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When fans spoke out against the Cascio tracks in late 2010, the powers that be behind the scenes tried to silence them. In this episode we hear about the extraordinary lengths that Sony and the Estate went to in an effort to control the narrative, and how two fans in particular found themselves on the wrong side of the law.
DISCLAIMER: Faking Michael is an investigative true crime podcast series co-produced by Damien Shields and Dan Villalobos, and published by Oath! Media. Research, writing and narration by Damien Shields. Original score, sound design and mixing by Dan Villalobos. Additional research by James Alay and Jamon Bull, and the teams at The MJCast and A Truth Untold. Artwork by Stephen Ward with creative direction from Samar Habib. Faking Michael is an independent piece of investigative reporting. All source material is used in a limited and transformative way, for the purpose of commentary, criticism, demonstration and education in accordance with Fair Use guidelines. Some of that material has been edited for clarity and time. If you’d like to contact the Oath! Media team, support our cause, or register your interest in the upcoming book edition of Faking Michael, please visit fakingmichael.com.
4.7
9191 ratings
When fans spoke out against the Cascio tracks in late 2010, the powers that be behind the scenes tried to silence them. In this episode we hear about the extraordinary lengths that Sony and the Estate went to in an effort to control the narrative, and how two fans in particular found themselves on the wrong side of the law.
DISCLAIMER: Faking Michael is an investigative true crime podcast series co-produced by Damien Shields and Dan Villalobos, and published by Oath! Media. Research, writing and narration by Damien Shields. Original score, sound design and mixing by Dan Villalobos. Additional research by James Alay and Jamon Bull, and the teams at The MJCast and A Truth Untold. Artwork by Stephen Ward with creative direction from Samar Habib. Faking Michael is an independent piece of investigative reporting. All source material is used in a limited and transformative way, for the purpose of commentary, criticism, demonstration and education in accordance with Fair Use guidelines. Some of that material has been edited for clarity and time. If you’d like to contact the Oath! Media team, support our cause, or register your interest in the upcoming book edition of Faking Michael, please visit fakingmichael.com.
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