As students of Shakespeare’s lifetime, often we see the phrase “of certain status” to describe 16-17th century limitations on clothes, housing, and other material realities for various people. Particular if you study Elizabethan sumptuary laws, it seems like society was strictly controlled based on social status, and one’s place in society was decided at birth, with little mobility allowed. The life of people like William Shakespere, however, who in his own life was able to rise in the ranks of society and establish himself as a gentleman, we have evidence that social mobility was a strong force in England for the 16-17th century. One key place that contemporaries of William Shakespeare were able to show off their status, and stake their claim to a certain place in the social order was through the design, and architecture, of their homes and grand estates. Our guest this week, Matthew Johnson, is here to explain the social phenomenon of upward mobility, define the levels of society that were present for Shakespeare, and walk us through some famous architecture of the 1500s-1600s that reveals where the lines were drawn between the classes for Elizabethan and Jacobean England.

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