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Misan Harriman is an award winning photographer, activist and Oscar nominated filmmaker. His work shot to prominence in 2020 after he covered protests following the murder of George Floyd. Since then he has continued to shoot protests and has been outspoken in the face of injustices he sees in the world. I met him at his exhibition titled The Purpose of Light in London and am delighted to have him as my 100th guest on the show. We cover creativity, gear and even a smattering of video game chat so for my money this is perfect Prime Lenses.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.
By Iain Farrell5
1111 ratings
Misan Harriman is an award winning photographer, activist and Oscar nominated filmmaker. His work shot to prominence in 2020 after he covered protests following the murder of George Floyd. Since then he has continued to shoot protests and has been outspoken in the face of injustices he sees in the world. I met him at his exhibition titled The Purpose of Light in London and am delighted to have him as my 100th guest on the show. We cover creativity, gear and even a smattering of video game chat so for my money this is perfect Prime Lenses.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

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