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Today on the Book More Show, Betsey & I talk about the idea of using your book outside of the clients you can personally help, by white labeling it, allowing others to use a version in their marketing, and obviously pay you for the service!
This works especially well if you are a business coach or have clients already paying you to help with their marketing, but it can work for anyone who has a book, or can create something business owners would pay to use.
We wrapped up talking about when it makes sense to take this a step further and white label the actual 90-Minute Book process. If you have a framework that helps people find more clients, and a book would help that success, then white labeling the 90-Minute Book process could be a great way you can help your clients create that book.
It was fun to dive deeper on a topic we're help more & more people with.
Questions/Feedback: Send us an email
(AI transcript provided as supporting material and may contain errors)
Betsey: Good.
Stuart: Great, I think it's podcast time.
Betsey: Here we go.
Stuart: I know right, great call with Dean. Last week we dived down to the studio over in Winshaven and ran through some great ideas. We had a long list of things we were going to do, a couple of short sessions, but we ended up starting by thinking about whether it makes sense, or when it makes sense for someone to write a book, and then that took 45 minutes.
Betsey: Nice, that's great. What do you want to talk about today?
Stuart: This week. I thought we would talk about white-level projects because two separate conversations I've had with people this week it's come up. So it's definitely an idea worth pursuing because it's surprising there's so many options and such a wide variety of opportunities that it creates that it's always surprising how the conversations go. I don't think I've had a white level conversation with two people. That's been the same over many years that we've been doing this.
Betsey: Right. Yeah, it's definitely a great tool. I'm excited to dive in here.
Stuart: So I think the first place to start is thinking about what, as I guess defining what we mean by a white-level project is so many variations, but the two main camps that it's all, the two main approaches that it breaks down to, are white labeling an existing book, so a book that you've created the one version of, and then allowing other people to use it.
Betsey: yeah, no. I think those are definitely the two. I was trying to think of the ones with white label recently, but you know, and they fall into those categories. So I think most you know it was maybe 50, 50, maybe a little higher on the, you know, using the existing book and letting someone use their same book, but the possibilities are endless with that, you know, I mean you know to do so people get excited about it.
Stuart: Yeah, I think, as you say, it's probably the more common use case and the easier to do. It takes less. There's less orchestration around it. So let's dive into that one first. The example I'm going to use is one of the books that we use internally on the real estate side of the business. So they had to sell your house to top dollar book. So as a piece of information that was written first for one person and then many people were allowed to use it. It's the easiest example because most people are aware of, even if they haven't bought a house. They're aware of what real estate agents do and it's just an easy one to explain. So with that initial version of the book was written as a way to engage potential seller clients for a realtor. So the position that the book sits in the O4 funnel is, as you're there, trying to market yourself, engaging with people when they're early in the discovery process is a great way of starting that relationship so that when they're eventually ready to take an action and do business with you or look for the service that you provide, then you're front of mind. You'd already started with building reciprocity and rapport and adding value to the people's lives.
Betsey: As they're done, I think that's sorry, you look at the top dollar book and that is that we do and it we just we don't touch anything on the inside. It's just the information items that are there, the name, and that we do put their contact information. But like I think about some of those books and that's one of the people I do ask a lot like how much do I let somebody change?
You know it's a little easier, it's a little more people relate to it a little bit. You know numbers and such definitely.
Stuart: It's definitely the position to start from because of that complexity and oftentimes people are adding in complexity unnecessarily. Now that tax example was unavoidable because it was talking about inheritance thresholds and they stay by state. It changes whether there's inheritance tax and the amount changes as well. So the whole book was around that inheritance type positioning so that one was unavoidable. But oftentimes people add in complexity because they've got this mentality of they need to put in. It's like the books generally people overestimate how much they need to put in and the level of detail for book if it purpose is to start the conversation, the objective isn't to convert people within the words of the page. You're not charging people $20, so you need to provide every conceivable amount of value and detail you can imagine. It's not an academically peer-reviewed textbook that needs to be complete. It's a book to help you build your business that starts the conversation and builds rapport and gets people to the point that they're raising their hand and having a conversation where you then go into all the details. It's like the 90-minute book or the book blueprint scorecard, which even that one's more detailed because it goes in. We're trying to help people do a number of these steps but we know as the production element. In the background there's a thousand other questions that we need to ask people or we need to make calls on. Trying to include all of that upfront is unnecessary. So I think it's definitely the case that people get, because they're in it every day and they know the numbers or know the knowledge, it's natural to think that I have to include a lot of that stuff.
