
Sign up to save your podcasts
Or


Park City, 2026 — we showed up without films, without press credentials, but still… ready to make our DocWalk dreams a reality. Welcome to the last of 4 episodes at Sundance: a walk down Main Street, where we hobnob with the best of the fest, greet the people, and do everything we can to stay warm in sub-freezing temps without a single movie ticket in sight.
This year at Sundance everyone was looking back (at the legacy of Robert Redford and what the fest has been) while still looking forward (to where we'll be in a year… Boulder, Colorado). We catch-up on the festival BizBuzz™: it's all M&A! Mergers and acquisitions (netflix/paramount/warners, oh my) and whether the indie spirit is actually back (Ben says it is). As men of the people, we focus on the men (& women) on the street. And they have a lot to say. Entertainment lawyer Ben Moskowitz breaks down what not to do when you're pitching, first-time producer Will Butler shares the innovations of JOYBUBBLES—the first film at Sundance to screen with open audio description for blind audiences, and Tribeca programmer Jarod Neece offers insight into the numbers game that you've gotta overcome when applying to a premier fest. We meet David Fortune, who turned a million-dollar grant into his debut feature COLOR BOOK, Jamaican producer/lawyer Rob Maylor who's about to make Delroy Lindo a first-time director, and filmmaker Dana Reilly fresh off her OUR BODY ELECTRIC premiere. Austin-based producers Russell Groves and Jessica Wolfson make brief cameos and former-Austinite Heather Courtney joins us to talk about the film she's producing with Christina Ibarra, and the one she's directing (thx to a Chicken & Egg research grant).
Plus: surprise run-ins with editor Josh Ethier, publicist David Magdael and doc-superstar Ondi Timoner; Aaaand an owl that's been in 150 movies; a meteorologist and horses; and insight into a Park City real estate deal that proves that karma is real, but the best deals are behind us. Thanks to the Austin Film Society and The Long Time for sponsoring our trip! This one is a super-sized DocWalks with 50% more runtime, and a whole lot of fun!
DISCUSSION LINKS:
JOYBUBBLES (2026) | COLOR BOOK (2024) | OUR BODY ELECTRIC (2026) | BUDDY (2026) | AMERICAN DOCTOR (2026) | THE OLDEST PERSON IN THE WORLD (2026) | THE HISTORY OF CONCRETE (2026) | ALL THE WALLS CAME DOWN (2025) | BREAKING THROUGH ROCKS (2025) | COME SEE ME IN THE GOOD LIGHT (2025) | HOT WATER (2026) | LITTLE MISS SUNSHINE (2006) | SEX, LIES, AND VIDEOTAPE (1989) | SLACKER (1990) | CLERKS (1994) | SEIZED (2026) | NUTS (2016) | TOO MANY COOKS (2014) | CARTS OF DARKNESS (2008) | MARCH OF THE PENGUINS (2005) | WINNEBAGO MAN (2009) | TOWER (2016) | CHOP & STEELE (2022) | DEAR MR. BRODY (2021)
TIMESTAMPS:
00:00 Ben is cold — arrival in Park City 03:58 Main Street dispatch — the last Sundance in Park City 07:00 First-timers and the indie spirit question 08:00 Jordan Tracy — ABC4 live weather with horses 11:50 Russell Groves and Jessica Wolfson 17:50 Ben Moskowitz on how new filmmakers find a lawyer 21:00 Good ideas, bad ideas — don't promise access you don't have 25:15 Will Butler and JOYBUBBLES — open audio description at Sundance 29:00 Jarod Neece — Tribeca at 25 and the 14,000-film funnel 37:10 Kino Lorber re-releasing Tower — breaking news 41:00 Bill and Robin — Park City locals since the sixties 44:30 Night falls — BizBuzz™ on Main Street 48:00 Dana Reilly — OUR BODY ELECTRIC premieres at Dances With Films 52:30 TOWER superfan and the sorority screening 55:00 David Fortune — COLOR BOOK and the AT&T Untold Stories million 58:30 Dapper dressed rule of thumb 1:01:30 Rob Maylor — producing Delroy Lindo's directorial debut 1:05:00 Josh Ethier — editing BUDDY from TOO MANY COOKS director Casper Kelly 1:09:30 Eagle and Spencer — skiing, Fugazi, and CARTS OF DARKNESS 1:14:00 Day three — Heather Courtney and Chicken & Egg research grant 1:19:00 David Magdael — publicist, Oscar campaigns, and changing the world through cinema and Ondi(!) Timoner 1:22:30 Heather's final thoughts — call your representatives 1:29:30 Driving away from Sundance — reflections on community and the grind 1:36:00 Sponsor messages and next episode preview — Anna Rau and the Nonfiction Hot List
By Ben Steinbauer & Keith MaitlandPark City, 2026 — we showed up without films, without press credentials, but still… ready to make our DocWalk dreams a reality. Welcome to the last of 4 episodes at Sundance: a walk down Main Street, where we hobnob with the best of the fest, greet the people, and do everything we can to stay warm in sub-freezing temps without a single movie ticket in sight.
