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The theme this week is "Cracks" by Clamm, a free album download from chipmusic.org.
We even reference Split/Second, which is the first time that game has ever been mentioned, ever, let alone by us! RIP Black Rock too.
Plus, a new segment!: Would this game be better with mechs? (The answer is always yes.)
We also cover the odd link between Evo boardroom conversations and Fast & The Furious.
The theme this week is "Red Riding Hood" by Klamm, from chipmusic.org.
Cover image (website only) is, unaltered, from Driveclub's photo mode, courtesy our host. Protip: put your PS4 into PNG screenshot saving mode.
Join us this week for an unpredictably-temporally-allocated game of the year discussion spanning unpredictable bounds of time - for here, we aren't reviewing games released in 2015, but instead games we've uploaded podcasts about in 2015.
There's 29 items to be voted upon and the vast majority of them slide by like buttered diskettes gliding down an icehill, but the in the final three discission becomes clogged and horrific, like a 6-car pileup sliding down a buttered icehill.
We also play a game wherein we assign one game to each person in the group; what fits them most, what really matches up with someone, you know? I, the omnipresent but conspicuously absent Producer Or Editor Person, am given Cities: Skylines, with so little fanfare that I don't honestly think anyone even spent a full mental thought cycle on it. For the other group members, things take a slightly devious turn.
All this and more in this, what would turn out not only to be a great year for us, but a great year for games as innovation, accessibility, and representation soar to new heights that we are somehow still reminded are only just the beginnings for this industry and us younguns here in Seattle & Denver.
Topics include which FFs are our favorite, which we [haven't] played, which ones have the best OSTs, which videogame music podcasts you should listen to (just kidding, we didn't talk about this but I have a couple), and which games we want to play just based on the FMVs we saw as each game was being showcased behind the orchestra - a question we were inspired to ask by having seen Zelda performances elsewhere.
These truly are some master works, some of the defining works that will last beyond many other pieces of the medium's finest productions, perhaps even outliving a world in which "Final Fantasy" is a common household franchise to namedrop. Some say Uematsu is regarded as a celebrity in Japan, and some of these pieces - especially some of the earlier ones, say some in our group - really bring that point home.
Relevant links!
Relevant podcasts!
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