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We look at the mind behind Russia’s imperial vision, Aleksandr Dugin. Political theorist Matt McManus walks us through this far-right thinker’s strange and often contradictory ideas, from: his geopolitical clash-of-civilizations narrative, his flirtation with left-wing postmodernism, his Nietzschean great man-visions, his rejection of all things liberal, and his more ancient and mystical imagination.
——————FURTHER READING & LISTENING————————-
Note: Unfortunately, a lot of academic work is paywalled and not readily accessible to people outside the academy. If you ever see anything in our reading list that you cannot access but would like to access, simply email the show and we will do what we can to get them to you.
——————-SUPPORT THE SHOW————————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————
To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected].
—————————-CREDITS—————————
Darts and Letters is hosted and executive produced by Gordon Katic. Marc Apollonio is managing producer. Our lead producer is Jay Cockburn. Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This is a production of Cited Media. We work primarily in Toronto, Ontario, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.
5
1717 ratings
We look at the mind behind Russia’s imperial vision, Aleksandr Dugin. Political theorist Matt McManus walks us through this far-right thinker’s strange and often contradictory ideas, from: his geopolitical clash-of-civilizations narrative, his flirtation with left-wing postmodernism, his Nietzschean great man-visions, his rejection of all things liberal, and his more ancient and mystical imagination.
——————FURTHER READING & LISTENING————————-
Note: Unfortunately, a lot of academic work is paywalled and not readily accessible to people outside the academy. If you ever see anything in our reading list that you cannot access but would like to access, simply email the show and we will do what we can to get them to you.
——————-SUPPORT THE SHOW————————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————
To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected].
—————————-CREDITS—————————
Darts and Letters is hosted and executive produced by Gordon Katic. Marc Apollonio is managing producer. Our lead producer is Jay Cockburn. Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This is a production of Cited Media. We work primarily in Toronto, Ontario, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.
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