Hunter S. Thompson’s 1971 novel Fear and Loathing in Las Vegas remains a classic of American drug literature, a haunting reflection on the cultural and political hangover of the revolutionary 1960s. I’m not sure I’ve ever experienced a more resonant portrait of the American id than the carnival of vile, deranged American archetypes Thompson describes in these pages. Justin Rogers-Cooper has been similarly influenced by Fear and Loathing over the years, and joins me this week to talk about Thompson’s legacy, his dark take on the “meaning” of the 1960s, and his view of America as a debased post-Nazi hellscape. 

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