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Canada’s 44th general election was a mess from the start. From wondering why it was called in the first place, to culture war wedge politics, the rise of the extreme-right People’s Party, and along to literal stone throwing–or gravel throwing, anyway. You might want to call that a new low. It’s definitely low. But it’s not the first time Canadian elections have been nasty affairs, and it’s not even the first time rocks have been thrown. On this episode of Darts and Letters, we dive much deeper into the gravel pit. We look at past campaigns, examine the much wider political and intellectual history of Canada’s major parties, and show how all of them have sold out Canadian workers.
——————-FURTHER READING AND LISTENING——————
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel. Our first interview is with Dan Denvir of the Dig. More to come! So subscribe today.
If you’d like to write to us, email [email protected] or tweet Gordon directly. And if you haven’t already, subscribe to our show wherever you get your podcasts.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn and our assistant producer this week was Ren Bangert. Our managing producer is Marc Apollonio. David Moscrop wrote the show notes and was a research assistant.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This episode received support from the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
5
1717 ratings
Canada’s 44th general election was a mess from the start. From wondering why it was called in the first place, to culture war wedge politics, the rise of the extreme-right People’s Party, and along to literal stone throwing–or gravel throwing, anyway. You might want to call that a new low. It’s definitely low. But it’s not the first time Canadian elections have been nasty affairs, and it’s not even the first time rocks have been thrown. On this episode of Darts and Letters, we dive much deeper into the gravel pit. We look at past campaigns, examine the much wider political and intellectual history of Canada’s major parties, and show how all of them have sold out Canadian workers.
——————-FURTHER READING AND LISTENING——————
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel. Our first interview is with Dan Denvir of the Dig. More to come! So subscribe today.
If you’d like to write to us, email [email protected] or tweet Gordon directly. And if you haven’t already, subscribe to our show wherever you get your podcasts.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn and our assistant producer this week was Ren Bangert. Our managing producer is Marc Apollonio. David Moscrop wrote the show notes and was a research assistant.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This episode received support from the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
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