Betsey: Right, that's a good reminder on that. But, I'm also going to go back to you saying about keeping it more generic. That seems to be hard for people.
Stuart: You know, I think it comes from in part. The benefit of a book as a lead generation tool, as a way to build your business, is that a book itself still has a lot of perceived value around it which is greater than the actual product, greater than the book itself. So there's still this element of being published, having the words on paper, it being something that's created. People think that's a bigger thing than we know that it really is. In the age of kind of underband printing and publishing just being much more democratised, which obviously is what we're trying to do we're trying to remove the gatekeepers, but still people perceive a book as having passed through those gatekeeper stages. So for us as business owners, knowing that there's an extra boost from having it, that's one of the benefits of creating it. It's not just that you're sharing information, it's that the information has an extra shine, an extra glow to it because it's in the form of a book. But people get tripped up because on the one hand, they know that and want to do this project because of that very reason, but then flip back into the mode of oh well, if I'm writing a book now, I've got to go through all of these stages and gatekeepers and it's got to meet all of these minimum requirements. And if I didn't put everything in there then people aren't going to almost like an imposter syndrome thing. If it hasn't got all of these things, then people aren't going to believe that it's true or believe the words that are in there. But that's not the case.
Betsey: Yeah, exactly I think you just said I talked about. This is something when I have a phone call with somebody and they're asking about a book, be it white label or whatever they. When someone says I don't even care if they read the book A lot of people don't they will pick up a book. I'm notorious for this Pick up a book and I'll. If it's like a self-help or some sort of generic book versus a novel, I'll look at the cover and I'll look at that cover and I'll kind of skimp through the table of contents, look, oh you know, and then I find myself going to the website that's on the back, or Google.
Stuart: Right, exactly Because it's the job of work is different. A novel, the job of work of the novel, is to be entertained. You're buying it because you want to be entertained. You're buying it because you want to read it and have the words stimulate. Why would they stimulate in your brain? And it entertains you.
Betsey: No, that's all good information there for people to hear.
Stuart: When we were talking, I was using the samples there of the book having a glow about it. It's got an extra magic because it is printed pages. It is worth mentioning as well that whether we're talking about print or digital, that's less of a definition these days, because a book doesn't necessarily just mean a physical book that's on paper. It also means a digital version of the book and to keep that magic going. That's why the digital versions of the books we create for people are formatted with left right margins and with all of the kind of in between pages. The blank pages are still in place. Because we want to keep that magic going.
Betsey: We never use the term ebook because it's a pointless definition.
Stuart: People love that term yeah yeah, exactly so I think, the digital version of the book. I'd love to send you a copy of the book. I'll send you a digital copy of it, adding in extra words like ebooks, or formatting it in a different way. It just definitely takes the glow off the thing that we're trying to create.
Betsey: I think people like when I not so much me, because I work in this environment, so I know but people say to me a lot like, oh well, I don't just want an ebook, because they view that as like something that somebody's stapled together in the office or ebooks.
Stuart: You know it doesn't have that glow, I mean I like that.
Betsey: You say glow. It doesn't have that you know, but here's a digital copy of my book. I mean, that's exact same thing. But it's always gets people excited.
Stuart: But the positioning that Robert Cialdini book Pre-Swasion I don't think it's a little while since I've read it. I don't think it specifically uses that as an example, but that whole premise of pre-charging situations with the outcome in mind. If you say to someone, oh yeah, I'll send you a digital copy of my book or I'll send you an ebook, they're going to look forward to sending, look forward to receiving a digital copy of the book, but are they going to look forward to receiving an ebook in the same way?
Betsey: I mean it's just unnecessary undervaluing.
