Berlin-based Greek artist Valentina Karga talks about:

Her artwork (and project from Max Haiven’s Art After Money…book) Valentina and Pieter Invest in Themselves—the collaboration as well as its ramifications in her greater life as an artist, in terms of their precarity and ‘generating parallel economies;’ her workshop in Glasgow, which eventually led to her project “the Institute of Spontaneous Generation” (2016); her background in architecture, and how it relates to/informs are art projects; a recent project her art students (she’s a professor at HFBK in Hamburg) completed, in which they were instructed to make artworks for the future, and how what they came up with was work that was ‘super negative, like a Black Mirror episode…’ post-apocalyptic, in other words; her project Temple of Holy Shit, which was conducted in a public park as part of a design biennial in Brussels, and entailed turning the human waste of visitors to the park – combined with compost, and the process of anaerobic fermentation – into usable soil…and how the problem with using this process on a wider scale actually has much more to do with the taboos around human waste than the actual science itself; her perspectives about working in collectives or collaborative projects in relation to working on one’s own, and how learning to know oneself is ultimately a necessity in most productively working with others.