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In recent years, the left seems to have ceded the issue of free speech — or, rather, flipped on it. For years, it defended against censorship, stood up to global imperialism, decried efforts to silence resisters and renegades, and mocked the right for culture war stodginess and pearl-clutching that whined ‘won’t somebody please think of the children?!’ But much of the left has retreated on speech. That turn may have implications for those who work to hold power to account in a world full of fallible human beings who often get stuff wrong, and powerful actors and institutions who use censorship as a cudgel.
——————-FURTHER READING & LISTENING——————-
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Janice, Hart, and Sean — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. We had research and support from Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
5
1717 ratings
In recent years, the left seems to have ceded the issue of free speech — or, rather, flipped on it. For years, it defended against censorship, stood up to global imperialism, decried efforts to silence resisters and renegades, and mocked the right for culture war stodginess and pearl-clutching that whined ‘won’t somebody please think of the children?!’ But much of the left has retreated on speech. That turn may have implications for those who work to hold power to account in a world full of fallible human beings who often get stuff wrong, and powerful actors and institutions who use censorship as a cudgel.
——————-FURTHER READING & LISTENING——————-
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Janice, Hart, and Sean — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. We had research and support from Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
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