Stuart: So, from the white label perspective as well, if you're going down the white label route, then your part of your job of work is marketing that book for the clients or selling the benefits to the clients that they marketed themselves. So language like this if you're offering a white label book as part of your solution, definitely don't refer to it as an ebook. And then the choice of whether you allow people to use digital copies or allow them to use physical copies Again, think about how that sits in the context of how they're eventually going to use it. So if all of the rest of your marketing is around Facebook ads, opt-ins and email, then having building physical copies into the program isn't necessarily the most useful, because none of your other marketing talks about physical copies. But on the flip side, selling your product as the coach, selling your product to the florists that you coach of having a book as part of the marketing campaign, you probably need to include a physical element because, as the recipients, as the people who are paying you not the end clients, but the florists who are paying you if you can give them a physical book, that product, that marketing product, seems more valuable than saying, oh, we're just going to create a digital version of the book, because they'll perceive it as different. So thinking through each stage of this and what the job of work of each element is super important, which is why we say that there's a million different maybe not a million, but there's lots of different variations of what the product, what the white label product could be, and depending on what you're doing. This is why we have conversations with people to set up the product in the way that makes the most sense. But definitely think in terms of the digital book.
Betsey: One thing that I do for the florist.
Stuart: I mean, we haven't I don't think we've ever worked with any florists, which is I don't know whether I use that as the example, because there's no risk that I'm accidentally talking about client details. Right exactly, or whether it's we should find more florists to market to, but sticking with that as an example. So that book idea is seems like a great idea. I'm not that into flowers, so Lucy is very much so more than me, but yeah, so I'm not that into it. That as a subject seems like an interesting idea because knowing that as a florist, a decent amount of my top revenue producing business is going to be weddings, because you add a zero on the end to anything that starts with wedding at the zero on the end, so that seems to be a high margin business. There's lots of them going on. They're not particularly. Weddings themselves aren't necessarily impacted by the economy. Wedding budgets might be, but weddings themselves aren't.
Betsey: Flower review yes.
Stuart: That's the one with not being too into the subject, did you kind of? The framework of the idea is very clear and very successful and very the details might get lost in the language Exactly.
Betsey: Don't worry about that.
Stuart: Yeah, go ahead so yeah, I was just going to wrap up that first example because again I ran long slightly and got carried away on that particular example. But so, white labeling a book, let's just quickly recap and then we'll go on to white labeling the service briefly. So, white labeling the book, we want. You, as the white labeler, are selling the service to the clients that you work with, so the people in the business that you're writing about. So if you coach florists, it's the florist that you're selling to, not the florist's clients, not the end consumers. So to build that white label package, you've got to make it worthwhile and appealing to the florists themselves. But in order for the project to be successful, it also needs to work for the end user, for the clients. So, in terms of writing it and then executing on the white label projects, you need something that's valuable but relatively generic and universal, and something where there's an obvious call to action and obvious next step that the end users can take in order to identify themselves as potential clients. So that way you can sell the idea of the project, the idea of the white label book you can sell out to the florist clients and they can see some value because they can see the asset that will be created in a way that would be difficult for them to do themselves, or constantly or time consuming, and they can see that there's a clear step to the end product.
Betsey: No yeah.
Stuart: Consider putting their picture on the front, because it might be the black hat example.
Betsey: Right, exactly.
Stuart: Okay.
Betsey: Next up is white labeling the service.
Stuart: Yeah, white labeling the service, so this is less frequent. So we've got a couple of people that we've done and are doing this with. So this is for organizations that have got more of a. It's a higher cost product at the end of the day.
We always want to start with the introduction, which is a background to you how you got into floral arrangement, why you're passionate about flowers in this area and all of the people that you've been able to help. Then you want to talk about the working in the northeast means that a lot of people come wanting these particular arrangements that they see in Instagram, but all of the influencers are in California. Those flowers just aren't available over here. But we've worked and have worked out the Massachusetts equivalent of all of these Instagrammer's influencers images so we can help create that model. And then in the book, talk about a framework of how you set that up for you particular, how you have sourced those flowers, how you interpret the design and then whatever the closes and the call to action around your thing. So white labeling the service as knowing what that structure is, what the framework is that the book hangs on. We can then bring the clients through, asking them those very similar questions that mirror your exact framework.
