Helen speaks to Rachel Hunter Himes, author of the essay “Black Block” in Triple Canopy, about the long history of black artists underserved by white critics, museums’ moral and political responsibility to the public, and more.

Award-winning filmaker Todd Haynes and his longtime collaborator, film producer Christine Vachon, discuss their thirty-year creative partnership, from the emergence of the new queer cinema to the culture wars of the nineties. 

In 1987, Haynes directed the short film Superstar: The Karen Carpenter Story. His first feature film, Poison, won the Grand Jury Prize at Sundance. After Safe, which featured Julianne Moore in a breakthrough role, he conjured David Bowie in Velvet Goldmine, then paid homage to German director Douglas Sirk in Far from Heaven. Haynes had six actors play Bob Dylan in I’m Not There. He directed the TV miniseries Mildred Pierce, then returned to feature films with Carol, Wonderstruck, Dark Waters, and the documentary The Velvet Underground, followed by the feature film May December. 

Christine Vachon is an Independent Spirit Award and Gotham Award winner who co-founded the powerhouse Killer Films with partner Pamela Koffler in 1995. Over three decades, the company has produced more than one hundred films, including some of the most celebrated and important American independent features. Recent releases include Todd Haynes’s May December (Netflix), starring Natalie Portman and Julianne Moore, and Celine Song’s Past Lives (A24), which marks her first Oscar nomination in the Best Picture category.

We revisit a conversation from the first season of Dialogues with critically acclaimed painter Rose Wylie, OBE RA, and actor Russell Tovey.

Rose Wylie is the subject of a major retrospective at the Royal Academy of Arts, London, on view from February 28–April 19, 2026.
Wylie, an admirer of cinema, and Tovey, a fan and collector of Wylie’s work, en

Acclaimed artist Amy Sillman and curator Donna De Salvo join Helen Molesworth for a deep dive into how an art exhibition comes to life.

Amy Sillman is widely recognized as one of the most significant painters of her generation. Amy Sillman: Oh, Clock!, the artist’s first major institutional solo exhibition in Europe, was presented at Kunstmuseum Bern in 2024, before traveling to Ludwig Forum Aachen the following year. Amy Sillman: Alternate Side (Permutations #1–32) is currently on view at Dia Bridgehampton through June 2026.

Donna De Salvo is a senior adjunct curator at Dia Art Foundation and previously served as the chief curator at the Whitney Museum of American Art in New York. Recent projects include Steve McQueen at Dia Chelsea and Dia Beacon, featuring the immersive installation Bass (2024), co-commissioned with the Laurenz Foundation, Basel; Roni Horn at Dia Beacon; Walter De Maria: The Singular Experience, Gagosian, Paris; and the forthcoming This Land: Considering the American Landscape, cocurated with Seph Rodney for The Church, Sag Harbor. 

Emmy Award–winning filmmaker and producer Matt Wolf joins Helen Molesworth to discuss his latest documentary series, Pee-wee as Himself, a revelatory documentary about the late Paul Reubens.  

The HBO original two-part documentary Pee-wee as Himself is available to stream now on HBO Max. 

Every era has its own version of Leonardo da Vinci, according to art historian Stephen J. Campbell. Campbell joins Helen Molesworth to unpack the 21st century myth of the tech genius that surrounds the Renaissance artist. 

Stephen J. Campbell is the Henry and Elizabeth Wiesenfeld Professor in the Department of the History of Art at Johns Hopkins University. His books include Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images and The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy.

Last week the Trump administration sharply escalated its impossible demands on the Smithsonian Institution. It's hard not to wonder when, rather than if this administration will come for the rest of our museums. With this in mind, Helen Molesworth invited Jill Medvedow, the former director of the ICA/Boston, for an explainer on how museums are funded, with the hopes of arming listeners with a deeper understanding of how it all works.

Jill Medvedow is director emerita at the ICA/Boston and a fellow at the Harvard Divinity School. 

Helen Molesworth and Steve Locke sort through the many exhibitions of the last year to highlight their favorites, from Jack Whitten at MoMA and Stanley Whitney at the ICA/Boston, to Bo Bartlett and Lisa Yuskavage. 

Helen Molesworth invites curator Mark Godfrey and artists Arthur Jafa and Steve Locke to discuss the work of Kerry James Marshall on the occasion of his acclaimed survey exhibition at the Royal Academy of Arts, London.

Kerry James Marshall: The Histories is on view through January 18, 2026 and will travel next to the Kunsthaus Zürich in Zurich, Switzerland, and the Musée d’art Moderne in Paris, France.

Mark Godfrey is the curator of Kerry James Marshall: The Histories at the Royal Academy of Arts. He is co-director of New Curators, a one-year curatorial training program for international curators from lower socio-economic backgrounds. He was Senior Curator, International Art at Tate Modern from 2007-2021.

Arthur Jafa is an artist and filmmaker whose practice comprises films, artefacts and happenings that reference and question the universal and specific articulations of Black being. 

Steve Locke is a contemporary artist and educator based in Brooklyn, New York.

Helen is joined by writer Francine Prose, artist David Salle, and photographer Neil Selkirk for a conversation about Arbus’s singular importance.

Francine Prose’s new novel, Five Weeks in the Country, will be published in May.

David Salle is a painter and essayist living in New York.

Neil Selkirk is a photographer and filmmaker and the only person to print the photographs of Diane Arbus other than the photographer herself.

Visit two exhibitions of Arbus on view this fall: Diane Arbus: Konstellationen is on view at Gropius Bau in Berlin, Germany through January 18, 2026 and Diane Arbus: Sanctum Sanctorum is on view at David Zwirner London through December 20, 2025.