Happy new year and new decade, music nerds! Malcolm Burn, the wildly creative Canadian producer, engineer and musician joins me on the show this month in a 2-part episode. Malcolm grew up in Ontario and in the 80’s, after trying his hand as an artist in pop bands, turned to producing and engineering in the studio and hooked up with Daniel Lanois through his Hamilton, Ontario connection. Burn, Lanois, and a 3rd Ontarian, Mark Howard, worked as a team on a string of incredibly influential albums including Bob Dylan’s “Oh Mercy”, the Neville Brothers “Yellow Moon”, Lanois’ solo “Acadie”, and Emmylou Harris’ “Wrecking Ball”, an innovative and creative career-changing album for her. Burn went on to produce her next record on his own - “Red Dirt Girl”, as well as classics for Chris Whitley and many others. I’ve always wanted some first-hand info on what that scene was like, recording in non-conventional spaces, the idea of engineering as a team, and many of the unique recording techniques they were working with through their careers. I hope you enjoy my conversation with Malcolm Burn as much as I did having it, and please remember to subscribe to the podcast and leave a review. Part 2 will be out next Wednesday! Get ad-free episodes and access to all early episodes by subscribing to Patreon.

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