Betsey: It does and I think you know I mean both are great options. Just depends on where you are, I think you know, in your business or with your specific group. But it really is such a way for someone to get a book out there and not have to put in all the work you know.
Stuart: And it's potentially a stepping stone to something later. I mean having the white label book version now. So you've got something that's out, there, it's. You can almost test all of the funnels and emails and the follow up campaigns and lay all of the track with a white label product and then, if you previously self that it's effective, you've got the opportunity to really dial it in for the specific market that the white label book doesn't come out, the white label book doesn't cover. So the $10,000 of wedding flowers for a thousand on a thousand dollar budget, that's great for that particular funnel.
Betsey: Absolutely.
Stuart: Cool. Well, I think we did the white label subject yeah, that's great.
Betsey: I think, yeah, people listening, hopefully our clients that have already. They, like you said, you've written a book, it's there, you've been using it, you're ready to take the next step, like, okay, this is, I want to offer this to people. Let us know we're. You know that's an exciting thing to do and it's fun to see how many other authors come on board and you know, with the white label project so.
Stuart: Yeah, definitely, if you just send an email to either support a 90 minute books or to me at Stuart S T U ART Stuart at 90 minute books, and we can jump on a call and just smash out some of the details. But yeah, it's exciting and of all of the people that we've seen do this, I think that I mean some of them have had more success than others. Obviously, I don't think anyone's been disappointed in the project. I think some of them have been relieved that we've helped them simplify and streamline it, but it is a pretty quick process to get set up Cool.
Betsey: Okay.
Stuart: Well, thank you for your time. It's always better and everyone thanks for listening. Definitely, if you're interested in white labeling, just shoot as an email. Or if white labeling is not for you but you do have a book that you're waiting to get started, then now is definitely a great time to do it, as everyone's getting back to the office after the summer. Things are picking up again as we head in towards the fall. So, yeah, just reach out to us at support 90 minute books or head over to the website and we're here waiting to help. Okay, thank you, and we'll speak in the next one.
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Today on the Book More Show, Betsey & I talk about the idea of using your book outside of the clients you can personally help, by white labeling it, allowing others to use a version in their marketing, and obviously pay you for the service!
This works especially well if you are a business coach or have clients already paying you to help with their marketing, but it can work for anyone who has a book, or can create something business owners would pay to use.
We wrapped up talking about when it makes sense to take this a step further and white label the actual 90-Minute Book process. If you have a framework that helps people find more clients, and a book would help that success, then white labeling the 90-Minute Book process could be a great way you can help your clients create that book.
It was fun to dive deeper on a topic we're help more & more people with.
Questions/Feedback: Send us an email
(AI transcript provided as supporting material and may contain errors)
Betsey: Good.
Stuart: Great, I think it's podcast time.
Betsey: Here we go.
Stuart: I know right, great call with Dean. Last week we dived down to the studio over in Winshaven and ran through some great ideas. We had a long list of things we were going to do, a couple of short sessions, but we ended up starting by thinking about whether it makes sense, or when it makes sense for someone to write a book, and then that took 45 minutes.
Betsey: Nice, that's great. What do you want to talk about today?
Stuart: This week. I thought we would talk about white-level projects because two separate conversations I've had with people this week it's come up. So it's definitely an idea worth pursuing because it's surprising there's so many options and such a wide variety of opportunities that it creates that it's always surprising how the conversations go. I don't think I've had a white level conversation with two people. That's been the same over many years that we've been doing this.
Betsey: Right. Yeah, it's definitely a great tool. I'm excited to dive in here.
Stuart: So I think the first place to start is thinking about what, as I guess defining what we mean by a white-level project is so many variations, but the two main camps that it's all, the two main approaches that it breaks down to, are white labeling an existing book, so a book that you've created the one version of, and then allowing other people to use it.
Betsey: yeah, no. I think those are definitely the two. I was trying to think of the ones with white label recently, but you know, and they fall into those categories. So I think most you know it was maybe 50, 50, maybe a little higher on the, you know, using the existing book and letting someone use their same book, but the possibilities are endless with that, you know, I mean you know to do so people get excited about it.
