In My Skin (2002), Inside (2007), and Martyrs (2008)

While the French aren't widely known for their horror films, when they do enter the genre, it's often something special. A perfect example is Georges Franju's Eyes Without a Face (1960). With its stark realism and dark themes, it established a tone of discomfort and unease that still feels powerful today.

In the early 2000s, a new wave of younger filmmakers took that sense of unease and pushed it much further, deliberately testing the limits of what audiences could tolerate. These films were often graphic, sometimes over-the-top, and frequently dealt with disturbing subject matter that lingered even when the violence or gore wasn't shown onscreen. Often, it wasn't what you saw that was hardest to watch, but the subject itself and the way it was presented.

In this episode, we take on three titles that demonstrate the range of this movement, from deeply subversive and uncomfortable subject matter to films that push gore to extreme levels, while still challenging the viewer intellectually and emotionally. These are films that don't just shock in the moment, they can leave you unsettled for days after they end. That's powerful filmmaking.

Films mentioned in this episode:

Brotherhood of the Wolf (2001), Calvaire (2004), Dark Touch (2013), Diabolique (1955), Eyes Without A Face (1960), Frontier(s) (2007), Get Out (2017), High Tension (2003), The Horde (2009), I Know What You Did Last Summer (1997), In My Skin (2002), Inside (2007), Irreversible (2002), I Stand Alone (1998), Martyrs (2008), The Phantom of Liberty (1974), Raw (2016), Salo, or 120 Days of Sodom (1975), Scream (1996), The Shining (1980), The Tall Man (2012), Texas Chainsaw Massacre (2003), Them (2006), Trouble Every Day (2001)