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Brooklyn, and occasionally London-based art writer Margaret Carrigan talks about:
The challenges of being a freelance art journalist, including connecting with new editors and making sure not to be juggling too many, or too few, articles at a time; her provocative article, Jerry Saltz has a Pulitzer and I have Questions, for the New York Observer, and all of the many pros and cons related to Saltz’s writing, and the state of art criticism generally, including how much there may be a trend towards anti-intellectualism; to cover, or not to cover art fairs as an art writer; and her big takeaways from working at Modern Painters magazine, her last full-time job, including the deviousness of capitalism in the form of Blouin Media.
By Michael Shaw4.5
252252 ratings
Brooklyn, and occasionally London-based art writer Margaret Carrigan talks about:
The challenges of being a freelance art journalist, including connecting with new editors and making sure not to be juggling too many, or too few, articles at a time; her provocative article, Jerry Saltz has a Pulitzer and I have Questions, for the New York Observer, and all of the many pros and cons related to Saltz’s writing, and the state of art criticism generally, including how much there may be a trend towards anti-intellectualism; to cover, or not to cover art fairs as an art writer; and her big takeaways from working at Modern Painters magazine, her last full-time job, including the deviousness of capitalism in the form of Blouin Media.

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