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The late David Lynch explored the line between the watchable and the unwatchable as distinctively and mysteriously as any filmmaker ever has. UNWATCHABLES kicks off Season 4 by tackling his first and (sadly) last films, his two most alienating avant-garde works separated by almost exactly 30 years: 1977's hugely influential surrealist classic ERASERHEAD, and 2006's polarizing 3-hour digital camcorder experiment INLAND EMPIRE.
Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.
You can support us on Patreon at patreon.com/unwatchables to get access to exclusive bonus content and weigh in on what we watch next.
Find us online at www.unwatchablespod.com or shoot us an email at [email protected]. We're on Instagram and Twitter under @unwatchablespod.
By Unwatchables5
1111 ratings
The late David Lynch explored the line between the watchable and the unwatchable as distinctively and mysteriously as any filmmaker ever has. UNWATCHABLES kicks off Season 4 by tackling his first and (sadly) last films, his two most alienating avant-garde works separated by almost exactly 30 years: 1977's hugely influential surrealist classic ERASERHEAD, and 2006's polarizing 3-hour digital camcorder experiment INLAND EMPIRE.
Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.
You can support us on Patreon at patreon.com/unwatchables to get access to exclusive bonus content and weigh in on what we watch next.
Find us online at www.unwatchablespod.com or shoot us an email at [email protected]. We're on Instagram and Twitter under @unwatchablespod.

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