Stuart: Yeah, I think, as you say, it's probably the more common use case and the easier to do. It takes less. There's less orchestration around it. So let's dive into that one first. The example I'm going to use is one of the books that we use internally on the real estate side of the business. So they had to sell your house to top dollar book. So as a piece of information that was written first for one person and then many people were allowed to use it. It's the easiest example because most people are aware of, even if they haven't bought a house. They're aware of what real estate agents do and it's just an easy one to explain. So with that initial version of the book was written as a way to engage potential seller clients for a realtor. So the position that the book sits in the O4 funnel is, as you're there, trying to market yourself, engaging with people when they're early in the discovery process is a great way of starting that relationship so that when they're eventually ready to take an action and do business with you or look for the service that you provide, then you're front of mind. You'd already started with building reciprocity and rapport and adding value to the people's lives.
Betsey: As they're done, I think that's sorry, you look at the top dollar book and that is that we do and it we just we don't touch anything on the inside. It's just the information items that are there, the name, and that we do put their contact information. But like I think about some of those books and that's one of the people I do ask a lot like how much do I let somebody change?
You know it's a little easier, it's a little more people relate to it a little bit. You know numbers and such definitely.
Stuart: It's definitely the position to start from because of that complexity and oftentimes people are adding in complexity unnecessarily. Now that tax example was unavoidable because it was talking about inheritance thresholds and they stay by state. It changes whether there's inheritance tax and the amount changes as well. So the whole book was around that inheritance type positioning so that one was unavoidable. But oftentimes people add in complexity because they've got this mentality of they need to put in. It's like the books generally people overestimate how much they need to put in and the level of detail for book if it purpose is to start the conversation, the objective isn't to convert people within the words of the page. You're not charging people $20, so you need to provide every conceivable amount of value and detail you can imagine. It's not an academically peer-reviewed textbook that needs to be complete. It's a book to help you build your business that starts the conversation and builds rapport and gets people to the point that they're raising their hand and having a conversation where you then go into all the details. It's like the 90-minute book or the book blueprint scorecard, which even that one's more detailed because it goes in. We're trying to help people do a number of these steps but we know as the production element. In the background there's a thousand other questions that we need to ask people or we need to make calls on. Trying to include all of that upfront is unnecessary. So I think it's definitely the case that people get, because they're in it every day and they know the numbers or know the knowledge, it's natural to think that I have to include a lot of that stuff.
Betsey: Right, that's a good reminder on that. But, I'm also going to go back to you saying about keeping it more generic. That seems to be hard for people.
Stuart: You know, I think it comes from in part. The benefit of a book as a lead generation tool, as a way to build your business, is that a book itself still has a lot of perceived value around it which is greater than the actual product, greater than the book itself. So there's still this element of being published, having the words on paper, it being something that's created. People think that's a bigger thing than we know that it really is. In the age of kind of underband printing and publishing just being much more democratised, which obviously is what we're trying to do we're trying to remove the gatekeepers, but still people perceive a book as having passed through those gatekeeper stages. So for us as business owners, knowing that there's an extra boost from having it, that's one of the benefits of creating it. It's not just that you're sharing information, it's that the information has an extra shine, an extra glow to it because it's in the form of a book. But people get tripped up because on the one hand, they know that and want to do this project because of that very reason, but then flip back into the mode of oh well, if I'm writing a book now, I've got to go through all of these stages and gatekeepers and it's got to meet all of these minimum requirements. And if I didn't put everything in there then people aren't going to almost like an imposter syndrome thing. If it hasn't got all of these things, then people aren't going to believe that it's true or believe the words that are in there. But that's not the case.
Betsey: Yeah, exactly I think you just said I talked about. This is something when I have a phone call with somebody and they're asking about a book, be it white label or whatever they. When someone says I don't even care if they read the book A lot of people don't they will pick up a book. I'm notorious for this Pick up a book and I'll. If it's like a self-help or some sort of generic book versus a novel, I'll look at the cover and I'll look at that cover and I'll kind of skimp through the table of contents, look, oh you know, and then I find myself going to the website that's on the back, or Google.
