Emmanuel is alone in Tuscany with Antonia for a three day holiday.

On the last day he attempts a desperate game, takes her to the open-air cathedral of San Galgano and here he puts into action the plan that he had been studying for some time.

You will see the result for yourself.

The interpreters are Paul Emmanuel, Alice, Elly and Anthony.

The soundtrack consists of the following songs: "Around the World" and "Veridis Quo" by Daft Punk (bardcore version), "Passacaglia in C minor" by J.S. Bach, "Lose Yourself" by Eminem (bardcore version).

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We are approaching the end of Emmanuel's diary, which will be interrupted shortly: the story will then continue, narrated by other characters.

These are the last chapters written by him, the most important. 

Emmanuel managed to extract from Antonia the promise to spend three days alone with him. Excited and happy, he takes her with him to Tuscany on a memorable journey that will have unpredictable and fundamental consequences for both of them. 

The interpreters are Paul Emmanuel and Alice.

The soundtrack is composed of covers and instrumental songs by Daft Punk ("Veridis Quo" and "Get Lucky") and Lana Del Rey ("High by the Beach" and "Gods and Monsters" in a bardcore version). 

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Antonia wakes up and, to her enormous surprise, finds Emmanuel in the room. A tender and passionate conversation takes place between the two, which Antonia tries to keep hidden from her mother who washes the dishes in the kitchen. Emmanuel introduces her to the cat Gino, who he found in the rain: it's love at first sight.

In the end Emmanuel manages to extract a very important promise from Antonia.

The interpreters are Paul Emmanuel, Alice and Martha.

The soundtrack consists of the following songs: "Grief" by Vicenzo Piano (whom we thank for the concession), "Get Lucky" by Daft Punk (cover by Emmanuel).

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Emmanuel goes to visit Antonia, who has just returned from an operation, and meets her mother.

Meanwhile, along the way, he meets the cat Gino and takes it with him.

While waiting for Antonia to wake up, the boy has a chat with Mrs. Silvia and gets to know her.

The interpreters are Paul Emmanuel, Ally and Martha.

The soundtrack includes covers of "Umbrella" by Rihanna (sung in the finale by Emmanuel himself) and "La mia storia fra le dita" by Gianluca Grignani.

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Just when Emmanuel thinks that things between him and Antonia can take the desired direction and decides to radically change his life (and look), a bolt from the blue comes that knocks him out: Antonia becomes seriously ill.

The interpreters are Paul Emmanuel, Elly, Nicole, Anthony and Gus.

The soundtrack consists of covers of "Blue Jeans" and "Cola" by Lana Del Rey, "Cu'mme" by Roberto Murolo and Mia Martini and "Superstar" by Sonic Youth.

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With this episode Emmanuel enters a dimension between the Platonic and the medieval, committing himself with all his strength in an attempt at resurrection from the materiality into which he has fallen, also overwhelming Antonia with him.

From now on, his every effort will be aimed at finding a spiritual dimension in which his relationship with the woman can reach a difficult balance capable of withstanding time.

The interpreters are Paul Emmanuel and Alice.

Throughout the episode you can hear a song and a cover (performed by Yvonne Jeucken) of Tim Buckley's "Phantasmagoria in Two" and medieval-style versions of Linkin Park's "Numb".

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This episode, of particular length and importance, is proposed in two parts, of which this is the second.

Emmanuel has won the game with Antonia, managing to tie her to him in an almost pathological way and creating a serious dependence in her.

One day, however, he is forced to realise, with amazement and anguish, that this situation risks completely destroying the woman he loves. From now on he will be forced to make important decisions.

The interpreters are Paul Emmanuel and Alice.

The soundtrack includes songs and covers by Syml ("Where is my love" and "Mr. Sandman") and Lana Del Rey ("Heroin").

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This episode, which is particularly long and important, is presented in two parts, of which this is the first.

A passionate and "red-light" Emmanuel recalls his new experience with Antonia, whom he won back in the previous episode ("Special Effects").

The boy experiences this reunion with excitement and enthusiasm, but now, at eighteen years of age, he is perfectly capable of realizing the difficulties of the situation and how much things have changed for both of them.

Determined to continue on his path, Emmanuel does not hesitate to use all the means at his disposal to keep Antonia tied to him.

The interpreters are Paul Emmanuel and Alice.

The soundtrack includes songs and covers by Syml ("Where is my love" and "Mr. Sandman") and Nirvana ("Moist Vagina").

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We all understood that Carlos was in love with Emmanuel, but above all he cared about him with all his heart.

How will he react to his abandonment, never hearing from him again?

Predictably, he suffers like a dog. Luckily for him he has his sister Mayra at his side, good and affectionate, who takes care of him and consoles him.

The interpreters are Paolo Malgioglio and Elisa Gandolfi.

The soundtrack consists of a cover of "Cripple and the Starfish", a beautiful song by Antony and The Johnsons.

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Another crucial episode of the novel-podcast.

The illness has given Emmanuel time to clarify himself and has made him lucid and determined: he wants Antonia back at any cost.

To achieve his goal, he is even willing to rig the cards and play a melodramatic role that completely displaces Antonia. It's full-blown blackmail, and he knows it well; but Love, as Plato says, is the son of Expedient and is therefore unscrupulous: Emmanuel is ready for anything to bring down Antonia's defensive barriers and take back what he has always considered to be his.

The interpreters are Paul Emmanuel and Alice.

During the episode, particularly rich in special effects, as the title suggests, you can listen to covers or instrumental versions of the soundtrack of "A Clockwork Orange" by Stanley Kubrick, "Girl you'll be a woman soon" by Neil Diamond, "Polly" by Nirvana, "It's five o' clock" by Aphrodite's Child, an excerpt from "Scimmia" by Eugenio Finardi and a cover of "I want you" by Bob Dylan.

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