In part 4 of my conversations with sociologist Hannah Wohl (author of Bound by Creativity), we discuss:

Competing claims to expertise between artists and gallerists; the fiduciary responsibilities that some art advisors take on, which involves a very pointed analysis of artists’ pedigrees when choosing work for their clients; how art advisors and collectors operate in such a way that perpetuates systems of value based on status signals; how Hannah tries to strike a good balance as an ethnographer, in between being an objective, invisible researcher on one hand, vs. it being too much about the ethnographer’s ego on the other hand (and that balanced approach also applies to her take on the art world); and Antonio Murado, a painter who has produced highly-paid commissions for corporate banks, and in the process grappled with issues around selling out and compromising his work, or, in Hannah’s research terms, he was willing to trod on his creative vision and in the process potentially relegate his work to a lower status level, based on the perception of doing the commissions.