See acast.com/privacy for more information.

Frédéric Valentino suddenly bursts into Antonia's life, a charming young engineer with some mental problems.

In episode no. 1.8 ("Frédéric Valentino") the young man had explained his plan to "prove himself" with Antonia, essentially by raping her. Now we see him put his plan into action.

A period of profound internal crisis begins for Antonia, which will unfortunately also involve Emmanuel: the woman will be forced to discover the dark areas of her personality.

The interpreters are Anthony and Nicole (AI).

In the episode you can listen to covers and songs of the following tracks: "Du hast" by Rammstein; Mozart's "Requiem"; Michael Jackson's "Smooth Criminal" (a cover in "bardcore style" of this song can be heard at the end of the episode).

Hosted on Acast. See acast.com/privacy for more information.

Emmanuel and Antonia meet for the last time at the river, before their lives take an unexpected and somewhat dramatic turn.

The story of Emmanuel's dog, Tegame (Saucepan), serves as a sinister premonition.

The narrative voice is that of Nicole, Emmanuel is performed by Anthony (both AI).

The soundtrack includes an instrumental version of Led Zeppelin's "Stairway To Heaven".

Hosted on Acast. See acast.com/privacy for more information.

Have you ever wondered what goes through a potential abuser's head the moment he sets eyes on his victim?

We have the opportunity to hear it from Frédéric Valentino known as Freddy, a character destined to play a crucial role in the story: a charming Italian-Swiss son of a psychiatrist, he is a lucid deranged fully aware of his own psychic pathologies.

The interpreter is John (AI).

Covers and excerpts of the following tracks can be heard in the episode:

"She's Lost Control" by Joy Division;

"Voices of Angels" by Hildegard von Bingen;

"Passacaglia" by Haendel/Halvorsen.

Hosted on Acast. See acast.com/privacy for more information.

A crucial episode, in which the very young Emmanuel finds the courage to come forward to his private teacher, Antonia, revealing the truth about his feelings for her.

At the end, you can listen to an unreleased song by Emmanuel, entitled "It Takes Two to Tango".

The performers are Anthony and Nicole (AI).

Covers and excerpts of the following tracks can be heard in the episode:

"Lithium" and "Heart-Shaped Box" by Nirvana.

Hosted on Acast. See acast.com/privacy for more information.

We are in 1994, a crucial year for Italian politics: on May 10 of that year Silvio Berlusconi launches his first government, in a context of imminent economic crisis of which small Italian entrepreneurs, such as the Kellermanns, are deeply concerned.

Here we witness a dialogue between Michele, Emmanuel's elder brother, and some of his friends, typical exponents of the middle-upper bourgeoisie of Turin: the judgments they express on behalf of the "Knight" oscillate between doubts and hopes.

Meanwhile, Emmanuel sits like a fish out of water in a conversation that doesn't concern him, until someone brings him into the conversation, embarrassing him greatly.

The narrative voice is the image of Emmanuel reflected in the mirror.

All the interpreters are AI.

The soundtrack includes instrumental versions of two Burt Bacharach songs, "I'll Never Fall in Love Again" and "What the World Needs Now."

Hosted on Acast. See acast.com/privacy for more information.