Singing Teachers Talk

Ep.250 Building a Musical Theatre Rep Folder That Actually Works with Grace Galloway


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In this episode, Alexa is joined by performer and vocal coach Grace Galloway, fresh from her run in Ride the Cyclone in London. Together they dive into one of the biggest questions for musical theatre performers: how to build a rep folder that actually works in the audition room. Grace shares practical advice on choosing songs you can rely on “come rain or shine,” shaping material to fit different auditions, and finding repertoire that highlights your unique selling points as a performer. From audition stages to song cuts and the myth of the “perfect” choice, this episode is packed with honest insights to help performers create a versatile, confident rep book that can adapt to whatever audition comes next. 

WHATS IN THIS PODCAST?  

1:07 Grace’s best and worst audition experiences 

5:40 The stages of a musical theatre audition  

9:20 How important is song choice?  

16:05 Should you transpose songs for auditions?  

19:25 What is the most common style asked for in an audition at the moment?  

24:20 Mindset in the Musical Theatre industry  

30:54 The current audition ‘buzz’ song 

31:36 What should be in your audition rep folder?  

37:31 Making song cuts   

42:37 A musical theatre rep book case study  

 

About the presenter HERE

 

RELEVANT MENTIONS & LINKS 

Danceworks 

Debbie O’Brien 

Aida 

Pineapple 

Grace sings ‘The Ballad of Jane Doe’  

Harry Blumenau  

Dundee Rep Theatre  

 

ABOUT THE GUEST 

Grace is originally from Liverpool and trained at The Royal Conservatoire of Scotland. She will be appearing as the title role of Rita in Educating Rita at Dundee Rep Theatre this Spring. Grace is also a qualified vocal coach and holds an Estill Figure Proficiency certificate with Estill Voice International. She is a lecturer in voice, repertoire coach and audition preparation mentor at Mountview and Italia Conti. She currently coaches professionals, those in training or those wanting to pursue vocational training. 

 

Theatre credits include: Jane Doe in Ride the Cyclone (Southwark Playhouse), Astrid Kirchherr/On stage MD in Shake It Up Baby! (Epstein Theatre, Liverpool), Diva 1 in Priscilla The Party! (West End), Marchesa Zuliani & 1st Cover Azzurra in the world premiere of Stiletto (Charing Cross Theatre), Donna Marie/Miss Jones/Alternate Mrs Lyons in Blood Brothers (UK tour), The Amazing Adventures of Pinocchio (UK tour), Di and Viv and Rose (The Hope Street Theatre), Velma Kelly (emergency cover) in Chicago (Pitlochry Festival Theatre). TV credits include: G'wed (ITV), Greggs-Bag Some Joy (

🎁 Free Resource: Get your copy of How to Assess the Singer’s Voice with Confidence — a practical guide to help you understand what’s going on in any singer’s voice.  >>> DOWNLOAD HERE

At BAST Training, we help singers turn their experience into a meaningful teaching career. Building the confidence, knowledge, and real-world skills to teach with confidence, clarity, and compassion.

“The BAST Advanced Foundation has given me more than the tools I need to teach — it’s given me confidence, a community, and a future.” Jess McGlinchey, UK

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