Stuart: Right, exactly Because it's the job of work is different. A novel, the job of work of the novel, is to be entertained. You're buying it because you want to be entertained. You're buying it because you want to read it and have the words stimulate. Why would they stimulate in your brain? And it entertains you.
Betsey: No, that's all good information there for people to hear.
Stuart: When we were talking, I was using the samples there of the book having a glow about it. It's got an extra magic because it is printed pages. It is worth mentioning as well that whether we're talking about print or digital, that's less of a definition these days, because a book doesn't necessarily just mean a physical book that's on paper. It also means a digital version of the book and to keep that magic going. That's why the digital versions of the books we create for people are formatted with left right margins and with all of the kind of in between pages. The blank pages are still in place. Because we want to keep that magic going.
Betsey: We never use the term ebook because it's a pointless definition.
Stuart: People love that term yeah yeah, exactly so I think, the digital version of the book. I'd love to send you a copy of the book. I'll send you a digital copy of it, adding in extra words like ebooks, or formatting it in a different way. It just definitely takes the glow off the thing that we're trying to create.
Betsey: I think people like when I not so much me, because I work in this environment, so I know but people say to me a lot like, oh well, I don't just want an ebook, because they view that as like something that somebody's stapled together in the office or ebooks.
Stuart: You know it doesn't have that glow, I mean I like that.
Betsey: You say glow. It doesn't have that you know, but here's a digital copy of my book. I mean, that's exact same thing. But it's always gets people excited.
Stuart: But the positioning that Robert Cialdini book Pre-Swasion I don't think it's a little while since I've read it. I don't think it specifically uses that as an example, but that whole premise of pre-charging situations with the outcome in mind. If you say to someone, oh yeah, I'll send you a digital copy of my book or I'll send you an ebook, they're going to look forward to sending, look forward to receiving a digital copy of the book, but are they going to look forward to receiving an ebook in the same way?
Betsey: I mean it's just unnecessary undervaluing.
Stuart: So, from the white label perspective as well, if you're going down the white label route, then your part of your job of work is marketing that book for the clients or selling the benefits to the clients that they marketed themselves. So language like this if you're offering a white label book as part of your solution, definitely don't refer to it as an ebook. And then the choice of whether you allow people to use digital copies or allow them to use physical copies Again, think about how that sits in the context of how they're eventually going to use it. So if all of the rest of your marketing is around Facebook ads, opt-ins and email, then having building physical copies into the program isn't necessarily the most useful, because none of your other marketing talks about physical copies. But on the flip side, selling your product as the coach, selling your product to the florists that you coach of having a book as part of the marketing campaign, you probably need to include a physical element because, as the recipients, as the people who are paying you not the end clients, but the florists who are paying you if you can give them a physical book, that product, that marketing product, seems more valuable than saying, oh, we're just going to create a digital version of the book, because they'll perceive it as different. So thinking through each stage of this and what the job of work of each element is super important, which is why we say that there's a million different maybe not a million, but there's lots of different variations of what the product, what the white label product could be, and depending on what you're doing. This is why we have conversations with people to set up the product in the way that makes the most sense. But definitely think in terms of the digital book.
Betsey: One thing that I do for the florist.
Stuart: I mean, we haven't I don't think we've ever worked with any florists, which is I don't know whether I use that as the example, because there's no risk that I'm accidentally talking about client details. Right exactly, or whether it's we should find more florists to market to, but sticking with that as an example. So that book idea is seems like a great idea. I'm not that into flowers, so Lucy is very much so more than me, but yeah, so I'm not that into it. That as a subject seems like an interesting idea because knowing that as a florist, a decent amount of my top revenue producing business is going to be weddings, because you add a zero on the end to anything that starts with wedding at the zero on the end, so that seems to be a high margin business. There's lots of them going on. They're not particularly. Weddings themselves aren't necessarily impacted by the economy. Wedding budgets might be, but weddings themselves aren't.
Betsey: Flower review yes.
Stuart: That's the one with not being too into the subject, did you kind of? The framework of the idea is very clear and very successful and very the details might get lost in the language Exactly.
