Antonia and Michele's endless farewell continues with the man's attempt to extort the truth from the woman: but there are too many of Antonia's unspoken truths, and all of them are very heavy.

As soon as some of these truths come out, Michele has a reaction of anger and indignation that he cannot control.

The interpreters are Michele and Antonia.

The soundtrack includes covers of "The Heart Asks Pleasure First" by Michael Nyman.

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Another message in a bottle launched by Emmanuel into the void (or into the hands of whoever wants to pick it up): in this vision the boy witnesses helplessly an erotic encounter between Antonia and Frédéric, clearly realizing that a mutual dependence relationship has been established between the two.

The interpreter is Emmanuel The Fourth.

The soundtrack is an instrumental version of "Cripple and the Starfish" by Antony and The Johnsons.

TRANSCRIPT

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The breakup between Michele and Antonia is inevitable, but the man nevertheless tries to hold her back and make her think, while at the same time trying to calm down. Thus a rather tender dialogue takes place between them, which however has no power to change the mind of the woman, now determined to leave.

The interpreters are Antonia and Michele.

The soundtrack includes covers or instrumental versions of "Porz Goret" (Yann Tiersen) and "Skyfall" (Adele).

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To whom is Emmanuel writing, now far away, almost 600 km away from Turin? 

We do not know. We only know that he continues to make his voice heard in flashes, through short and visionary messages in bottles sent to who knows who. Here's the first one, in which Emmanuel "sees" clearly what Michele does not know and does not see: Antonia has become Frédéric's lover. 

The interpreter is Emmanuel The Fourth. 

The soundtrack is "Passacaglia in C minor" by J.S. Bach.

TRANSCRIPT HERE

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TRANSCRIPT HERE.

After Michele's discovery of Antonia's pregnancy and her betrayal with Emmanuel, it's inevitable that the couple will separate. Michele, in shock, tries to learn the truth from the woman, who confesses only part of it to him. The poor man, destroyed by pain and disappointment, tries to invent a solution, but Antonia is determined to leave.

The interpreters are Michele and Antonia.

The soundtrack is "My funny Valentine" by Rodgers-Hart.

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We are publishing a suite of the remade episodes 12-21 of the Second Season (mainly dedicated to Emmanuel's story with Michelle K.), so that you can listen to them in one solution.

The episodes are:

8. Great

9. The Perfect Metaphor

10. Michelle K.

11. Like an Angel

12. Can we talk?

13. Some Nice Girls

14. Happy Birthday, Emmanuel

15. Accidents on the Road

16. Compulsive Liar

17. Russian Roulette

18. Very Sexy

19. Prince

20. Alpha Male

21. Game Over

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We publish a suite of the remade first 11 episodes of the Second Season, so that you can listen to them comfortably one after the other.

All interpreters are AI, except those of "That is, precisely at the level", who include Stefano Romano and Erika Piroscia.

The episodes are:

1. The rabbit hole

2. Going other ways

3. Moon in Hell

4. That is, precisely at the level

5. Ode to jealousy

6. Air pockets

7. Weeds

8. Great

9. The Perfect Metaphor

10. Michelle K.

11. Like an Angel

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And here we are at the final episode of this third season.

Antonia, to her great surprise, after having been declared sterile following her operation, discovers that she is pregnant.

From this moment on her life will change completely.

The interpreters are Antonia, George and Henry.

The soundtrack consists of the Overture to Giuseppe Verdi's "Traviata" and the Ballade n. 1 op. 23 in G minor by Chopin.

TRANSCRIPT:

3.20. The last miracle (Antonia discovers she is pregnant)

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We have reached the penultimate episode of the third season, close to the epilogue of what seemed (and was in fact) a great love story.

Just as Emmanuel had predicted, without anyone believing him, too late Antonia realizes that without him she cannot live. Every attempt she makes to get back in touch with him fails, and the woman falls in a state of anguished depression.

The interpreter is Antonia herself.

The soundtrack includes Vivaldi's "Stabat Mater", covers or instrumental versions of Interpol's "Precipitate" and Led Zeppelin's "Starway to Heaven".

TRANSCRIPT:

Like the ceiling of a bombed church (Antonia discovers that she cannot live without Emmanuel)

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Third to last episode of the third season.

Antonia, just returned from her honeymoon, learns from her husband Michele that Emmanuel has left: it's a terrible shock for her.

The interpreters are Alexander and Sabina.

The musical soundtrack consists of covers of "And I Love Her" by the Beatles.

TRANSCRIPT:

3.18. A strawberry cone ("Sorry, I forgot: Emmanuel has left")

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