Ken Coomer joins me on the podcast today. Ken is a fantastic drummer, producer, and studio owner, as well as one of the few musicians I know that is actually from Nashville! Ken is well-known as the original drummer for Wilco, as well as the last for Uncle Tupelo, bands that literally defined the alt-country genre in the mid-90’s. But before that, Ken came up in the punk and alternative rock scene here in Nashville with his band Clockhammer, and since leaving Wilco in 2002, he has had an incredible career as a studio drummer and producer, operating most recently out of his studio just a few blocks away from me in East Nashville called Cartoon Moon Recording. Ken was heavily involved in the recording of Uncle Tupelo’s classic “Anodyne”, as well as the Wilco albums “FM”, “Being There”, “Summerteeth”, “Yankee Hotel Foxtrot” and the “Mermaid Avenue” projects with Wilco and Billy Bragg. After his run with Wilco, Ken returned to Nashville to try his hand at session work and producing. He’s played with and recorded on albums for Steve Earle, Will Hoge, Al Green, Tim Finn, Lucinda Williams, Emmylou Harris and many more. He’s also had an incredible run producing some huge Spanish artists, which is an intriguing left-turn that his more recent career has taken, with artists like Chetes, and AppleTree - albums that were huge in Mexico and Columbia.

It was great to have Ken drop in to speak about all of this amazing history. You can get all the latest info on Ken at kencoomermusic.com - enjoy my conversation with Ken Coomer!

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