• Jennie Rose Halperin (moderator), Library Futures
• Micah May, Digital Public Library of America
• Carmi Parker, Whatcom County Library System
• Kathleen Riegelhaupt, New York Public Library

• Claire Woodcock (moderator), Engelberg Center on Innovation Law & Policy
• Emily Hamilton, University of Minnesota Press
• Dennis Johnson, Melville House
• Claire Kelley, Seven Stories Press

• Talya Cooper (moderator), New York University Libraries
• Sam Biddle, The Intercept
• Annalee Hickman Pierson, Brigham Young University Law School
• Melanie Walsh, Information School at the University of Washington

• Michael Weinberg (moderator), New York University School of Law and Engelberg Center on Innovation Law & Policy
• Guy LeCharles Gonzalez, Library Pass
• Michael Tamblyn, Rakuten Kobo

Music used:

The Blue Dot Sessions, “Delicates,” “Gran PKL,” “Sorry Linus"

The Blue Dot Sessions, “Three Stories,” “Lahaina"

Music Used:

The Blue Dot Sessions, "Angel Tooth,” “Paper Feather"

Music Used:

The Blue Dot Sessions, “Dirty Wallpaper,” “Valentis,” “Pulse,” “Mill Wyrm,” “Cloud Line,” “Pall Canyon,” “A Common Pause,” “Dialtone 11"

Citations:

Rachel Carson, "Silent Spring"

John Keats, "La Belle Dame sans Merci," read by Michael Sheen

Siegfried Sassoon, “Everyone Sang,” read by Garrison Keillor

The Blue Dot Sessions, “Arizona Moon,” “Color Country"

The Blue Dot Sessions, “Copley Beat,” “Plate Glass,” “Flashing Runner,” “Fifteen Street,” “Silver Lanyard,” “Greylock,” “Cornicob,” “Nine Count,” “Tall Journey”