If you know even the slightest thing about Iranian cinema, it’s consumed by love and subtlety … love because, well all cinema is about love, but subtlety out of necessity.

Iranian state censors won’t permit anything overt so directors like Behrooz Karamizade need to get creative. He talks about how he got around censorship in his new film Empty Nets.Guest:Behrooz Karamizade, Director