This year at Sundance everyone was looking back (at the legacy of Robert Redford and what the fest has been) while still looking forward (to where we'll be in a year… Boulder, Colorado). We catch-up on the festival BizBuzz™: it's all M&A! Mergers and acquisitions (netflix/paramount/warners, oh my) and whether the indie spirit is actually back (Ben says it is). As men of the people, we focus on the men (& women) on the street. And they have a lot to say. Entertainment lawyer Ben Moskowitz breaks down what not to do when you're pitching, first-time producer Will Butler shares the innovations of JOYBUBBLES—the first film at Sundance to screen with open audio description for blind audiences, and Tribeca programmer Jarod Neece offers insight into the numbers game that you've gotta overcome when applying to a premier fest. We meet David Fortune, who turned a million-dollar grant into his debut feature COLOR BOOK, Jamaican producer/lawyer Rob Maylor who's about to make Delroy Lindo a first-time director, and filmmaker Dana Reilly fresh off her OUR BODY ELECTRIC premiere. Austin-based producers Russell Groves and Jessica Wolfson make brief cameos and former-Austinite Heather Courtney joins us to talk about the film she's producing with Christina Ibarra, and the one she's directing (thx to a Chicken & Egg research grant).
Plus: surprise run-ins with editor Josh Ethier, publicist David Magdael and doc-superstar Ondi Timoner; Aaaand an owl that's been in 150 movies; a meteorologist and horses; and insight into a Park City real estate deal that proves that karma is real, but the best deals are behind us. Thanks to the Austin Film Society and The Long Time for sponsoring our trip! This one is a super-sized DocWalks with 50% more runtime, and a whole lot of fun!
DISCUSSION LINKS:
JOYBUBBLES (2026) | COLOR BOOK (2024) | OUR BODY ELECTRIC (2026) | BUDDY (2026) | AMERICAN DOCTOR (2026) | THE OLDEST PERSON IN THE WORLD (2026) | THE HISTORY OF CONCRETE (2026) | ALL THE WALLS CAME DOWN (2025) | BREAKING THROUGH ROCKS (2025) | COME SEE ME IN THE GOOD LIGHT (2025) | HOT WATER (2026) | LITTLE MISS SUNSHINE (2006) | SEX, LIES, AND VIDEOTAPE (1989) | SLACKER (1990) | CLERKS (1994) | SEIZED (2026) | NUTS (2016) | TOO MANY COOKS (2014) | CARTS OF DARKNESS (2008) | MARCH OF THE PENGUINS (2005) | WINNEBAGO MAN (2009) | TOWER (2016) | CHOP & STEELE (2022) | DEAR MR. BRODY (2021)
TIMESTAMPS:
00:00 Ben is cold — arrival in Park City 03:58 Main Street dispatch — the last Sundance in Park City 07:00 First-timers and the indie spirit question 08:00 Jordan Tracy — ABC4 live weather with horses 11:50 Russell Groves and Jessica Wolfson 17:50 Ben Moskowitz on how new filmmakers find a lawyer 21:00 Good ideas, bad ideas — don't promise access you don't have 25:15 Will Butler and JOYBUBBLES — open audio description at Sundance 29:00 Jarod Neece — Tribeca at 25 and the 14,000-film funnel 37:10 Kino Lorber re-releasing Tower — breaking news 41:00 Bill and Robin — Park City locals since the sixties 44:30 Night falls — BizBuzz™ on Main Street 48:00 Dana Reilly — OUR BODY ELECTRIC premieres at Dances With Films 52:30 TOWER superfan and the sorority screening 55:00 David Fortune — COLOR BOOK and the AT&T Untold Stories million 58:30 Dapper dressed rule of thumb 1:01:30 Rob Maylor — producing Delroy Lindo's directorial debut 1:05:00 Josh Ethier — editing BUDDY from TOO MANY COOKS director Casper Kelly 1:09:30 Eagle and Spencer — skiing, Fugazi, and CARTS OF DARKNESS 1:14:00 Day three — Heather Courtney and Chicken & Egg research grant 1:19:00 David Magdael — publicist, Oscar campaigns, and changing the world through cinema and Ondi(!) Timoner 1:22:30 Heather's final thoughts — call your representatives 1:29:30 Driving away from Sundance — reflections on community and the grind 1:36:00 Sponsor messages and next episode preview — Anna Rau and the Nonfiction Hot List