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Britta Erickson is Director of the Denver Film Festival, and has been for the last 11 years. She got her start at the Denver Film Festival in 1999, as part of a two-month contract. 20 years later, here she is running things.
On this week’s show we go behind the scenes of the Festival talking about how many submissions they get, what’s changed since she started, what kinds of immersive experiences you can have, and a ton more. She is all things DFF41, and this is as good a primer as you’re going to get before the Festival starts. You can get tickets right here.
This is always my favorite time of year for the show, and that’s largely thanks to Neil Truglio who is like the Platonic ideal of a publicity manager in that he makes my job insanely easy, gets me access to incredible and diverse talent, and plies me with content that is unparalleled. It’s thrilling to go behind the scenes at such a cool event, and this is but the kickoff to a couple of weeks worth of amazing content.
A few links before we get started:
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Britta Erickson is Director of the Denver Film Festival, and has been for the last 11 years. She got her start at the Denver Film Festival in 1999, as part of a two-month contract. 20 years later, here she is running things.
On this week’s show we go behind the scenes of the Festival talking about how many submissions they get, what’s changed since she started, what kinds of immersive experiences you can have, and a ton more. She is all things DFF41, and this is as good a primer as you’re going to get before the Festival starts. You can get tickets right here.
This is always my favorite time of year for the show, and that’s largely thanks to Neil Truglio who is like the Platonic ideal of a publicity manager in that he makes my job insanely easy, gets me access to incredible and diverse talent, and plies me with content that is unparalleled. It’s thrilling to go behind the scenes at such a cool event, and this is but the kickoff to a couple of weeks worth of amazing content.
A few links before we get started:
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