Betsey: Don't worry about that.
Stuart: Yeah, go ahead so yeah, I was just going to wrap up that first example because again I ran long slightly and got carried away on that particular example. But so, white labeling a book, let's just quickly recap and then we'll go on to white labeling the service briefly. So, white labeling the book, we want. You, as the white labeler, are selling the service to the clients that you work with, so the people in the business that you're writing about. So if you coach florists, it's the florist that you're selling to, not the florist's clients, not the end consumers. So to build that white label package, you've got to make it worthwhile and appealing to the florists themselves. But in order for the project to be successful, it also needs to work for the end user, for the clients. So, in terms of writing it and then executing on the white label projects, you need something that's valuable but relatively generic and universal, and something where there's an obvious call to action and obvious next step that the end users can take in order to identify themselves as potential clients. So that way you can sell the idea of the project, the idea of the white label book you can sell out to the florist clients and they can see some value because they can see the asset that will be created in a way that would be difficult for them to do themselves, or constantly or time consuming, and they can see that there's a clear step to the end product.
Betsey: No yeah.
Stuart: Consider putting their picture on the front, because it might be the black hat example.
Betsey: Right, exactly.
Stuart: Okay.
Betsey: Next up is white labeling the service.
Stuart: Yeah, white labeling the service, so this is less frequent. So we've got a couple of people that we've done and are doing this with. So this is for organizations that have got more of a. It's a higher cost product at the end of the day.
We always want to start with the introduction, which is a background to you how you got into floral arrangement, why you're passionate about flowers in this area and all of the people that you've been able to help. Then you want to talk about the working in the northeast means that a lot of people come wanting these particular arrangements that they see in Instagram, but all of the influencers are in California. Those flowers just aren't available over here. But we've worked and have worked out the Massachusetts equivalent of all of these Instagrammer's influencers images so we can help create that model. And then in the book, talk about a framework of how you set that up for you particular, how you have sourced those flowers, how you interpret the design and then whatever the closes and the call to action around your thing. So white labeling the service as knowing what that structure is, what the framework is that the book hangs on. We can then bring the clients through, asking them those very similar questions that mirror your exact framework.
Betsey: It does and I think you know I mean both are great options. Just depends on where you are, I think you know, in your business or with your specific group. But it really is such a way for someone to get a book out there and not have to put in all the work you know.
Stuart: And it's potentially a stepping stone to something later. I mean having the white label book version now. So you've got something that's out, there, it's. You can almost test all of the funnels and emails and the follow up campaigns and lay all of the track with a white label product and then, if you previously self that it's effective, you've got the opportunity to really dial it in for the specific market that the white label book doesn't come out, the white label book doesn't cover. So the $10,000 of wedding flowers for a thousand on a thousand dollar budget, that's great for that particular funnel.
Betsey: Absolutely.
Stuart: Cool. Well, I think we did the white label subject yeah, that's great.
Betsey: I think, yeah, people listening, hopefully our clients that have already. They, like you said, you've written a book, it's there, you've been using it, you're ready to take the next step, like, okay, this is, I want to offer this to people. Let us know we're. You know that's an exciting thing to do and it's fun to see how many other authors come on board and you know, with the white label project so.
Stuart: Yeah, definitely, if you just send an email to either support a 90 minute books or to me at Stuart S T U ART Stuart at 90 minute books, and we can jump on a call and just smash out some of the details. But yeah, it's exciting and of all of the people that we've seen do this, I think that I mean some of them have had more success than others. Obviously, I don't think anyone's been disappointed in the project. I think some of them have been relieved that we've helped them simplify and streamline it, but it is a pretty quick process to get set up Cool.
Betsey: Okay.
Stuart: Well, thank you for your time. It's always better and everyone thanks for listening. Definitely, if you're interested in white labeling, just shoot as an email. Or if white labeling is not for you but you do have a book that you're waiting to get started, then now is definitely a great time to do it, as everyone's getting back to the office after the summer. Things are picking up again as we head in towards the fall. So, yeah, just reach out to us at support 90 minute books or head over to the website and we're here waiting to help. Okay, thank you, and we'll speak in the next one.