In which we consider Epiphany as something beyond a simple "lightbulb moment." Rather, Molly invites us into Isaiah to consider what light might be shining in our moment, and what that light might reveal and make manifest. Neal Curran (of Infielder) contributes a diverse set of songs equally fascinated by the light, including one of his own.

In which we open ourselves to what illumination reveals in this second week of Advent amidst a very dark world. Brett Fox offers a homily on Matthew 11:2-11, reflecting on John the Baptist's imprisonment, followed by Advent worship stations. Neal Curran and Robert Thornhill contribute music songs of the season alongside selections by Blind Willie Johnson, Wilco, and Sam Philips.

In which we delve into implications of hope this second week of Advent. A hope that—in the words of Jan Richardson—draws us past our limits...defies expectations...questions what we have known...makes a way where there is none." Our own Julia Riley offers a homily rooted in Isaiah 11:1-10, followed by circle conversations on own own wrestling with hope. Neal Curran and Ken Stewart offer up songs of the season by Stevie Wonder, Damien Jurado, Andrew Bird, and Steven Foster.

In which we enter the season of Advent, a time of waiting in expectation for God to enter our midst, once again, in the most unlikely places. Molly's homily draws from Matt. 24:36-44, an apocalyptic text of warning to WAKE UP! What might this text be saying to us as a community, coming off a series rooted in Revelation and entering a time of active expectation for the in-breaking Kin-dom? Sus Long sharpens our expectation with songs from Bowerbirds, Sandra McCracken, a couple seasonal classics, and a reprise of her original (written for Eway) "Advent 2016."

In which we land our six-week journey through Revelation in the new heaven and new earth of Chapter 22. We look to stretch our imaginations through art, music, literature, reflection, text, and meditation as Molly asks us to envision how we can live into this unveiling of a New Heaven and a New Earth in liberating, honest, subversively playful ways, in this time and place. Artist-in-Residence Adam Barnard helps close thing out with music from Bob Dylan, The National, and Sufjan Stevens.

In which we start a four-week journey through the endgame of Revelation's final chapters. We begin with Revelation 18 ("The Fall of Babylon"), which calls up Johnny Cash's words from our musical journey through Revelation last week: "You can run on for a long time, but sooner or later God'll cut you down." No doubt reading Revelation amidst late capitalist empire prompts ready observations about things that could stand a good cutting-down, and so we ask—for Revelation's first-century audience or ourselves—what sense of in-breaking hope does this judgement text has to offer? Artist-in-Residence Adam Barnard contributes songs by Bob Dylan, Peter & The Wolf, Leonard Cohen, and Alex Dupree.

In which we take time to (re)hear Revelation with fresh ears. Artist-in-residence Adam Barnard (with support from Mike Grigoni) presents a contemporary musical soundscape for selected readings from this otherwordly apocalyptic text, including Sufjan Stevens' "Seven Swans," Sam Amidon's "I See The Sign," Johnny Cash's "God's Gonna Cut You Down," and Phosphoresent's "The Waves at Night.

In which we dive into a new season on Time Revealtion. Molly gives us an overview of what Revelation's first audience might have heard in this apocalyptic text, and we begin working past "the racket of the rapture" to ask how Revelation invites us into ways of mystery, love, justice, upending empire, and hope. Adam Barnard—our artist-in-residence for this second season—contributes a familiar Eway lineup of apocalyptic songs by Rory Cooney, Lowland Hum, Susan Enan, and Seth Woods.

In which we affirm, celebrate, and covenant together through the sacred acts of dedication and baptism for five of our Emmaus Way kids. Molly reminds us what it means to start (and end) with beloved, and Adam Barnard contributes music by Leonard Cohen, Hiss Golden Messenger, T Bone Burnett, Son Lux, and Bob Dylan.

In which we finish our season on Creation by re-imagining how Genesis 3 fits into a broader creation narrative and the ways we engage creation here and now. Molly invites us to name how societal discussions (and assumptions) of Genesis 3 have been detrimental to creation. And also, how a different understanding of "the fall" in Genesis 3 might offer grace toward a fuller, more life-giving engagement with creation. Artist-in-residence Mona Dowell contributes songs by Agnes Obel, Feist, Josh Garrels, and Sandra McCracken.